Joyce Campbell

 
Joyce Campbell (born 1971 in New Zealand, lives and works in Wairoa, New Zealand and Los Angeles) is an interdisciplinary artist working in photography, film and video and sculpture, who's recent work utilizes anachronistic photographic techniques to examine the collision of natural and cultural systems. She is a senior lecturer at the University of Auckland Elam School of the Arts and has lectured in studio art at University of California, Los Angeles, Claremont Graduate University, Scripps College, University of California, Irvine, and California State University, Northridge while occasionally working as a freelance curator and art writer.
She has participated in numerous exhibitions both in New Zealand and abroad including “Heavenly Bodies”, Santa Barbara Museum of Art, 2014; “Che Mondo: What a World”, Curated by Carole Ann Klonarides, Los Angeles Municipal Art Gallery, Los Angeles, USA, 2013; “Te Taniwha/Crown Coach”, Nichols Gallery, Pitzer College, Claremont, CA September 2012; “The Liquid Archive”, Curated by Geraldine Barlow, Monash University Museum of Art, Melbourne, Australia, 2012; “Altogether Elsewhere”, Curated by Rob Tufnell for the Zoo Art Fair, London, Great Britain, 2009; “Photoquai. 2e Biennale des images du monde”, Curated by Anne Noble, Musee du Quai Branly, Paris, France, 2009; 2007 Incheon International Women Artist's Biennale, Curated by John Welchman, Incheon Arts and Cultural Center, Incheon, Korea, 2007 and “Every Day: The 11th Biennale of Sydney”, Gallery of New South Wales, Sydney, Australia, 1998. In 2006, she was selected as one of the Antarctica New Zealand/Creative New Zealand Artists to Antarctica Programme awardees. In 2007, she was awarded an ARC Grant from The Durfee Foundation.

(external link : joycecampbell.com)
 
Joyce Campbell - On the Last Afternoon - Disrupted Ecologies and the Work of Joyce Campbell
2020
English edition
Sternberg Press - Monographs and artists' books
Monographic catalogue examining the forcefield of relations artist Joyce Campbell has activated between photography, philosophy, ecology, material history, science fiction, and the care and reading of sacred and symbolic landscapes, over the course of her near three-decade career.


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