Women (female artists)

À La Becque is a semi-digital sonorous publication documenting the meeting of three musicians during their brief stay at La Becque, an artist residency in La Tour-de-Peilz (Switzerland). Both a digital album and artist book, the publication comprises 12 pages printed on a risograph, and includes a hyperlink to download seven improvisations (keyboards, voice, synthesizers and objects; 38 minutes).

A photographic diary by Giovanna Silva guiding us through the United Nations Office headquarters in Geneva.

A vibrant stage adaptation of Louis Calaferte's book by Virginie Despentes accompanied by the rock band Zëro.

A free reflection on the influence of Bertolt Brecht in the work of Nina Hagen, this hybrid text approaches two great popular figures of German culture through an unusual prism, through the margins, and paints a portrait of Nina Hagen as we have never seen her before.

First monograph dedicated to the work of French visual artist Manon Harrois, built around two interviews conducted by François Quintin.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

Springing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor Okkyung Lee returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.

First French translation of Shulamith Firestone's first novel.

This publication documents the artistic research for Sansour's project for the Danish Pavilion at the 58th Venice Biennale: a dark science fiction narrative set after an eco-disaster, evolving into an intimate dialogue about memory, exile and nostalgia.

A research on the verbal transcription of sound and an inventory of the first sound productions of Alice, the daughter of Camille Llobet (artist's book).

The catalogue of the duo's exhibition at CAPC, featuring a new site-specific work and a series of performed or filmed actions. A project about situations of reversal, confronting the exogenous realities of the enterprise, the working-class, and the museum.

Artist choreographer Myriam Lefkowitz talking to Susan Gibb and Julie Pellegrin about the evolution of her practice, and its turn to dance as a sensory trigger for relations between bodies and places.

Artist and teacher-researcher Marie Preston speaks with Nora Sternfeld and Julie Pellegrin about her practice as a crossroads for art, education and cooperative working.

A notebook based on Ursula Biemann's latest film, Acoustic Ocean, an expedition to the depths of the Arctic Ocean in search of interspecies communications.

Stemming from a series of works by Sidsel Meineche Hansen, this monographic catalogue offers a range of perspectives on urgent issues around gender, sexuality and labour in the digital age.

New catalogue.

Catalogue of the Estonian Pavilion at the 58th Venice Biennale.

Around 1999, artist Becky Beasley began writing to her former tutor, Claire Scanlon, who kept her letters but never replied. Years later, in 2016, the two began to intermittently record their conversations, now as friends.

An anthology of Claire Fontaine's texts.

An in-depth history of the landmark situationist international periodical edited by artist Jacqueline de Jong from 1962–67. This lavishly illustrated publication features many previously unseen archival material, historical texts and new commissioned contributions.

The Canadian artist's second album features two immersive pieces that explore ideas of compositional drift: The Nonsuch is inspired by nocturnal hallucinations while In Praise of Blandness builds on sinologist François Jullien's concept of “blandness”.

New monograph.

A selection of erotic paintings by the American artist, produced between 1969 and 1971: an ecstatic and mystical celebration of the sexual act.

A selection of drawings by the New Zealand outsider artist: her work, recognized belatedly, provides a journey into a grotesque, sometimes somber universe, filled with animals, distorted human bodies, and cartoon characters.

Catalogue of the artist's exhibition in the Portuguese pavilion at the 58th Venice Biennale: a sculpture project engaging the heritage of post-war Italy's architecture and Italian vernacular craftsmanship.

In a refreshing and playful way this visual poem investigates freedom and circles around Freud's flight from Vienna to London in 1939.

In a refreshing and playful way this visual poem investigates freedom and circles around Freud's flight from Vienna to London in 1939.

First monographic catalogue dedicated to multimedia artist Thao Nguyen Phan, whose recent video and visual works explore the agricultural, political, and social issues in rural Vietnam.

This publication brings together a selection of family photos taken between the 1930s and 1950s by amateur photographer Anne-Marie von Wolff. A fascinating, powerful work, brought to light by her great-grandniece, artist Mimi von Moos.

First monograph.

First monograph of the French artist who makes the changing states of the body the territory of her research, between desires and suffering.

Monograph.

First official solo album of Claire Bergerault, Stick Slip is an incredible cloud of frequencies where voice and accordion twist the space like an electronic music with psychoacoustic effects. A light and intense record at the same time, always on this acoustic border which makes the inner ear resonate like a mini oscillator.

This artist’s book gathers childhood memories, some lived experiences and personal reflections on the family histories and relations, and the ways in which they interweave with geographical locations.

The encounter of the rock band Melmac with the poet Anne-Claire Hello.

Nadira Husain's comprehensive work is brought together in this monograph for the first time in its breadth and complexity and shows over 100 works from the past six years.

Stemming from the namesake exhibition program at Cooper Gallery, Of Other Spaces draws on women artists' activism from the 1970s to the present day to build a reflection on feminist thinking as a provocative and cogent mode of creative and critical inquiry.

This catalogue documents a research and exhibition project stemming from a fieldwork conducted by the artist on a palaeontological site in South Australia.

This catalogue stems from an eponymous project on the Israel Museum in Jerusalem. The artist brought out an impressive photographic recension of artifacts, revealing the forgotten stories and fascinating polyphony of the museum's collections.

The catalogue of the eponymous exhibition by Laure Prouvost at Pirelli HangarBicocca: a multimedia project—installations, videos and projections, sculptures and found objects—revolving around the story of Prouvost's “grandfather”, a fictional prolific conceptual artist.

The new book from French photographer Estelle Hanania gathers over ten years of collaboration and archives revolving around the artistic universe of Gisèle Vienne.

A collection of thoughts, fragments and poems set in a prose text, between the newspaper, written from day to day, the essay and the autobiography.

A talk between three artists around Julia Scher's work.

A series of colorful invented landscapes, by American painter Shara Hughes.

A comprehensive documentation on Ruth Ewan's installation at CAPC, a tangible plastic version of the revolutionary calendar.

The catalogue of the eponymous exhibition by Caroline Mesquita, published on the occasion of her Fondation Ricard Prize. The French artist works primarily with metal, creating sculptures and staged video with strong narratives.

First monograph dedicated to the young American painter, whose expressive and colorful universe draws on the everyday life in the margins, from bohemians to non-conformists. The publication also presents the Gray's theatrical works and associates the artist's two practices.

Monograph dedicated to artist Brittany Nelson, who appropriates techniques from 19th century photography to create works of feminist science fiction and queer abstraction.