A vinyl record somewhere between scratching and sound poetry.

Signed and numbered edition, including a picture disc, of the boxed publication bringing together drawings, photographs, texts, printed matter and a sound piece, extending the artist's project beyond the space and time of her exhibition at Kunsthaus Biel / Centre d'art Bienne (KBCB).

Claire Tenu's photographic landscape studies.

Claire Tenu photographs the apartment-artwork of a friend and artist in Warsaw, furnished entirely with shopping carts from a home improvement store and tires.

A reflection on the autonomy and eternity of art by Canadian writer Madeleine Thien, based on a mural in the Thousand Buddha Grottoes of Bezeklik, China.

The first publication devoted to the complete works of André Valensi, this monograph contextualizes the artistic practice and pictorial vocabulary established in 1969–1971 with Supports-Surfaces and developed over three decades until 2001.

Julie Vayssière explores the potential of a list of words taken from a dictionary.

A selection of unreleased or hard-to-locate works from 2003 to 2008, a very prolific and creative period for the Californian artist.

This box set features four CDs of previously unreleased tracks and two CDs of songs recorded for compilations. The material spans the period from 1988 to 2003. It includes a 32-page booklet containing an essay by Steve Roden on his music and track-by-track notes.

A collection of essays on audio archives of poetry.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

This illustrated volume investigates the cinematic, documentary, and video output of women artists and filmmakers operating in Italy in the 1960s and 1970s, situating their research at the intersection of artistic experimentation, politics, society, and technology.

An issue of the Clubbing fanzine dedicated to the Times Bar, a venue in Berlin run by the two American artists Calla Henkel and Max Pitegoff, dedicated to the German capital's large community of expatriate artists.

An artist's book based on Laila Hida's long-term project exploring fantasized representations of palm trees, the desert, and oases in Western popular culture.

A series of portraits of Marilyn in the intimacy of an unmade bed, taken by the American photographer in 1961 (leporello).

J. Logan Smilges's essay "Bad Listeners" argues that traditional ideas about "good listening" in feminist and rhetorical theory can exclude neurodivergent and disabled people. Smilges challenges the assumption that ethical, caring, or politically responsible people should always be able and willing to listen. This leads to an important reframing of "bad listening" as an issue of access.

Aeolian Suite is a publication that offers a porous extension of Jenna Sutela's work presented at the Pavilion of Finland at La Biennale di Venezia 2026, where meaning drifts, gathers, and slips away. Accompanied by a vinyl record featuring excerpts from the work's original score, it brings together the project's dispersed elements of sound, movement and atmosphere in a form that can be held yet remains in flux.

A boxed publication bringing together drawings, photographs, texts, printed matter and a sound piece, extending the artist's project beyond the space and time of her exhibition at Kunsthaus Biel / Centre d'art Bienne (KBCB).

Lotus L., Michaël Borremans, Jenna Sutela, Florentina Holzinger, Rose Salane, Bella Newman, Ivan Cheng, Sarah Brahim, Ian Waelder, Luzie Meyer, Archive Hans Haacke, Henri McMaster, Whitney Biennial 2026, Tracey Emin, Brook Hsu, Sanya Kantarovsky, 61st Venice Biennale...

The role of light in contemporary art.

A tour of works by artists Georges Rousse and Vladimir Skoda created in rural public spaces as part of an art biennial in a small village in Saône-et-Loire, in the Burgundy region.

A collective exploration of the murky area where practices from sound art, visual arts, performance, digital technologies, science, but also poetry and philosophy intersect in a constantly evolving digital environment, drawing on the cross-disciplinary dynamics and experiments initiated by the international festival ]interstice[ in Caen.

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

A genealogy of the modern artist.

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art (also available in English edition).

A true artist's book, the catalogue for the Greek Pavilion by Andrea Angelidakis, an exercise in speculative storytelling which offers a non-linear historical account from 1934 (the year the pavilion was built) to today.

An intimate journey through the Lettrist movement via the collection and library of Hans Naumann (born in 1933 in Germany), one of Maurice Lemaître's most trusted collectors and one of the most important Lettrist bibliophiles, who has assembled a vast collection of rare or unique works and books related to this avant-garde movement founded in 1946 by Isidore Isou and still largely overlooked.

A portrait of a unique artist family.

A comprehensive guide to the monumental, immersive installation created by Nabil Nahas for the Lebanese Pavilion at the 61st Venice Biennale.

Gender is Over is a story about Warsaw's queer art scene at the turn of the 2010s and 2020s, written from the inside (Polish edition).

This new monograph offers a fresh and international perspective on the relationship between Journiac's work and the sacred.

A transversal and analytical reading of Éric Baudart's entire body of work.

The 2025 Ringier annual report (artist's book).

The second monograph on artist Sarah Tritz looks back on the last ten years of her work.

A 33-year journey through the Venice Biennale (1993–2026).

An immersive road trip in the footsteps of American writer Harry Crews (1935–2012), by Yann Stofer and Julien Perez: a book featuring film photographs, video clips, and audio excerpts, set in "an America unaccustomed to visits from foreign tourists."

Comprehensive and previously unpublished documentation on the unproduced magnum opus of American composer Maryanne Amacher (1938–2009).

Leszek Brogowski sets out in search of the milestone markers.

A selection of texts by Valentine de Saint-Point, emblematic of both the Belle Époque and anticolonial militancy.

The publication traces Andreas Valentin's lifelong relationship with Brazilian avant-garde artist Hélio Oiticica (1937-1980).

A fresh perspective on the oeuvre of the Belgian abstract painter Luc Peire (1916–1994).

A fresh perspective on the oeuvre of the Belgian abstract painter Luc Peire (1916–1994).

On the occasion of Megan Francis Sullivan's solo exhibition at Kunsthaus Glarus, this publication serves as a visual essay bringing together materials related to the project's production and reception.

A new monograph on the Italian artist Chiara Camoni, published in conjunction with her exhibition at the Italian Pavilion of the 61st Venice Biennale.

An artistic and documentary exploration of the transformation of the Swiss Cultural Center building in Paris and the renovation process carried out between 2022 and 2026 by the architectural agencies ASBR (Paris) and Truwant + Rodet + (Basel).

A historical and thematic book that aims to tell the adventure of the Casablanca Art School, through a polyphony of stories, experiences and actors.

Cura. #46 – Soft Power presents artists redefining the geographies of contemporary art. The issue brings together techno-cultural and postcolonial identities, decolonial futures, speculative imaginaries, and narratives rooted in memory, home, and history.

A new approach to the work of Félicien Rops (1833–1898) through a vast collection drawn from a private archive, which more broadly explores the various issues surrounding the very concept of collecting.

A selection of samples, models, and furniture representative of the work produced by the design studio formed through the collaboration between Bernard Quirot's architecture agency and the designer and cabinetmaker Paul Michelon.

The second issue of the journal dedicated to science-art dialogue focuses on the Belle Morue research-creation project.