A range of artistic and theoretical proposals on the theme of "laboratories".

An essential anthology of studies on music as it is played and lived throughout the world, from France to the United States via South Africa, which underlines Denis-Constant Martin's crucial role in the sociology of popular music. His works, which since the 1970s have questioned recorded and mediatized music by going beyond established musical categories, are striking in their contemporaneity.

Issues 23 to 26 of the critical review dedicated to graphic design.

A collection of reflections and literary and artistic contributions inspired by the themes at the heart of American writer Dodie Bellamy's work, and driven by the central question “What are we learning from artists today?”

Artist's book.

The interdependence of artistic production and social class.

A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

A collection of photographs and drawings retracing the founding Californian experience of the artist.

The expanded anastatic reprint of the Italian designer's sulphurous catalog of 1973.

A manifesto for possible future music.

A manifesto for possible future music.

The notion of “form” in architecture.

First comprehensive monograph.

Michel Beretti, author, Jérôme Lamy, sociologist, and Élise Parré, artist, joined in a yearlong research project initiated by the Observatoire de l'Espace (the cultural laboratory of the French Space Agency) around the birth of the French space technology and its first spaceport in Hammaguir, Algeria.

First monograph.

This book revolves around the cycle Topography of Terror, initiated by artists Elisa Caldana and Diego Tonus in 2017, and presents the making-of process behind Topography of Terror (19.12.2016) and Never Again, the first two episodes of the cycle.

Between an artist's book, an essay and a catalogue, this publication explores the notion of “installation” in the appropriation strategy developed by the now fictional artist Ludovic Chemarin©, through the conceptual figure of the Kentia palm.

This retrospective monograph, with a dozen previously unpublished texts and a long interview with the artist, reveals the challenges of Portuguese artist Diogo Pimentão's resolutely expanded practice of drawing, informed as much by dance as sculpture or performance.

New monograph.

An essay on the singular universe of the director, scenographer, choreographer, puppeteer and visual artist Gisèle Vienne.

This reference book devoted to the figure and work of the choreographer Alain Buffard (1960-2013) brings together rich testimonies, extensive iconography and unpublished archival documents.

An extended drone work performed on organ, building from a peaceful single note to a harmonically rich and subtile combination of tones.

From 1970s to his death in 2000, scientist, artist and art collector Andreas Züst spent time in Greenland, photographing ice in its most diverse forms. This publication gathers a selection from this extensive collection, alongside contextual essays.

A study attempting to put the authorship of God back into perspective with the help of new sources and to explain why this is actually a work by Morton L. Schamberg.

Kassel Jaeger's first solo LP with Shelter Press—a remarkably intimate and forward-thinking aural balm, bristling with complex beauty.

A clothbound companion to Marina Abramovic's tribute to Maria Callas, a performance that recreates the iconic opera diva's famous onstage death scenes.

Reference monograph, collecting the past 10 years of Marcos Lutyens' research and career, with two essays and detailed introductory texts for each project.

Drawing on extensive documentation and unpublished sources, this collective publication proposes an ambitious re-examination of Hans Hartung's prolific work and eventful personal trajectory as an actor in a broader history of abstraction, which also provides a fertile matrix for many other reflections on twentieth-century art.

A retrospective.

First issue of the international journal on amateur and DIY media.

An anonymous and parasite book that disrupts the rules that codify publishing.

Émilie Notéris focuses her analysis on artworks created by women in the twentieth and twenty-first centuries, in a book that is at once literary, aesthetic and political.

The first major monograph dedicated to Michael Schmidt (1945-2014), a central figure in contemporary German photography.

The “catalogue dé-raisonné” of all the printed matter produced by tThe independent publishing house Beau Geste Press, that federated visual poets, neo-Dadaists and international artists affiliated with the Fluxus movement from 1971 to 1976.

Reference monograph: the most comprehensive introduction to the Korean artist's postcolonial and feminist approach.

Publication including the films Transformation Scenario, 70.001, and Faux Terrain, as well as a visual essay, a glossary and texts by Heike Geißler, Fanni Fetzer, and Franciska Zólyom.

In this book, together with Pierre Chabard, Philippe Vander Maren and Richard Venlet explore and explicit the design process of House D through a set of unpublished work documents such as sketches, scale models, series of annotated plans, collages and pictures.

A comprehensive look at the unique artistic work of German photographer Annette Kelm and the visual idiom she has developed over the course of her career.

From Audre Lorde and Adrienne Rich to Basma Alsharif and Pauline Oliveros, Deux Soeurs brings together a chorus of voices that explore representations of parenthood, friendship, and disobedience.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

It is a form of spiritual revolt that Spanish architect Carlos Martí Arís highlights through a transversal analysis of different artistic expressions that combine to enrich his reflection.

The collection of essays on art by the philosopher and critic Boris Buden constitutes a history of post-communism studied through that of works of art.

Oracular Transmissions weaves together three of the most recent collaborative projects Etel Adnan and Lynn Marie Kirby have completed through processes of exchange and translation: Back, Back Again to Paris (2013), The Alhambra (2016), and Transmissions (2017).

A collection of commissionned translations of a selection of key texts about Intermedia and Expanded Cinema in Japan.

The first published collection of the work of playwright and artist Asher Hartman and his Gawdafful National Theater company.

This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew.

Of plants and men.

Catalogue of the last solo exhibition of Ettore Spalletti (1940-2019).