This section includes all titles whose publishers or labels are not specifically listed in the main list of the publishers section. The complete list of publishers, labels and journals is available in the general index.
This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).
Recorded live at Amsterdam's Oude Kerk during the 2024 Sonic Acts Festival, The Organ is the World's Greatest Synthesizer finds Charlemagne Palestine returning to the Staalplaat catalog. Taking its title and cover from a drawing made by Palestine during the performance, the work expands his singular mythology of sound and spirit (hand screenprited cover).
This book brings together three texts on Arnaud des Pallières' documentary Disneyland, mon vieux pays natal (Disneyland, My Old Homeland), extending the critical thinking engaged by this hybrid filmic object on spectacle and late capitalism.
a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.
Three years of exploring avenues opened up by eco-design: from physical environments to imaginary ones, from a focus on resilient uses to new collective narratives (box set containing the three volumes S'attacher, 2023, Produire, 2024, and Prendre soin, 2025).
An album entirely dedicated to the sound composition created by Éric La Casa for Luke Fowler's film A Grammar for Listening, based on recordings (images and sounds) made in Paris and Glasgow. A new stereo version from 2023 interacts with the original mono soundtrack from 2009.
The first album by the egalitarian and variable-geometry group of musicians/composers created by Hervé Boghossian, combining microtonal electric guitar, Turkish lute, hurdy-gurdy, and church organ.
The first issue in a collection of typographic specimens, each inviting a designer to create a fictional story around one of their typefaces, this volume is by Grégoire Romanet, who has repurposed 18th-century Texas Cattle Brand symbols to create a typeface.
Mémoire Magnétique, vol.3 allows us to discover some of unreleased rarities from Bernard Parmegiani's personal archives and unpublished recordings which were composed for the screen or the performing arts.
This compilation allows us to discover some of unreleased rarities from Jean Schwarz's personal archives and unpublished recordings which were composed for the dance, screen or the performing arts.
Off The Record by French collagist Roméo Poirier is an amusing romp through the discarded history of recording studios. It contains fourteen miniatures based on accidental recordings of studio talk, revealing things that were never meant for the public.
Comprised of two expansive, sidelong pieces composed entirely on the Serge Modular synthesizer, The Dip signals a subtle yet significant shift in the Berlin-based artist and composer Thomas Ankersmit's trajectory, imbuing the hyper-physical, psychoacoustic intensities of his live performances with introspective, atmospheric, and even melodic elements.
A book of drawings by artist/composer Nickolas Mohanna that mirrors various sound compositions with an economy of gesture at its core. playful in form,
Easily one of the most striking and memorable releases by either artist to appear in recent years, Sergio Armaroli and David Toop's "And I Entered Into Sleep",
issued as the tenth and final album in Die Schachtel's Decay Music series, traverses uncharted realms at the borders of literary reference, sound art, ambience and abstraction through delicately musical sounds, revealing new depths at every turn.
An aural bridge between two distinct generations of Italian experimental and electroacoustic musicians, "Liminale" is the debut collaborative outing from the creative partnership of Luigi Turra and Elio Martusciello.
Sharpened to its core, Solids For Voices by the Danish group Valby Vokalgruppe dives deep into rhythmical architectures built almost solely from the voice.
Le Raï de l'homme approximatif, an invitation to an inner journey, an exploration of the meanders of the human soul, takes us on an existential odyssey where joys and sorrows mingle.
A 5-CD boxed set featuring the collaborative work that the BarDem duo (Vincent Barras & Jacques Demierre) has been carrying out for several years with Swiss and international artists, on the margins of the traditional categories of literature, poetry, performing arts and music.
Moroccan author Khalid El Morabethi deconstructs language and representations of reality with radical, uncompromising writing that clashes words together, inviting us to immerse ourselves in a poetic universe and a sensory, almost visceral experience.
An exploration of the opportunities opened up by eco-design: from physical environments to imaginary ones, from a focus on resilient uses to new collective narratives.
A photographic project by Luc Boegly on architect Luigi Snozzi's exemplary urban development project in the rural municipality of Monte Carasso in Ticino.
The simulation of the sound ambiance of a fireplace on a vinyl record, between ASMR, comforting subliminal soundtrack and conceptual (and slightly offbeat) object inspired by the tool records of the 50s and 60s.
Vincent Broqua twists translation to vandalize literary classics in a sensual act, and expresses the wish for a gay ethic for our time.
Queer beings are inventing alternative ways of holding their bodies together: Vincent Broqua expresses the wish for a gay ethic for our time.
Drawing on feminist criticism and gender studies, the Brazilian poet creates a counter-discourse in which poetic language becomes a place for questioning stereotypes and redefining feminine identities.
A long narrative poem punctuated by 12x2 drawings, a montage of statements and notations in which a poetess (fat and old) keeps a kind of diary in which the destruction of the private body is articulated to that of the social body.
