The fourth issue of the annual magazine that promotes know-how and technique in design, craft or industry.

The collected writings of artist Marc Camille Chaimowicz, along with the stories behind them told by Alexis Vaillant.

A wide-ranging discursive study of the cultural geography of the Central European avant-garde between the wars.

A project by the Peruvian artist Ximena Garrido-Lecca about the different gazes and discussions around the coca leaf, with the objective to reconsider it as a multidimensional and historical actor.

Writings on the pioneering, beloved experimental filmmaker and artist from critics, garden historians and Jarman collaborators Tilda Swinton and Simon Fisher Turner.

As part of a series of publications on singular architectural bodies of work, this volume focuses on three stone projects by Gilles Perraudin, an advocate of the renewed use of this material.

Refusing the digital world of late capitalism.

A new field of counter-investigation across journalism, human rights, art and law.

Artaud's last unpublished work.

A philosophico-cinematographic journey through Fassbinder's filmic oeuvre, from the avant-garde daring of 1968 to the fallout of the leaden years ten years later.

A collective exploration of the relationship between contemporary art and archeology.

A reflection on our present, through a series of portraits of contemporary artists.

An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

A theory of passive vitalism.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

A critical history of VideoArt Festival Locarno.

The first issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

The result of a research project revolving around the question of data, headed by artist-photographer Aurélie Pétrel and philosopher Fabien Vallos.

Initiated by Tunisian artist, architect and scenographer Chedly Atallah, whose practice explores geopolitical changes in the Arab world through history, architecture and mythological narratives, Matar, Matar, Matar is an artistic investigation into the time of representation and memory, with water as a metaphor for remembrance.

A personal and intimate look behind the scenes of Meg Stuart's creative process over more than a decade.

Accompanying Abdullah Al Saadi's eponymous solo exhibition at the National Pavilion UAE at the 60th International Venice Biennale, this publication invites an immersion into the artist's singularly subjective universe.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication.

Meeting between dance and visual arts.

Publication based on an exhibition of work by Nigerian-British photographer Akinbode Akinbiyi and South African artist Abrie Fourie both based in Berlin, and curatorial collaboration between Musée de la Musique Georges OUEDRAOGO de Ouagadougou and Der Projektraum SCHARAUN, Berlin. The curatorial emphasis turns the focus to the idea of sound in photography.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

Pierre Wat invites artists from both sides of the Atlantic to share their views of Sam Francis (1923-1994).

Sébastien Gökalp invites artists from both sides of the Atlantic to share their views of Eva Hesse (1936-1970).

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

Reissue of a primordial work in the history of the art of the countries of North Africa and West Asia, a major reflection on the artistic currents of the Arab world in the twentieth century which responds more than ever, twenty-five years after its first publication, to the need to decolonize the knowledge.