Sculpture

Gathering found visual material, this publication retraces the story of an artistic failure: that of a joint project by Federico Pepe and his father Antonio, a cabinet of curiosities featuring latex sculptures of fetuses looking like Mickey Mouse.

The catalogue of the duo's exhibition at CAPC, featuring a new site-specific work and a series of performed or filmed actions. A project about situations of reversal, confronting the exogenous realities of the enterprise, the working-class, and the museum.

New catalogue.

Catalogue of the Estonian Pavilion at the 58th Venice Biennale.

A detailed analysis of Franz Erhard Walther's pioneering Werksatz series of wearable fabric sculptures by Erik Verhargen, accompanied by a history of the piece by Thierry Davila.

Catalogue of the artist's exhibition in the Portuguese pavilion at the 58th Venice Biennale: a sculpture project engaging the heritage of post-war Italy's architecture and Italian vernacular craftsmanship.

First monograph of the French artist who makes the changing states of the body the territory of her research, between desires and suffering.

Richard Tuttle and color.

First monograph dedicated to the radical Swedish painter, draftsman, sculptor, and precursor of sound arts (audio CD included).

First major retrospective monograph dedicated to the Franco-Lebanese sculptor.

Three unreleased field recordings from August 1990, documenting a sound installation made from a damaged piece of the Berlin Wall.

The catalogue of the eponymous exhibition by Caroline Mesquita, published on the occasion of her Fondation Ricard Prize. The French artist works primarily with metal, creating sculptures and staged video with strong narratives.

Julio Le Parc and the practices generated by digital creation.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

Light Boiled like Liquid Soap is an immersive installation by Wilfrid Almendra featuring radio transmissions and a series of sculptural elements made of copper, plaster, and silicone in various states of dematerialization. Combining found and repurposed materials, the works attest to notions of desire, circulation, and flux, from protective spaces of retreat to global economies of exchange.

New monograph, featuring American–Canadian artist's latest work, in dialogue with a museum collection.

Fanzine / artist's book.

This catalogue documents Claudia Comte's project for the 2016 edition of the Printemps de september, based on a selection of 600 parts from the aeronautics industry.

New works on paper.

A DVD documenting a commissioned work for which Jean-Michel Othoniel redesigned spaces housing the sacred treasures of the Angoulême Cathedral.

The bilingual (English, French) edition of a previously unpublished interview with Walter De Maria conducted by Paul Cummings in 1972 for the Archives of American Art.

An exchange between artist Sterling Ruby and fashion designer Raf Simons.

New monograph, focusing on the ephemeral sculptures made by French artist Arnaud Vasseux in the context of recent exhibitions, at the end of which the works are destroyed.

First major catalogue/monograph on the French artist: an overview of Molinero's dual work, which both reflects on the academic history of sculpture and refers to pop culture, especially science fiction, splatter films, and crime news.

A publication conceived by Portugese artist Francisco Tropa in collaboration with writer Thomas Boutoux and graphic designer Pedro Falcão, which adopts the form of magazine one flips  through in bars or in waiting rooms. A true/false weekly style magazine with refined imagery printed on glossy paper, The Mustache Hidden in the Beard is dedicated to cultural and scientific topics, design, life styles but also real estate through a series of cutting, quirky articles, investigations, portraits and reports.

The reference monograph deepens, for the first time in an exhaustive way, the pioneering installations created by Fontana since the late 1940s.

Reference monograph.

A selection of recent works by one of the central figures in today's Norwegian painting.

An inventory of second-hand shelves and a photographic summation that is a praise of the occasion.

A retrospective of the Italian artist's sculptural work over ten years, with three essays.

This catalogue focuses on an immersive one-year project in Portugal, centered around questions of global ecology and tourism. Kawamata's large scale installation integrates both plastic residues and abandoned boats collected on Portugal's shores during beach cleaning campaigns. The publication features a text by the artist, exhibition views, and a section documenting related projects made by Kawamata throughout his career.

Collection of essays by Nicolas Bourriaud on the protean, poetic and Rabelaisian Swedish artist Erik Dietman.

First monograph: minimalist artist Eva Evrard explores the book form, sculpture and installation to question the complexity of the body. Her artistic project is defined by its formal polysemy, inspired by American conceptual art and the renewal of the Arts & Crafts movement.

This monograph spans forty years of drawings and works on paper, offering an insight into a lesser-known part of Moulène's artistic practice. A jubilant documentation rich with autobiographical elements.

Artist's book.

Originally published in 1983 by Maurizio Nannucci, this collection gathers a careful selection of audio works by American body artist and conceptual artist Terry Fox, also a pioneer of sound art.

This illustrated essay creates a dialogue between the works of Fluxus artist Jean Dupuy and dadaist Marcel Duchamp around their shared interest with eroticism.

An homage to William Burroughs' and Brion Gysin's eponymous book, this artist book of more than 300 pages is a huge cut-up of the artworks showcased during the group exhibition conceived by Ugo Rondinone at the Palais de Tokyo in 2007.

This catalogue pays homage to the American artist, whose radical language played a significant role in the birth of a new conception of sculpture. Spanning almost six decades of works, The richly-illustrated publication collects several essays and a full-length interview with Kuehn.

Summary by Swiss artist Manuel Burgener is a companion piece to his 2018 Manor Prize show at the Kunsthaus Pasquart in Biel, Switzerland. The idea behind this artist's book is to undertake a fundamental examination of the purpose of an exhibition catalogue. It asks whether an artwork, especially a sculpture, can be documented at all in the form of a readable depiction.

Reference monograph.

Reference monograph.

A series of wood carvings by Peter Schuyff, reproduced on a scale of 1:10, alongside a short sorry by Arthur Miller staging the relationship between man and beaver.

A visual tour de force (artist's book).

This first monograph gives compelling insight into Nicholson's diverse material approach, political practice, and historical context.

A collection of 11 poems printed on single sheets that can be used as page markers to interrupt whatever else you are reading. Each poem is based on descriptions of natural phenomena, to talk about everyday situations of human social behavior.

First monograph dedicated to the Polish visual artist, designed in close cooperation with graphic designer Krzysztof Pyda, and focusing mostly on Łakomy's sculptures and installations (texts by Jakub Bąk, Martha Kirszenbaum, and Chris Sharp).