Germany

The latest album by Iranian-American electronic music producer Sote is an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening.

A poem written by the artist for the space of the book composed only of punctuation marks.

169 fundamental free jazzrecords recommended in 180 pages by Maurizio & Roberto Opalio (My Cat Is An Alien) and Philippe Robert, from must-have classics to indispensable curiosities.

Schürmann's lecture on Marx emphasizes the philosophical axis of the German theoretician's work and reads it as a transcendental materialism.

In response to recent discussions about the value assigned to artworks, art critic and theorist Isabelle Graw introduces the term "value reflection", focusing on the artistic production of three individuals—Francis Ponge, Jack Whitten and Banksy.

Mario Pfeifer's most extensive monograph to date.

Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s.

A philological and theoretical rereading of the late work of Johann Georg Hamann (1730-1788).

First vinyl release of the classic album of 2001, remastered by Stephan Mathieu.

The seventy-three sonnets, unpublished in French, written by Walter Benjamin in memory of his friend Fritz Heinle, a poet who committed suicide at the age of 19, in despair or in protest against the advance of the First World War (bilingual edition).

The first study of all the archives and documents relating to the artist's museum created by Martin Kippenberger.

An exploration of the synesthetic phenomenon, where language and perception interweave in poetical ways.

Olaf Holzapfel's and Guido Yannitto's textile works.

Jupiter is the monograph of the artist Andreas Sell by the curator Joel Mu and the outcome of their collaboration. It includes a selection of Andreas Sell's work of the last fifteen years, an essay in five parts by Joel Mu, and a poem by Alice Heyward.

"Night Music" unearthes Sven-Åke Johansson's very first recordings from 1964—made with his Tandberg tape recorder in the Kronenburg Bar, a dive bar in the red-light district in Münster/Westfalen (West Germany). There he performed jazz versions of popular songs and standards with Uwe Wegner (piano) and Gerold Flasse (double bass), sometimes joined by Dutch singer Jenny Gordee. Young Udo Lindenberg was a frequent guest at the Kronenburg Bar

A curatorial project about concepts of hospitality and the triggers of hostility in hospitality.

Stefan Römer's second deconceptual album: six gun shots and an algorithm.

Four decades of incisive writing about contemporary art, fired by enthusiasm and scepticism alike, by the eminent German cultural critic and commentator Walter Grasskamp (essays on Joseph Beuys, Hans Haacke, Duane Hanson, Jörg Immendorff, Axel Kasseböhmer, Alex Katz, Anselm Kiefer, Per Kirkeby, Karin Kneffel, Eduardo Paolozzi, Sigmar Polke, Markus Raetz, Gerhard Richter, Sarkis, Aldo Walker, Ben Willikens).

New monograph / catalogue.

"1 Million Roses for Angela Davis" traces Davis' immense influence and legacy as activist and scholar on contemporary artists today, while simultaneously teasing out the contradictions her presence and agenda posed to the GDR's interpretation and application of Marxism.

A series of drawings revisiting the history, the landscapes and the fantasy of Tyrol in Austria (leporello).

Stefan Römer performs quotations from cultural or musical theoreticians commenting on performances by two iconic musicians, Syd Barrett and Conrad Schnitzler.

The album “Balance” by Frank Bretschneider & Taylor Deupree was originally released in 2002 by Mille Plateaux on CD only. The 9 tracks are a perfect example for the aesthetics to arise within the Click & Cuts scene and (ambient-)glitch music movement of the late 1990s and early 2000s.

Conceived as a children's book, Stories of Little and Big Blossoms is a collection of illustrated short stories about Elham, a little Iranian girl exiled in Germany, and her difficulties to fit in this new environment. A poetic work on exile, friendship, courage and open-mindedness, inspired by the childhood of author and illustrator, Shirin Azari.

This book merges memoir and social critique in an original fashion. By combining personal observations with a general systemic analysis, it thereby seeks to propose a new genre of writing.

