A mapping of the international landscape of technological archives.

The 2026 wall calendar designed by Studio Manuel Raeder featuring contributions by Martha Hellion, Andreas Sell, Álvaro Urbano & Petrit Halilaj, Heinz Peter Knes, Anna M. Szaflarski, Pablo Schlumberger, Nick Mauss, Cosima zu Knyphausen, Ieva Epnere, Shirin Sabahi, Yoshie Sugito, and Mariana Castillo Deball.

The "doing" in art and design research.

Three years of exploring avenues opened up by eco-design: from physical environments to imaginary ones, from a focus on resilient uses to new collective narratives (box set containing the three volumes S'attacher, 2023, Produire, 2024, and Prendre soin, 2025).

Focusing on contributions that explore composites as forms of art and design, as research methodologies and practices, and/or as theoretical concepts, issue 60 of the journal Azimuts proposes look at composites as a way of presenting or representing realities.

How the right wing is ruining culture, part II; in Sicily, humanitarian flotillas bound for Gaza are on the US Army's radar; Alice Diop and the Black Venus; Iraqi singer Sajda Obeid unites the country; theater according to Sylvain Creuzevault; the British left reveals fascism...

An interdisciplinary and critical examination of the role of hope in contemporary art and activism.

An anthropological-acoustic study of the aftermath of war.

Maria Clara Araújo dos Passos examines the interplay of education, identity, and liberation in Brazil's travesti community.

First monograph.

A story by Ariella Aïsha Azoulay about traditional crafts and the power of community, in an illustrated children's book in two complementary parts, French and Arabic.

First monograph.

Looking at the white gaze on Black life, art, and being, Chipo Chipaziwa's first book explores five years of her past performances without any photographic depictions of her body. Instead, she relies on the written word—with texts penned by herself, as well as by Denise Ferreira da Silva and Olumoroti Soji-George—and on art: paintings, drawings, and prints by Margaret Joba-Woodruff, Sophia Lapres, and David Ezra Wang.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

First monograph, featuring the artist's long-term research on the colonial and neo-colonial relations between Italy and Libya through a critical engagement with the Italian "archive of coloniality" and its structural violence.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.

Donald Judd's formative years and recognition in the Low Countries and Europe between 1965 and 1971.

A collection of poems by artist Tiziana La Melia.

The first monographic publication dedicated to the collected works of artist Margherita Moscardini.

German artist Leila Orth deals with the question of what places of remembrance there are and can be.

An artist's book composed of six loose A3 sheets, folded in half and assembled at random, which can be taken apart and framed, and which together form an anthology of Sam Porritt's drawings of the last twenty years.

This publication is part of Farid Rahimi's eponymous multimedia project, the fruit of long-term research into the memory of Afghanistan, the country of origin of the artist's father.

The first issue in a collection of typographic specimens, each inviting a designer to create a fictional story around one of their typefaces, this volume is by Grégoire Romanet, who has repurposed 18th-century Texas Cattle Brand symbols to create a typeface.

Comprehensive documentation of the Italian artist's latest works, in which he playfully explores the theme of light.

An artist's book composed of fragments of texts from different eras and contexts—literary, science fiction, philosophical, scientific—all centered on the theme of the subterranean.

A series of pencil drawings by Japanese artist Emi Ueoka depicting youth in their everyday urban environment.

A monumental retrospective spanning over 1,000 pages of the Chinese artist's creative practice from 1996 to 2025, organizing his thirty-year journey into six chapters, each covering a five-year period.

Coloring Book II by Dr. Lakra is the second book published by the artist in collaboration with BOM DIA BOA TARDE BOA NOITE.

This collection proposes instituting as a potentially critical methodology in curating, art making and organizing as an unsettling process that produces forms and structures.

A book inspired by the artist's research in intersectional environmentalism, deep listening, and decoloniality.

A dive into the fascinating and enigmatic pictorial universe of the Chinese artist who assembles poultry and Buddhas in hyperrealistic and surrealistic narratives tinged with dark humor.

The other side of images in cinema, between phenomenology, art history, literature and ecology.

Comprised of two expansive, sidelong pieces composed entirely on the Serge Modular synthesizer, The Dip signals a subtle yet significant shift in the Berlin-based artist and composer Thomas Ankersmit's trajectory, imbuing the hyper-physical, psychoacoustic intensities of his live performances with introspective, atmospheric, and even melodic elements.

First published in 1998, Nicolas Bourriaud's Relational Aesthetics laid out a thesis for art's turn towards participation, experience, and the whole of human relations. Over twenty years after its original release, Relational Aesthetics has been updated with a new translation by Denyse Beaulieu and a new foreword by the author.

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

An overview of the multifaceted work of designer and set designer David Dubois, with a text by critic Jeanne Quéheillard.

Centered on the emblematic figure of Pontus Hultén (1924–2006), this issue of Revue Faire explores the director's publishing work during his time at the head of the Moderna Museet in Stockholm, from 1960 to 1973.

Deeply shaped by his long-term residence in Indonesia, the conceptual practice of Italian artist Marco Cassani engages with the country not as a tourist or detached observer, but as an active participant in navigating the reconfiguration of authorship in a globalized landscape.

This book, the first dedicated to the work of Michaela Sanson-Braun, traces thirty years of practice across Germany, London, and France. Bringing together paintings, drawings, collages, sculptures and installations, it also features sixteen paintings conceived especially for this publication and printed on uncoated paper.

This second edition of Alcove deepens the archive of Modern Arab art through 30 new personal essays.

A compilation of all the covers created by Spanish illustrator Javi Aznarez for Wes Anderson's film The French Dispatch.

This unprecedented catalogue collects over 300 pieces reated by Adriano Costa over three decades, listed in alphabetical order—titles are a key part of Costa's works—, alongside new writing by Fernanda Brenner and Milovan Farronato, two critics who have long followed and championed the artist's practice.

A visual and text based investigation led by Moroccan artist Bouchra Khalili during many years following the traces left by the Mouvement des travailleurs arabes, a group fighting for the rights of the Arab workers in France at the turn of the 1970s.

Production of exhibitions and production of discourse on exhibitions.

Easily one of the most striking and memorable releases by either artist to appear in recent years, Sergio Armaroli and David Toop's "And I Entered Into Sleep", issued as the tenth and final album in Die Schachtel's Decay Music series, traverses uncharted realms at the borders of literary reference, sound art, ambience and abstraction through delicately musical sounds, revealing new depths at every turn.

In The Office, stylist Camille Bidault-Waddington uses her iPhone to document the labor of fashion photography, capturing the process behind the finished image.

The first in a series of books dedicated to Jean Jullien's paintings, this book uses paper formats to contrast the artist's preparatory notebooks with exhibition views of his paintings of Mediterranean environments.

A poetic wander through the city of Kyoto, between observation and listening.

An aural bridge between two distinct generations of Italian experimental and electroacoustic musicians, "Liminale" is the debut collaborative outing from the creative partnership of Luigi Turra and Elio Martusciello.

Five dance pieces and an iconographic imaginary in convulsion: making the most of these ingredients, Alexandra Balona engages with the work of Cabo Verdean choreographer and dancer Marlene Monteiro Freitas.