An artistic and research project focusing on issues of travel, exile, migration, welcome and hospitality in a globalized world.

The legacy and posterity of the Tashkent Festival for Asian, African and Latin American Cinema, which was held between 1968 and 1988 in Uzbekistan.

This collection proposes instituting as a potentially critical methodology in curating, art making and organizing as an unsettling process that produces forms and structures.

The last writings of Antonin Artaud published in English and brought together in one edition for the first time.

First monograph.

Meenakshi Chakraverti's first novel.

Looking at the white gaze on Black life, art, and being, Chipo Chipaziwa's first book explores five years of her past performances without any photographic depictions of her body. Instead, she relies on the written word—with texts penned by herself, as well as by Denise Ferreira da Silva and Olumoroti Soji-George—and on art: paintings, drawings, and prints by Margaret Joba-Woodruff, Sophia Lapres, and David Ezra Wang.

First monograph, featuring the artist's long-term research on the colonial and neo-colonial relations between Italy and Libya through a critical engagement with the Italian "archive of coloniality" and its structural violence.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.

The portraits taken by the French photographer between 1990 and 2010 capture the essence of hip-hop and the street culture of African-American and Hispanic New York.

A book inspired by the artist's research in intersectional environmentalism, deep listening, and decoloniality.

Studies on Squats is an evocative exploration of embodied resistance and political movement that uses the multifaceted posture of the "Asian Squat" as a lens through which broader concepts of migration, illness, and resilience are examined.

The first monographic publication dedicated to the collected works of artist Margherita Moscardini.

This publication is part of Farid Rahimi's eponymous multimedia project, the fruit of long-term research into the memory of Afghanistan, the country of origin of the artist's father.

An anthology of responses to Reiner Schürmann's philosophical research, writings, and commentaries.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

A short story by Victor Segalen (1809-1884), set to music by Nurse With Wound.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

The autobiography, translated into French for the first time, of Ré Soupault (1901-1996), trained at the Bauhaus, photographer, filmmaker, stylist, writer and traveler, translator of Dada and Surrealism, major protagonist of European artistic, literary and intellectual life, and companion of the avant-garde throughout the 20th century.

A portrait gallery of creators on the margins of art brut gardens, houses and environments, of which Francis David has compiled a monumental photographic inventory over a period of fifteen years.

Pieter Henket presents portraits of young Mexicans challenging strict traditions around expression of gender, sex, sexuality, and religion.

The American photographer appropriates the objects that populate the Italian painter's work.

Catalogue.

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

A critical history of a fundamental video art event: the large-scale study of the entire history of Locarno's VideoArt Festival, the culmination of a four-year research project.

A cross-disciplinary and critical reflection on the philosophical stakes of so-called "artificial intelligence", from an epistemological, political and cultural point of view.

Morten Søndergaard (co-editor); interviews with panGenerator, Charles Stankievech, Mélia Roger, Adelin Schweitze; articles: Geofónie, Sonic Reorientations; reports: Electric Dreams, The Vinyl Factory: Reverb, Art Must Be Artificial.

Published several years after the fact, "Exposure" is a catalogue for Patricia L. Boyd's solo exhibition "Hold" at Kunstverein München in 2021.

An unprecedented dialogue between the bronze works of the American-Kenyan artist associated with the Afrofuturist movement and the treasures of the Borghese Gallery, a temple of Renaissance beauty.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

The choreographic in cinema.

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

Aesthetics of breathing: new ways of getting to know the air we breathe and developing a sensitive culture of air qualities.

The classic question of “proof by image” rethought in the light of contemporary practices and technological developments, notably the transformation of the way images are captured and circulated in the digital age.

A reflection on our present, through a series of portraits of contemporary artists.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

An inventory of the controversies surrounding the issue of geoengineering, as a set of the large-scale intervention into the earth's natural systems attempting to counter the adverse effects of climate change.

An update on the issues at stake in the study of the human microbiome (various bacteria, viruses and micro-organisms that compose the human body's ecosystem), shedding new light on the relationship between humankind and nature and the new micro-biopolitics we are now facing.

An exploration of the "swampy" zone between the human and the other forms of life that make up his ecosystem and his environment, at the intersection of art, architecture and philosophy, in the perspective of a posthumanist ecology.

Nature Never Loses surveys six decades of Carl Cheng's prescient, genre-defying work and accompanies the eponymous traveling exhibition organized by the Contemporary Austin. It is the definitive guide to Cheng's career, including a detailed overview of his most impressive works and an abundance of never-before-seen archival material.

The first collection by award-winning performance artist/poet Justin Chin.