This volume revisits Alain Badiou's renunciation of his postulate that mathematics is ontology, and questions the legacy of French epistemology.

Published several years after the fact, "Exposure" is a catalogue for Patricia L. Boyd's solo exhibition "Hold" at Kunstverein München in 2021.

A book presenting for the first time the reverse sides of artist Dominique De Beir's works, revealing the exploration that went into giving shape to the drawings.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

An analysis of the processes by which certain seemingly innocuous popular forms of modernity are used to serve fascism, through the example of synchronized dancing, which was imbued with the symbolism of Nazi domination.

A reflection on our present, through a series of portraits of contemporary artists.

Aesthetics of breathing: new ways of getting to know the air we breathe and developing a sensitive culture of air qualities.

The classic question of “proof by image” rethought in the light of contemporary practices and technological developments, notably the transformation of the way images are captured and circulated in the digital age.

An aesthetic and political reflection on contemporary monumental and commemorative art, at a time of critical revision of history.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today's satellite surveillance.

Catalogue.

A critical history of a fundamental video art event: the large-scale study of the entire history of Locarno's VideoArt Festival, the culmination of a four-year research project.

This card game invites artists and/or researchers to use divination arts to practice the methodology known as research-creation, in a horizontal and friendly way.

A detailed overview and history of "ero-guro-nansense", an editorial, artistic and literary movement of iconoclastic and subversive magazines in Japan in the 1925-1930s, ancestor and precursor of the post-war Japanese underground.

Three texts by the Marxist theorist from the Czechoslovak avant-garde of the interwar period, Karel Teige, translated into English for the first time.

A reflection on the ways in which current artistic and curatorial practices, with their emphasis on cooperation, and pedagogical practices informed by feminist, anti-racist and ecological epistemologies, interact today to create another pedagogical turning point.

Invited by Erik Verhagen, a group of artists from both sides of the Atlantic share their views on François Morellet's work.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today (new expanded edition).

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

Azimuts devotes issue 62 to the questions that the fake poses to forms of visibility, whether in the field of art or not.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

This edition by Walter and Jan Verwoert pairs an 7" record featuring 6 pieces of sound poetry with facsimiles of the 6 collages used as scores for the recordings.

A pioneering study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism"—the concept of a unity of matter and spirit—emerged and became increasingly popular among intellectuals, artists and scientists.

A literary adventure resulting from a collaboration spanning several years between an artist experimenting with AI and an academic working on issues of literature, media, and attention.

A much-needed mapping of the Indian art scene.

Renewing our understanding of Ruscha's art.

Renewing our understanding of Ruscha's art.

An inventory of the controversies surrounding the issue of geoengineering, as a set of the large-scale intervention into the earth's natural systems attempting to counter the adverse effects of climate change.

An update on the issues at stake in the study of the human microbiome (various bacteria, viruses and micro-organisms that compose the human body's ecosystem), shedding new light on the relationship between humankind and nature and the new micro-biopolitics we are now facing.

An exploration of the "swampy" zone between the human and the other forms of life that make up his ecosystem and his environment, at the intersection of art, architecture and philosophy, in the perspective of a posthumanist ecology.