This collection of texts—with many unpublished—spans over half a century of the conceptual artist's radical engagement with art education and its institutions.

Release of conceptual and perfomative pieces by Christina Kubisch composed & realised between 1974 and 1984, during Kubisch's years in Italy.

Double-CD collecting five of Schmicklers key-works composed & recorded between 2006 and 2016: Richters Patterns (2016), Kemp Echoes (2013), E-UROPAS (2006), Fokker Bifurcations (2014), Ata Oto (2016).

A work Andrea Tippel started in 1993 and finished in 2009, consisting entirely of three-letter-words (two CDs in fullcolour six-panel DVD-sized digipak, with a biographical text, a chronology of the work and a text by Dorothy Iannone).

A collection of paintings by Angela Dalinger published in Pool Of Tears, a series of small format artist's books.

First monograph.

The first major monograph dedicated to Michael Schmidt (1945-2014), a central figure in contemporary German photography.

Frank Bretschneider's most radical work: a self-generating composition for synthesizer modules whose sole sound source is the movement of two VU meter needles. The resulting percussive sounds coalesce into rhythmic combinations—all random, without repetition. A meditation on infinite rhythmic variation.

The latest instalment in Mads Emil Nielsen's sequence of graphic scores and recordings, including the Danish composer's own subjective translations of visual materials and sound pieces accompanied by visual notations: published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10" vinyl and CD—with recordings by Nielsen, along with graphic scores by Katja Gretzinger and contributions by Nicola Ratti.

Drawing on extensive documentation and unpublished sources, this collective publication proposes an ambitious re-examination of Hans Hartung's prolific work and eventful personal trajectory as an actor in a broader history of abstraction, which also provides a fertile matrix for many other reflections on twentieth-century art.

A study on the role of research and knowledge production in today's contemporary art, and the growing relevance of art as conduit of knowledge.

A comprehensive look at the unique artistic work of German photographer Annette Kelm and the visual idiom she has developed over the course of her career.

Publication including the films Transformation Scenario, 70.001, and Faux Terrain, as well as a visual essay, a glossary and texts by Heike Geißler, Fanni Fetzer, and Franciska Zólyom.

Thomas Köner's new album, marking the relaunch of the lengendary Mille Plateaux label.

Thomas Köner's new album, marking the relaunch of the lengendary Mille Plateaux label.

Against globalization's noxious exploitation of maritime resources, Ingo Nierman provides new practical, technological, and metaphysical scenarios to renew the relationship between men and the sea.

This diary traces the artist's journey in search of a permanent job, combining notes and visual documents. The publication is the second in a series of autobiographical narratives by Sell.

A previously unreleased concert recording from 1983 by Das Moabiter Duo (Sven-Åke Johansson and Thomas Kapielski). An eclectic improvisation associating drums, electronics and concrete music, offering a snapshot of the experimental Berlin scene of the 1980s.

A companion guide to Beutler's site-specific installation practice classifying each of his works according to the components, tools, and production methods used to create them.

In this course, Reiner Schürmann develops the idea of a distinctive Medieval Renaissance, connected with the rediscovery of Aristotle. His analysis is drawn from readings of St. Thomas Aquinas, William of Ockham and Meister Eckhart's works.

This volume of Reiner Schürmann's lectures unpacks Nietzsche's ambivalence towards Kant, in particular positioning Nietzsche's claim to have brought an end to German idealism against the backdrop of the Kantian transcendental-critical tradition.

The ultra-blackness manifesto: a Deleuzian reading of the philosophical and socio-political stakes of the current electronic music scene (publication marking the reactivation of the influential label Mille Plateaux, with texts by an ensemble of international musicians, artists and theorists: Frédéric Neyrat, Achim Szepanski, Holger Schulze, Gerriet K. Sharma, Bernd Herzogenrath, Corry Shores, Marcus Schmickler, Thomas Brinkmann, Thomas Köner...).

A science of sensitive experience prolonged by a theory of atmospheres, at the origins of philosophical aesthetics.

New monograph.