Conceptual art

Monograph dedicated to the work of conceptual artist Olivier Bardin: a chronological selection of 96 projects, and four interviews with prestigious artists and critics: Pierre Huyghe, Pascale Cassagnau, Hans-Ulrich Obrist, and Vanessa Morisset.

Reference monograph, with two essays and an interview with the artist.

Landers' early oeuvre.

Focused on a series of exhibitions entitled The Opening—marked by the fact that all the paintings presented were produced at the galleries during the exhibition openings—the book documents all six events via text and snapshot-like images.

Monograph based on Swedish artist's project for the Nordic Pavilion at the 54th Venice Biennale.

The second cahier of Dora García's Mad Marginal project, presented as the publication for the Spanish Pavilion at the 54th Venice Biennale 2011.

Artist's book.

A photographic dialogue (artists' book).

First major monograph dedicated to the French collective.

Poor Man's Expression examines the relationship between film, video, technology, and art, with a particular focus on the reciprocal influences between conceptual art and experimental film.

New expanded and subtitled edition: nearly four-hour program consisting of twelve films, five documentaries, unpublished documents as well as original video works by the artist.

A collection of Kinmont's project descriptions, written over a 22-year period.

Forty-two project descriptions by Ben Kinmont.

A unique project, between the artist's book and the book on art history, around Ghislain Mollet-Viéville's personal archives.

Writings and interviews.

Writings and discussions (new revised edition), with two texts by Thierry Kuntzel and Christian Besson.

An exhaustive documentation on La Maison Forestière Wilfred Owen, a commissionned work by Simon Patterson inaugurated in 2011 as part of the New Patrons program.

Artist's book (limited numbered and signed edition)

In this artist's book, Ludovic Burel gathers together a selection of preparatory documents for dance scores, thus reactivating the pioneering conceptual art exhibition “Working Drawing…” by Mel Bochner.

The movie.

First monograph / artist's book.

Catalogue.

Photographic portrait of the near surroundings of Ruhrschnellweg, freeway 40 in Bochum, Dükerweg with allotments, car tuning, cemetery, Burger King, noise barrier and fire station.

A sound and visual construction between two static shots on the axis of a street lined with bungalows: the crossroads of a busy street, with trucks and cars; the main street of an average city in North America, the immersion of the camera into the highway flows...

A static shot of a railroad bridge with a suburban train in one way then another, evoking the positioning in space and the passage of time.

The camera explores a port area and progresses along the sand or gravel mounds, between two static shots on a double drawbridge downtown. A film about the juxtaposition, separation and collection of elements.

The camera follows the walls of a warehouse and pauses before each closed opening, producing a series of "paintings" that punctuate shots of the city, its organization and flow.

A sound, linguistic and visual composition unfolds from a meeting room located in the heights of a skyscraper at La Défense in Paris. A film about the inside/outside relationship, the built environment as the natural environment for men.

Three buildings beside water, a map of a North American city, the flow of a highway with distant hills in the background, a slow passage on a suspension bridge towards a business center: a film about the passage of time and displacement.

A few piano chords on warehouses shots where human presence is discreet. A film about economy, its organization and its laws, the prima of the structure on what animates it.

Mapping Boetti's work.

Special offer for the purchase of the 7 DVDs by Peter Downsbrough.

The poetic of the fragment (artist's book).

This handbook traces ten years of activity of Glitch and IKHÉA©SERVICES—two collaborative projects initiated by artist Jean-Baptiste Farkas.

First comprehensive German edition of legendary texts by Robert Morris.

The catalogue raisonné of Marcia Hafif's works during the Italian period, with about 500 paintings and drawings from the 70's, with a long interview and an essay by Eric de Chassey: an indispensable tool for anyone who, today, wishes to understand the evolution of occidental abstraction, through this woman painter figure, emblematic of the era's mutations.

Emblematic videos and recent works by the duo.

An “experimental monograph” (conceived by Heimo Zobernig) which offers a sidelong journey through the multi-facetted body of workmade by the Austrian artist since more than 30 years, which also offers a novel line of thinking about the layout of an artwork, and gathers a selection of “historical” texts and new commissioned essays.

A panorama of Ben's conflicting ideas and various activities since 1959.

This edition of 4 audio CDs in a wooden case comprises the reading of On Kawara's One Million Years [Past and Future], with Gemma Saunders as the female voice reading all even numbers and Leo Chadburn as the male voice reading all odd numbers, covering 969 611 BC to 967 811 BC & 33 411 AD to 34 450 AD.

Artist's book.

A “kit” resulting from the two working visual artists Pierre Beloüin and P. Nicolas Ledoux's cross work.

The first overview of the variety and scope of the research carried out by Renée Green over the past twenty years.

A new series of works engaging with the interaction between politics and glamour.

The first Kees Visser retrospective monograph: an historic and sensitive survey of a minimal, radical and conceptual work, with around 60 major pieces, numerous exhibition views, documents, and two texts.

Two volumes artist's book.

A conversation between the artist and the architect.

A conversation between the historian and the artist.

An audio work by Peter Downsbrough, in collaboration with two musicians of the Buffle collective Xavier Garcia-Bardon and Benjamin Franklin.

Eleven performance-based projects by Dora García, documented through letters, emails and other elements from the artist's private correspondence with various interpreters of performances, whether they were direct collaborators of simple spectators.