Painting

First reference monograph.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

An overview of the unique work produced by the studio for artists with disabilities that has been active in Fribourg since the late 1990s.

A monograph centered on a series of recent oil paintings on linen by Calvin Marcus, that depict magnified renderings of the artist's flesh, extending Marcus's investigation of media, process, and the abject in the familiar.

The second volume of the defiinitive reference work on Belgian artist Philippe Van Snick, richly illustrated and featuring in-depth essays, offers a comprehensive overview of the artist's oeuvre, and new insights and discoveries about his work.

A comprehensive study of the impact of the life sciences—primarily botany—and their expansion in the 19th century on the thought and work of Gustave Moreau.

The donation by Elisabeth and Alain Clément of a group of paintings, sculptures, and gouaches on paper enriched, in 2024, a body of work already held in the collection of the Carré d'Art – Musée d'art contemporain de Nîmes, creating a journey through the artist's work.

Reference monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

A series of previously unpublished interior paintings by Karen Kilimnik.

The new edition of the cult bestiary by Amsterdam-based artist and graphic designer Rop van Mierlo.

A companion to Kosovar artist Brilant Milazimi's exhibition for the Republic of Kosovo Pavillion at the 2026 Venice Biennale that reflects on waiting, clenching, sovereignty, perseverance, and teeth.

A meeting of Hervé Zénouda's musical world and Anne Van Der Linden's visual one (set includes a vinyl record, a CD, 10 numbered risograph prints, an 8-page booklet, and a postcard).

Painter Merike Estna's new artist book, accompanying the Estonian pavilion at the 61st Venice Biennale.

A compendium of landmark interviews and seminal essays that illuminates the spirited transcontinental exchange between acclaimed postwar American artist of gestural abstraction Sam Francis and renowned French philosopher and art critic Yves Michaud.

The first publication devoted to the complete works of André Valensi, this monograph contextualizes the artistic practice and pictorial vocabulary established in 1969–1971 with Supports-Surfaces and developed over three decades until 2001.

Based on a new exhibition project in Venice, this monograph traces six decades of the renowned American feminist artist’s career.

The Tenant is a monographic critical essay by Marie Canet. It is the first text to directly address the connections between McKenzie's work, pornography, and special effects.

The Tenant is a monographic critical essay by Marie Canet. It is the first text to directly address the connections between McKenzie's work, pornography, and special effects.

The first monograph on the Paris-based Algerian artist, whose strikingly realistic paintings meticulously explore the movements of the body in intimate spaces.

A comprehensive guide to the monumental, immersive installation created by Nabil Nahas for the Lebanese Pavilion at the 61st Venice Biennale.

Retrospective monograph.

A portrait of a unique artist family.

A fresh perspective on the oeuvre of the Belgian abstract painter Luc Peire (1916–1994).

The years of war and exile of Constant Permeke.

The first major monograph dedicated to Dutch artist Charl van Ark.

A fresh perspective on the oeuvre of the Belgian abstract painter Luc Peire (1916–1994).

The years of war and exile of Constant Permeke.

First monograph.

An artists' book in which Anri Sala interacts with the corpus of paintings by Edi Hila.

Artists' book.

A pair of small-format artist's books, conceived as two visual sequences bound together by tension, attraction, and delay.

First monograph of Saudi artist Fouad Mogharbel.

This first monograph devoted to Claire Colin-Collin’s painting traces her artistic development since the late 1990s.

A retrospective of a deeply prolific and fruitful period in Huguette Caland's career, spent in Paris between 1970 and 1987, during which the Lebanese artist, giving birth to her joyful eroticism and freeing herself from all conventions, reinvented herself and produced some of her greatest masterpieces.

Monograph dedicated to the practice of the South Korean-German artist, painted works that articulate her visions in ever more expansive formats since 2012.

New monograph.

First personnal catalogue of the Ghanaian artist and preacher Kwame Akoto (Almighty God).

First comprehensive monograph on American artist Ann Leda Shapiro (b. 1946), including previously censored and rarely seen works, contextualized within feminist art histories.

First monograph.

André Butzer's most personal book to date.

Painting as a space for political resistance, irony, and philosophical reflection (an overview of the pictorial work of Basque artist Juan Pérez Agirregoikoa).

Invited by Mara Hoberman, nine artists from both sides of the Atlantic reflect on Joan Mitchell's life, work and enduring impact.

A groundbreaking study on the relationship between Wassily Kandinsky, pioneer of abstract art, and the photographic image.

The first English-language catalogue dedicated to the Guangzhou-based artist.

First monograph devoted to the explosive and colorful abstract paintings of the Iranian artist.

Reference monograph: a large retrospective of the work of Norwegian painter Leonard Rickhard (1945-2024) spanning more than half a century.