A retrospective of a deeply prolific and fruitful period in Huguette Caland's career, spent in Paris between 1970 and 1987, during which the Lebanese artist, giving birth to her joyful eroticism and freeing herself from all conventions, reinvented herself and produced some of her greatest masterpieces.
Published on the occasion of the eponymous exhibition at Mennour, Paris, from November 14, 2024 to January 25, 2025.
Huguette Caland (1931-2019) was a Lebanese artist considered, along with Shafic Abboud,
Etel Adnan, Yvette Achkar and
Helen Khal, to be one of the leading figures of contemporary
Lebanese art.
Born in Beirut, the only daughter of the first post-independence president of Lebanon Bechara El Khoury, Huguette Caland observed the blossoming of Lebanon's creative and cultural scene as Beirut become a metaphorical jewel and the seat of many conjured mythologies. Following her father's death, and now married to Frenchman Paul Caland and with three children, she completed her first painting in 1964 and informally enrolled in art and design classes at the American University in Beirut (AUB). During this formative period she began a lifelong friendship with the bold and brilliant artist, educator, gallerist, and author Helen Khal, one of the many notable friendships of her career. In 1970, Caland left Beirut for Paris and there began one of her most storied collaborations, with the fashion designer Pierre Cardin who invited her to design a series of dresses and caftans. Having relocated again to Venice, California, in 1987 she became a doyenne of the Los Angeles art scene, regularly hosting fellow artists at her home, including
Larry Bell,
Chris Burden, and one of her dearest comrades, Ed Moses.
For Caland, the body was an unceasing point of obsession and a centrifugal point of investigation. Lithe in outline, her art—erotic compositions on paper, expressive collages, layered self-portraits, and her celebrated 'Bribes de corps' paintings cumulatively manifest a composite image of a body in perpetual motion. Hers is a figure that refuses to be contained by logic or ideology, a self that is not prescribed by others but instead open to all of life's possibilities, its people, and their interpretations.
