les presses du réel

Pidginization as Curatorial MethodMessing with Languages and Praxes of Curating

Bonaventure Soh Bejeng Ndikung - Pidginization as Curatorial Method
In this compelling rethinking of curatorial practice, renowned museum director, curator, and writer Bonaventure Soh Bejeng Ndikung proposes that Pidgin languages and pidginization as a mode of being and doing offer a decolonialized reinvention of communicative practices—a space in which the boundaries between disciplines of knowledge collapse and sociopolitical, economic, ethical, and spiritual concepts and questions are renegotiated.
Written as a series of powerful anecdotes, the book grounds its provocative ideas in personal, cultural, and political histories of challenge and improvisation, and argues, as Ndikung writes, that "pidginized curating is a curating that combines works, ideas, practices, and languages in resistance to canonical conventions, cultural stasis, ossified practices, dead rhythms, and singular forms."
Bonaventure Soh Bejeng Ndikung (born 1977 in Yaoundé, Cameroon, lives and works in Berlin) is an independent art curator, art critic, author and biotechnologist. He is founder and artistic director of SAVVY Contemporary Berlin and editor-in-chief of SAVVY Journal for critical texts on contemporary African art. He was associate professor at Muthesius University Kiel, and is currently guest professor in curatorial studies at the Städelschule in Frankfurt. He was curator-at-large for documenta 14, and was a guest curator of the 2018 Dak'Art Biennale in Senegal. As part of the Miracle Workers Collective, he curated the Finnish Pavilion at the Venice Biennale in 2019.
Edited by Steven Henry Madoff.
published in April 2023
English edition
11,2 x 17,8 cm (softcover)
64 pages
ISBN : 978-1-915609-08-3
EAN : 9781915609083
in stock
topicsBonaventure Soh Bejeng Ndikung: other titles

Bonaventure Soh Bejeng Ndikung: also present in

 top of page