Painting

An exploration of the artistic myth of Michelangelo, which questions the multiple and contradictory uses of the past and the notions of reception, filiation and tradition that are revealed.

An essay by Guillaume Belhomme on the singularly modern work of the painter Eugène Carrière (1849-1906), accompanied by a piece by Japanese saxophonist Harutaka Mochizuki, inspired by the master's paintings.

The first monographic volume on the graphic work of Belgian artist Petrus De Man.

In addition to providing an unprecedented overview of the Swiss Surrealist artist Walter Grab's oeuvre, this catalogue also presents a wide range of different angles on his art, including subjective looks at individual works, art history essays and an associative correspondence using the cadavre exquis technique that was so dear to the Surrealists.

This reference monograph, revisiting the conceptual and sensorial developments pursued by the artist since the 1970s, with a layout by graphic designer Zak Kyes under the artistic direction of Marc Camille Chaimowicz and Anna Clifford, includes a key text authored by Marie Canet.

Reference monograph (also available in English edition).

An overview of the French mixed media artist's work, engaged with historical and found imagery.

This new monograph aims to highlight the fundamental areas of Pietro Roccasalva's production through fifty works from the late 1990s up to the present day, including new and unpublished works from the artist's studio as well as public and private collections. 

Tarot deck of 78 cards drawn by Vincent Corpet from a series of paintings made in 2010.

An intimate portrait of Joan Mitchell, one of the greatest American painters of the 20th century, through a collection of previously unpublished conversations with the artists, art historians and personalities closest to her, from Paul Auster to Zuka.

Chronicles Vol. 3 combines Kim Gordon's Real Estate Paintings with staged canvases photographed by Josephine Pryde in vacant apartments and offices in and around Kriens and Lucerne. The photos, which were taken using purely analog technology, create a disturbing and enraptured atmosphere.

Reference publication dedicated to the practice of Lubaina Himid, one of the leading figures of British Black Art since the 1980s.

At the invitation of Fabienne Dumont, seven artists from both sides of the Atlantic cast an eye on the work of American painter Alice Neel (1900-1984).

A novel by Liam Gillick.

This catalogue features an exclusive selection of works created by renowned Belgian painter Koen van den Broek in France, a series on paper based on the architecture of Le Corbusier (Firminy).

This book is the first monograph devoted to the work of Kazuhiro Hori. Through a selection of his most emblematic paintings, it offers an introduction to the oppressive universe of the Japanese artist, populated by anemic teenagers and evil stuffed animals.

Catalogue gathering the series of works realized around the furniture by two artists of different generations but having in common a same refusal of the authority, the paintings of Enrico Baj produced at the beginning of the years 1960 meeting the new sculptures of Martin Kersels.

Monograph dedicated to the productions made in the early 1970s by major Swiss painter of Pop Art and Narrative Figuration Peter Stämpfli, period from which he devotes himself to the figure of the tire.

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.

The various dimensions of the landscape—mental, cultural and ideological, real and pictorial—in the emblematic works of Poussin, Le Lorrain, Bourdon and their contemporaries of the 17th century.

Collection of recordings made at the Friedrichshof commune between 1982 and 1990. Includes actionist group-music, improvised conceptual pieces, and barpianist-songs.

A panorama of the multifaceted and transversal production of the Dutch-Jewish painter and composer Sedje Hémon (1923-2011), with fifteen essays.

Covering the past thirty years of William Scott's practice, this monograph offers the largest comprehensive selection of paintings, drawings, masks and architectural models, as well as an unique insight on his creative and transformative approach.

Selina Trepp's "dirty drawings".

First monograph.

A retrospective of the "retinal" painter's work, since the early 1980s.

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

The re-issue of Rene Ricard's second volume of poetry, originally published in 1989, is a vibrant testament to 1980s New York.

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.

Urban Kitsch, originally written in 1996, explores the forms of vernacular visual culture that emerged in the city of Baroda following the liberalisation of the Indian economy.

A hybrid monograph/artist book of Nathalie Du Pasquier's work.

First monograph of the Swiss artist Till Rabus, who creates phantasmagorical subjects from everyday objects and waste of our society before translating them on hyperrealistic canvases, in stagings taking up aesthetic codes of the history of painting and Baroque.

Neglected, abandoned, forgotten women: a series portraits, mostly female, constitutes the fulcrum of this book on Lucìe, the project by Nicola Samorì exhibited at Mart in Rovereto.

First monograph.

This zine gathers several photos, collages and drawings of Barry Mc Gee. He created a unique visual language, composed of geometrical patterns and recurring symbols.

Exhibition catalogue with twenty color illustrations of paintings by the British painter Prunella Clough (1919–1999), focusing on the artist's late-career departure from the industrial figuration for which she was known into a wry, quietly influential approach to abstraction.

Variations on the face: downtown legend Kenny Scharf's permutational exploration of character.

A "story-poem", forming one of the parts of a project by Jean-Guy Coulange that also includes two radio plays and an exhibition.

This richly illustrated volume offers the occasion to discover Tomoo Gokita's latest body of work, featuring his newest large-scale paintings and a number of never-before-seen works made under lockdown during the pandemic.

A colorful and lively journey through Tyra Tingleff's artistic practice.

Luxurious retrospective monograph of the Swiss painter (1939-1998): 250 works on paper (ink, pencil, pen and watercolor drawings) covering more than three decades of exploration of the graphic potential of the line.

Lush monograph dedicated to the series "Orlando" inspired by Virginia Woolf's novel: more than 200 portraits in which the Swiss painter explores gender roles and identity as well a her own identity as an artist, and the temporality of art history.

New monograph.

The first ever reissue of the piece recorded by Asger Jorn & Jean Dubuffet in 1960-61 in Paris.

Four artist's posters.

The first official monograph project around Ramsès Younan (1913-1966), a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

At the invitation of Frédéric Paul, nine artists from both sides of the Atlantic cast an eye on the work of American abstract painter Shirley Jaffe (1923-2016).

An exploration of the complex relationship between contemporary pictorial practices and their digital environment, examining in particular the idea of license and the strategies of appropriation pushed to the limit by unlimited access to digital resources.