Collection of poems and drawings by the Korean artist.

A collection of sound works by Fluxus artists and affiliates (with Walter Marchetti, Juan Hidalgo, La Monte Young, Ben Vautier, Wolf Vostell, Milan Knižák, Robert Filliou, Alison Knowles, Emmett Williams, John Cage, Joseph Beuys, Yoko Ono, Dick Higgins, Philip Corner, Eric Andersen, Robert Watts, Nam June Paik, and Ken Friedman).

Originally released by Multhipla Records, The Entire Musical Work of Marcel Duchamp is a collection of experimental pieces composed in 1913 by the legendary artist, and executed by Petr Kotik and the S.E.M. Ensemble in 1976. Employing chance operations and non-musical sounds, Marcel Duchamp's musical oeuvre predated some radical concepts developed forty years later by John Cage.

Taking as a point of departure a photograph of actress Jane Fonda in Vietnam, Jean-Luc Godard and Jean-Pierre Gorin reflect on the role of intellectuals in the revolutionary process. Originally published in 1972, this Letter to Jane is one of the last texts issued by the two founders of the Dziga Vertov Group.

An introduction to the notion of behavioral object based upon a case study on three emblematic works by Céleste Boursier-Mougenot.

An overview of the fruitful long-standing collaboration between Amelia Cuni, specialist of Indian dhrupad singing, and minimalist experimental musician Werner Durand.

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

Recordings from Riehn's student years, including two versions of the composer's electronic translation of Lautreamont's masterpiece.

An acoustic-phonetic approach of book's corporeality in 38 tracks.

A collection of texts defining utopia as a place existing only within the domain of language, Utopia gives a synthesis of historical utopias and a snapshot of the 1970-1980's poetic scene.

French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.

The complete PDF edition of the avant-garde journal Change, created by Jean Pierre Faye in 1968: 42 facsimile issues in a 8482-page file with free-text search engine.

For Bunita Marcus is a piano piece recorded in 1986 by contemporary composer Morton Feldman. Guillaume Belhomme revisits the singular relationship he shares with this track and gives a sharp analysis of it. This reeissue is completed with a fictitious letter from Feldman to American painter Philip Guston entitled Une minute, une seule.

Animals questions through a poetic approach the modernist apprehension of time and locomotion, in the realm of today.

A tribute to Canadian pianist Paul Bley, a portrait of Polish musician Zenial, Parisian reference record store Souffle Continu, interviews with Art Kill Art, Sarah Hennies, Daniel Buess, carte blanche to multidisciplinary artist Noémie Sauve...

This publication is based on the albums the artist conceived during his tenure at the Bauhaus, and presents, for the first time, photographs and documents, personal as much as artistic, on this key moment of the modern period. It is also the first opportunity to discover this primary material, in a format reproducing the original albums.

French band Cabaret Contemporain revisiting New York underground legend Moondog with the two Swedish singers Linda Olah and Isabel Sörling.

French band Cabaret Contemporain revisiting New York underground legend Moondog with the two Swedish singers Linda Olah and Isabel Sörling.

Drawing relations between writers' quotes and the works of Céleste Boursier-Mougenot (with a text by Benoît Viguier).

New monograph.

Issues results from the invitation made to Sébastien Roux to compose from the six issues' collection of the contemporary art magazine about sound Volume, released between 2010 and 2013, using the textual corpus as a generator of scores to write and eventually have performed.

Avant-garde meets Cinecittà: in 1964, artists Baruchello and Griffi edit found footage of Hollywood films from the fifties in Italian version. This original assemblage seeks to disclose the formatting process in the Cinema Industry and offer a new meaning to images.

An extensive documentation on Céleste Boursier-Mougenot's installation for the French Pavilion of the 56th International Art Exhibition of the Venice Biennale.

A concrete / post-digital oratorio in 5 parts.

A concrete / post-digital oratorio in 5 parts.

A piece for voice(s) an dead electronics with Loré Lixenberg (mezzo-soprano).

Special offer: the two complementary monographs États seconds and Perturbations.

New monograph.

Comprehensive monograph: the first survey of first generation Bauhaus artist Xanti Schawinsky's extraordinarily prolific output over the course of five decades.

Published in homage to Pier Paolo Pasolini, this edition (conceived by Alfredo Jaar) features the poem imagined in 1954 by the Italian filmmaker while visiting the grave of Italian Marxist revolutionnary Antonio Gramsci. In this poem, Pasolini meditates on life in front of Gramsci's tomb, evoking themes such as politics, poetry, sexuality, and Italy.

An intimate portrait gallery of Ari Marcopoulos' brother (artist's book).

Second (and last) volume of the short retrospective of the blog Au grisli clandestin, a visual annex of the musical website Le son du grisli.

As a body of repertoire, these 150 pieces of Christian Wolff are remarkable for their freshness of musical thought and energy (John Cage considered Wolff to be the most “musical” of the experimental composers).

First monograph.

Lasse Marhaug, Les Instants Chavirés, William Basinski, Uzeste Musical / Cie Lubat de Gasconha, a history of musical destructions by Matthieu Saladin (on John Cage)...

Artist's book.

This artist's book / CD includes an innovative work made of sound and pictures related to an installation made by the artist in Japan in 2012.

On Art and Film, Art and Moving Images, Ross Birrell and David Harding, Yve Laris Cohen, Con Jobs, Douglas Coupland, Heinrich Dunst, Jimmie Durham, Ed Fornieles, Brennan Gerard and Ryan Kelly, Patrick Jackson, Wyatt Kahn, Amar Kanwar, Isabel Lewis, Liberation through Laziness, Heather Phillipson, Organic Photography, Torbjørn Rødland, Surrealism and Tags, Philippe Thomas, Brad Troemel, The Artist as Curator (Richard Hamilton and Victor Pasmore, John Cage)...

A short retrospective of the blog Au grisli clandestin, a visual annex of the musical website Le son du grisli.

An historical and theoretical investigation into art teaching and transmission.

Renunciation as an artistic practice.

Bernard Heidsieck's typescripts.

The first poetry book wrote by the visual and sound artist Felicia Atkinson.

Esther Ferrer, PaaLabRes, Eric Cordier, Le 102 in Grenoble, Lionel Marchetti, a history of musical destructions by Matthieu Saladin...

A retrospective overview of the 11th edition of the Lyon Biennale, curated by Argentinean curator Victoria Noorthoorn, with a focus on the two parallel programs “Veduta” and “Resonance”, held in the Lyon conurbation and its region.

An investigation into the uses of “sound document” in music, since the beginning of phonography.

Reference monograph, with an essay by Okwui Enwezor, images of the most recent exhibitions and public interventions, as well as a selection of the artist's emblematic installations and press works since the mid-1980s.

A text by Christof Migone on a history of sound art and its relation to performance.

The visual score of L'Étonnement sonore by Carole Rieussec, Johann Maheut, and Guillaume Robert; Faire un bruit qui me ressemble, Vomir and Francisco Meirino, by Kasper T. Toeplitz; John Cage's Williams Mix reinterpretated by Valerio Tricoli and Werner Dafeldecker; Anna Halprin and Morton Subotnick's Parades and Changes; Quelques compositeurs du Royaume-Uni by Tim Parkinson; Ring Modulation 3, la pensée électronique by KTT...