Sylvia Sasse explores and analyzes subversive affirmation as a critical practice in different political systems.

A reflection on the autonomy and eternity of art by Canadian writer Madeleine Thien, based on a mural in the Thousand Buddha Grottoes of Bezeklik, China.

The first comprehensive and personal look behind the scenes at the architect couple Trix and Robert Haussmann's planning, design and working processes.

Over a decade’s worth of essays: movies of America in parallax view.

The English translation of Matthieu Peck's third novel, in which he confirms his talent as a stylist.

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

A novel about the coming-of-age of a gaze.

Gender is Over is a story about Warsaw's queer art scene at the turn of the 2010s and 2020s, written from the inside.

The Photograph Looked Back at Me is a series of prose miniatures, each born from an image the author cannot turn away from: a ghostly plant printed in a book about Chernobyl; a miner's face obscured by smoke, hanging in a Kyiv gallery; a picture of Katja Petrowskaja's parents, from an old family album.

Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today's satellite surveillance.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

New monograph of the Beninese painter.

A live recording on giant acoustic horns installed on a cliffside in the French Alps, playing with the echoes inherent to the site.

American surrealism meets popular culture meets political criticism: Jim Shaw's obsessive series of drawings devoted to Donald Trump.

Published several years after the fact, "Exposure" is a catalogue for Patricia L. Boyd's solo exhibition "Hold" at Kunstverein München in 2021.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

The choreographic in cinema.

Collected texts.

Catalogue.

The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.

A reflection on the ways in which current artistic and curatorial practices, with their emphasis on cooperation, and pedagogical practices informed by feminist, anti-racist and ecological epistemologies, interact today to create another pedagogical turning point.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

The classic question of “proof by image” rethought in the light of contemporary practices and technological developments, notably the transformation of the way images are captured and circulated in the digital age.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

The first major study of the Japanese avant-garde collective emblematic of the post-war artistic revival, bringing together composers, visual artists, musicians, poets, critics and technicians who in the 1950s explored various forms of interdisciplinary collaboration, questioning the classical frameworks of artistic presentation, the relationships between sound and image, time and space.

A reflection on our present, through a series of portraits of contemporary artists.

By retracing the history of three colossal candelabras made by Piranesi (1720–78) from fragments of ancient Roman sculptures, Caroline van Eck introduces us to the complicated journey of art objects from their production to their reception, and tests the effectiveness of anthropological methods by isolating what relates to the commodification of art objects and their singularization.

Aesthetics of breathing: new ways of getting to know the air we breathe and developing a sensitive culture of air qualities.

An aesthetic and political reflection on contemporary monumental and commemorative art, at a time of critical revision of history.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

Catalogue.

A critical history of a fundamental video art event: the large-scale study of the entire history of Locarno's VideoArt Festival, the culmination of a four-year research project.

A detailed overview and history of "ero-guro-nansense", an editorial, artistic and literary movement of iconoclastic and subversive magazines in Japan in the 1925-1930s, ancestor and precursor of the post-war Japanese underground.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today (new expanded edition).

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

Azimuts devotes issue 62 to the questions that the fake poses to forms of visibility, whether in the field of art or not.

A pioneering study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism"—the concept of a unity of matter and spirit—emerged and became increasingly popular among intellectuals, artists and scientists.