Experimental / concrete / visual / sound poetry

A collection of poems dedicated to the Revolutionary Left Movement's struggle against fascism in Chile.

First release of Gerhard Rühm's Radio-Play “Masoch”. A ritual recitation of Leopold von Sacher-Masoch and Ignatius von Loyola for one female and one male speaker, a chorus of speakers, and tape.

This publication documents the architecture of the Kembs-Niffer lock in Alsace, conceived by Georges Heintz and Anne-Sophie Kehr. It also features the text of a performance from 2011 by Charles Pennequin.

This first issue of Julien Blaine's art and poetry journal is dedicated to Mary Read, famed female pirate of the 18th century.

Raoul Hausmann's autobiographical novel.

Bernard Heidsieck's typescripts.

The long overdue first proper collection of sound-poetry / musique concrete pieces by German installation & conceptual artist Michael Barthel.

Mon's early concrete phonetic poems recorded 1962-64, as well as the radio-play “Ich bin der ich bin die” from 1971.

A transversal survey of various forms and practices of contemporary poetry (experimental, performative, digital, sound poetry, etc.), on the occasion of the magazine's 35th year anniversary.

The collaboration between artist and poet Charles Pennequin, the band Gun-Gi and Laurie Franck.

Anthology dedicated to the poetic and theoretical work of Ilse & Pierre Garnier, the founders of spatialism.

These notebooks recount the scientific-poetic journeys of poet Julien Blaine in search of the original language.

CD presenting 37 solo text-pieces, phonetic poems and poetry duets (with Monika Lichtenfeld) written and composed between 1952 and 2010.

A collaboration of the sound poet Anne-James Chaton, guitarist Andy Moor (The Ex) and musician Alva Noto (Carsten Nicolai): a dense and structured sound design, in which words, rhythms, and melodic loops inexorably blend.

An anthology of the most important experimental poetry review in 1970s France (25 issues + 1).

Artist's book.

A piece for mezzo-soprano, voices, instrumental ensemble, electronics and videos (with a DVD, with no sound, to synchronise, or not, with the CD).

A book/DVD featuring a performance by Fabrikdelabeslot and Julien Blaine on a text by the latter (Je parle à la machine) in the printing workshops of the École Supérieure d'Art et Design Grenoble-Valence.

The anthology of the founder of the concrete poetry movement in Brazil.

Limited edition of the anthology, with an original signed silkscreen.

Collaboration performance by this two infamous German visual artists, writers & sound-poets.

Two talks about John Cage and the concept of structure by American poet, critic, linguist and performance artist.

An ambitious project of minimalist poetry centered on the relationship between two words.

Second issue, around the problematics of voice and oralness.

A lesson on contemporary poetry.

This experimental prose composed with large colored typographic compositions is a reflection on the act of writing: a deep metaphysical and melancholic text in which we meet Apollinaire, Ezra Pound, and Marinetti.

The militant essay by poet, theoretician, critic and translator Haroldo de Campos on one of the most radical members of the Brazilian avant-gardes of the 1920's: a key contribution to the critical rehabilitation of a work that has strongly influenced Concrete Poetry in Brazil, as well as many poetical adventures of Western modernity.

Publication bringing together a series of self-portraits inspired by the expressive vocabulary of the mask. The photographs showcase a multiplicity of feelings contradicted by paradoxical captions.

This publication is the result of a happening of sound poetry. It gathers the texts read during the lecture, as well as a recording made from the sound asperities of each of the reciters.

An in depth analysis of one of the most inventive (but also the most misunderstood) post-war avant-garde movements.

Publication gathering all the texts and recordings of the Biopsies series (1965-1969).

Publication gathering all the texts and recordings of the Passe-partout series (1969-2004).

This publication brings together the sound poet's first work, published in 1955, as well as the entire Poèmes-Partitions series (1955-1965). It also includes 2 CDs with all the Poèmes-Partitions recorded in their time by the author.

The confrontation between the radically poetic world of Julien Blaine and the radically technological world of Rudy Ricciotti's Pont du Diable (a footbridge spanning the Hérault gorges in the south of France, both a superb aesthetic gesture and a genuine technological feat).

This catalogue dedicated to experimental poet Julien Blaine documents the wide variety of his work through his texts, images, installations and performances. Published on the occasion of a retrospective at the MAC Marseille, the publication is richly illustrated and documented, and features an interview with Blaine by Laurent Cauwet and Fabienne Létang.

The 15th Rencontre internationale d'art performance (RIAP) in Quebec: sound performance, poetry, action art.

Penultimate volume of notebooks recounting the scientific-poetic journey of poet Julien Blaine in search of the original language. Here, he reflects on linguistic works by Jean-Pierre Brisset and Jules Hermann, but most and foremost on Hans W. Bornefeld's research on Cro-Magnon glyphs.

An attempt to transform the media image of Valérie, a former reality TV competitor, through a writing process.

This exhibition catalogue gathers together the visual works—collages, drawings and installations—of three major French experimental poets.

Anne-James Chaton in search of the lost manuscript of Virgil's Aeneid in the city of Naples (a text and a radiophonic creation).

While looking for French criminal Jacques Mesrine's grave, Charles Pennequin engages in a poetic and politic reflection against French society.

Artist's book.

This poem by Bernard Heidsieck starts with Vaduz, the capital of Lichtenstein, and from it, lists all the people and ethnic groups of the world: a great humanist work and an extreme experience of poetry-action. The publication features a recording of the poem, read by Bernard Heidsieck.

This visual essay on hostage portrait questions the emotional relationship to the image in wartime. The artist uses basic communication tools to encourage us to reflect on information in public spaces.

First critical anthology of the poetry of Raoul Hausmann, one of the founders of Dada Berlin. It features many unpublished documents, an introductory essay by Isabelle Maunet-Salliet, and a recording of phonetic poems read by Raoul Hausmann.

Full-color anthology dedicated to the works of visual poet and performer Julien Blaine.

Two films and a musical piece by Joachim Montessuis.