China

This publication is the outcome of a touring assembly platform bringing together writers, curators, and art practitioners to reflect on exhibition practices and histories in China and Southeast Asia.

An overview of video art production from the Pearl River Delta in China: having emerged in the mid-1980s, this vital yet under-represented art scene is thoroughly documented in this richly illustrated catalogue (460 ill.) which features works by nearly sixty artists (catalogue of the inaugural exhibition at Times Art Center Berlin).

The catalogue of the Second Yinchuan Biennale articulates itself through the themes of the desert, nomadism, and ecology. Taking the form of an illustrated atlas, the publication documents works by more than 90 participating artists.

A face to face between the great works of Gustave Courbet and new paintings by contemporary artist Yan Pei-Ming, specially created for the bicentenary of the birth of Courbet.

New monograph: a retrospective of Yan Pei-Ming's paintings and watercolors from 2006 to 2019, structured around the figure of disappearance and violence, and around the confrontation with the works of the masters of the past as well as with modern iconography, with essays by Franck Gautherot, David Liot, Xavier Douroux and Fabian Stech.

An immersion in Zao Wou-Ki's works on paper, Chinese ink and watercolors, covering 60 years of creation.

Monograph on the work of Chinese artist Hu Xiaoyuan, featuring an essay by Nicolas Bourriaud and a conversation between Gea Politi and the artist.

This trilingual catalogue documents nine essential works from the Taiwanese artist through nine interviews with curators and institution officials, illustrated with archives and exhibition views.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

The artistic practice of Birdhead associates photography with particular collage skills and mounting technique. The publication is a visual diary of the duo's experimentation in Italy, accompanied with a dual language essay by art historian Maurizio Bortolotti.

Illustrated catalogue published in conjunction of the first comprehensive overview of Qiu Zhijie, one of the most important Chinese artists of his generation. The publication directly addresses the challenges of conveying the complexity of Qiu Zhijie's practice in the European context. It features essays by Andrea Bellini, Davide Quadrio, and Francesca Girelli, an extensive interview with the artist by Liu Jingjing, and descriptions of the exhibited works.

Spring / summer issue of the French magazine dedicated to contemporary art, photography, and fashion, edited by Guillaume de Sardes: “writers and photographers”—a special feature with Maxime Du Camp, Claude Simon, Hervé Guibert, Denis Roche, Jacques Henric, and Alain Fleischer; artistic journeys in China; portraits and interviews, photo creations…

This first English monograph on the work of Zhao Zhao examines the Chinese artist's working practice, emblematic for art's ability to address conflict—social, political, and aesthetic—in a world undergoing unprecedented upheaval. It features essays by Hou Hanru and Li Zhenhua.

Catalogue of works by Chinese painter Yan Pei-Ming, gathering a series of landscapes, portraits, and historical scenes exposing the tragedy of our contemporary world. Featuring exhibition views, a text by Xavier Douroux, and an interview with the artist by Pascal Pique (catalogue of the eponymous exhibition at Centre Régional d'Art Contemporain in Sète, France).

Marxist geographer David Harvey opened his 2016 lecture at Harvard with a fact: between 2011 and 2013 China consumed 50 percent more cement than the United States had in the entire twentieth century. In Abstract from the Concrete, he asks why.

Fully Fueled brings together pictures taken from 2012 to 2014 documenting the life of Emiratis through the lense of cars.

A case study about concept cars and former modernist memories (artist's book).

First bilingual comprehensive monograph on Wang Yuyang, these volumes delve into Wang Yuyang's practice, focusing particularly on his eponymous solo show at the Long Museum in Shanghai in 2015.

This catalogue presents an art-historical angle on Chen Zhen's unique way of questioning his experience of globalization through art.

New monograph.

A pocket, non illustrated mid-career catalogue raisonné of a practice now spanning over two decades.

The starting point of this publication and of the work it accompanies is travel, and more specifically, the wave of new perceptions that travel brings and the transformation that it causes. Artist Guan Xiao compares the volatility of this process with the fluctuation of the weather.

Slide Shows is a three-volume box set, with over 1.500 original drawings and texts in which Friedman gives his own personal understanding of the multiple ways of thinking the world through a series of “cartoons.”

A composition by Yannick Dauby built upon the eletroacoustic modulation of Japanese bats' ultrasonic voices.