Behdjat Sadr

 
After studying at the faculty of fine arts at the University of Tehran, Iranian artist Behdjat Sadr went to Rome, where she graduated toward abstract painting and informal art. Leaving frames and traditional colours behind, she used synthetic industrial paints that she ran on supports placed on the ground. When she returned to Iran at the end of the 1950s, her experiments with subject and gesture were quickly noticed by Pierre Restany and, later, Michel Ragon. In the 1980s, when she split her time between Paris and Tehran, she notably produced photomontages in an unusual style reminiscent of her painting. Her works have been exhibited in many institutions in France and abroad: Galleria La Bussola, Rome (1958); Venice Biennale (1956, 1962); musée d'Art moderne de la Ville de Paris (1963); Grey Foundation, Saint Paul, Minnesota (1971); Musées royaux des Beaux-Arts de Belgique, Brussels (1972); Centre d'art Le Noroît, Arras (1985); Grey Art Gallery, New York (2010); Asia Society, New York (2013- 2014); Musée d'art moderne de la ville de Paris / MAXXI Rome (2014-2015). In 2004, the Tehran Museum of Contemporary Art devoted a large retrospective to her, as part of the series of exhibitions devoted to pioneers of modern art in Iran.

(external link : behdjat-sadr.com)
 
Behdjat Sadr - Traces
2014
bilingual edition (English / French)
Zamân - Zamân Books
Monograph exploring the artistic and intellectual heritage of abstract painter and pioneer of the visual arts in Iran Behdjat Sadr. This richly illustrated publication offers a singular testimony, combining personal writings and press cuttings, critical texts and poetic correspondence.


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