, “I think it's time to break off…”
Documents sur l'art, no 2,
interview with Olivier Zahm
Stephan Geene, Wishing to be in Paris, led to be in
Berlin or different ways to escape
Axel Huber, visual insert
interview with Roberto Ohrt
Maija Timonen, Looking the part –
The Empty Plan by Anja Kirschner and David Panos
Clara Schulman, Gerard Byrne, “In San Francisco
they say, “Flash on it””
, Ken Okiishi,
Richard Prince, American Prayer
Henrik Olesen, La maculée
Henrik Olesen, The Immaculate
Rirkrit Tiravanija, The days of
this society is numbered
Koenraad Dedobbeleer, The duplication
Contrary to Intuition,
Let's Begin with an Image
UNITED BROTHERS (Ei
Arakawa & Tomoo Arakawa).
Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, twice a year,
contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields.
An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.
Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also
intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisment typical of our time. This implies a dialogue with forms of critique produced in other fields.