A transatlantic dialogue between the complementary collections of the Mia and the MAMC+ that traces, through more than 100 works by some 40 artists, key milestones in American art from 1950 to the present.

Eroticism and sexuality in Marina Abramović's work.

A work conceived as an installation, as part of the project created by Amina Agueznay for the Moroccan Pavilion at the 61st Venice Biennale.

The story of Tony the Donkey! A children's book illustrated by Artur Varela (1937–2017), completed shortly before the Portuguese artist's death, adapted and published posthumously by Daisy Publishing.

Published on the occasion of Eglė Budvytytė's representation of Lithuania for its national pavilion at the 61st Venice Biennale, this book offers an overview of the artist’s interdisciplinary practice.

Retrospective monograph.

A reflection on the power of writing, based on the work of the Swedish artist and writer Öyvind Fahlström (1928–1976).

A legendary artist's book finally reissued in an updated and revised version, Enseigner et apprendre, a truly collaborative work, provides a valuable introduction to Robert Filliou's work and his pioneering and innovative ideas on the educational dimension of artistic creation.

The first monograph on the Paris-based Algerian artist, whose strikingly realistic paintings meticulously explore the movements of the body in intimate spaces.

The catalog accompanying the provocative performance installation by Austrian artist and choreographer Florentina Holzinger, presented at the 61st Venice Biennale.

For her long awaited second monograph, Liz Johnson Artur follows the legendary London club scene PDA and the community that created it.

The first major retrospective dedicated to the work of photographer Andy Julia.

Le Un ensemble orchestra, accompanied by a group of guest researchers, continues its sonic, musical, and poetic experiments as it travels downriver along the Gironde estuary.

A retrospective of the visual work of Aleksander Lebedev-Frontov, a key figure in Russia’s post-Soviet underground culture.

The artist's photographic view of the folk tradition that celebrates Swiss tobacco culture by introducing young children in Appenzell to smoking.

Ivan McClellan's "Eight Seconds" is the result of more than a decade spent living inside Black Cowboy Culture.

A poetic, gestural, visual, and semantic exploration that extends the Canadian multidisciplinary artist's work on language and the body into the pages of the book.

Hana Herimerdinger pays tribute to the studio practice of her father, Jonathan Monk, and invites us to take a behind-the-scenes look at his work.

First monograph / artist's book.

This book brings together poetic and theoretical texts about Callisto (a woman with a bear's head, a writer and a mythical figure), using metaphors as a form of anti-capitalist resistance.

The years of war and exile of Constant Permeke.

The years of war and exile of Constant Permeke.

First monograph.

Artist's book (zine).

Zenit brings together photographs, films, and light-responsive installations by Berlin-based artist Shirin Sabahi. Shown in non-chronological order, and some for the first time, the photographs ground her artistic roots in photography—at times as a study, and at others as the work itself.

The first major monograph dedicated to Dutch artist Charl van Ark.

A children's book by Johannes van de Weert, a veteran of the punk underground (Rondos, The Ex, Red Rat, Raket).

First monograph.

Leïla Grace Voight’s debut novel: the story of two parallel confinements, told in forty-three scenes by twenty-one women and twenty-two men—all visual artists—accompanied by an emerging AI, an anti-COVID superheroine.

A retrospective of the work of American artist Kiki Smith, who, through an extremely diverse range of media and techniques, focuses on the multiple forms that connect living beings to their environment.

A true odyssey of design, featuring pieces from a dozen French heritage institutions, and a narrative structured as a play of mirrors between forms, words, and gestures.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

The classic question of “proof by image” rethought in the light of contemporary practices and technological developments, notably the transformation of the way images are captured and circulated in the digital age.

The third issue, titled "Opacity", of Flash Art's yearly review.

The first retrospective of the work of Jean-Claude Guillaumon (1943-2022), a self-taught artist who defies categorization, associated with the French Fluxus scene, avid practitioner of happenings and other forms of ephemeral art.

Based on the relationship between the visible and the invisible in the development of Antoni Muntadas' projects, this publication examines the five series of works that bring together significant projects reflecting Muntadas's artistic approach since 1999.

The first reprint since its 1970 release of Bruno Munari's legendary artist's book Xerografia: an intimate look into Munari's groundbreaking experimentation with the Xerox machine, where technology becomes a tool for poetic and visual exploration.

The first reprint since its 1970 release of Bruno Munari's legendary artist's book Xerografia: an intimate look into Munari's groundbreaking experimentation with the Xerox machine, where technology becomes a tool for poetic and visual exploration.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

An important collection of poems by Jimmie Durham (1940–2021).

An unapproved Wikipedia draft authored under the conceptual label Jeff Wall Production, initiated by curator and essayist Pierre Bal-Blanc.

An exciting exploration of the imaginary world of Belgian artist Panamarenko, who became internationally renown for his groundbreaking creations connecting art with science and technique.

A book dedicated to the last drawings created between 2021 and 2022 by Gianfranco Baruchello, who passed away in January 2023.

On the forms of sabotage, insubordination, and invisible activity that evade the terrain of politics.

An artists' book in which Anri Sala interacts with the corpus of paintings by Edi Hila.

Conceived as a hybrid between an exhibition catalogue and a fashion lookbook, as well as a document of their practice and a sculptural object in its own right, the Women's History Museums' first publication interweaves newly commissioned texts with illustrated image spreads that reference iconic precedents, from Matsuda's 1990s lookbooks to early Vivienne Westwood.

A transcript of a lecture by Harun Farocki exploring the relationship between architecture and cinema.

A reflection on our present, through a series of portraits of contemporary artists.

A collection of portraits by Pieter Henket that focuses on a new generation of young Mexicans who are redefining contemporary expressions of gender, identity, tradition, and spirituality.

Why continue to produce objects today? In a world saturated with artifacts and facing ecological urgency, the very legitimacy of production seems to waver. Starting from this question, issue 61 of Azimuts brings together designers, researchers, artists, and students around contemporary object practices.