A dialogue between the creations of the two designers.

A story by Ariella Aïsha Azoulay about traditional crafts and the power of community, in an illustrated children's book in two complementary parts, French and Arabic.

A transversal and analytical reading of Éric Baudart's entire body of work.

Though published during his lifetime, Walter Benjamin's dream notes and theoretical reflections on dreams are collected here for the first time in a single volume.

First monographie.

The feline archives of the master of commercial animal photography.

The definitive publication on Carl Cheng's genre-defying work.

A dialogue between the creations of the two designers.

Karenna Gore posits a future for the design practices that works within the living and intelligent design of Earth.

For her long awaited second monograph, Liz Johnson Artur follows the legendary London club scene PDA and the community that created it.

The first English translation of Alexandra Kollontai's "My Heart Belongs to the Finnish Poor", originally published as "Suomen köyhälistölle kuuluu sydämeni" by the Finnish Trade Union Federation in 1911. The essay is printed in 200 copies as a risographed poster.

An account of the relationships between biology (as education, research, institutions etc.) and capital (in such forms as research grants, industries & corporations).

The American photographer appropriates the objects that populate the Italian painter's work.

Invited by Mara Hoberman, a group of artists from both sides of the Atlantic share their views on Joan Mitchell's work.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

A short story by Victor Segalen (1809-1884), set to music by Nurse With Wound.

This first monograph on Italian artist Emilio Prini (1943–2016), a key figure of Arte Povera, explores his radical approach to art across five decades of work through texts, archival research, and artist interventions.

A collection of essays about the end of the world and its representation in XXI-century culture / a manifesto for the imagination of another relationship with the end.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

The edition offers a new approach to what Ines Weizman names "documentary architecture," meaning that to write about the history of a building is also to map the world in which it is located.

An unapproved Wikipedia draft authored under the conceptual label Jeff Wall Production, initiated by curator and essayist Pierre Bal-Blanc.

This book explores the secret territories that formed the City of Thelema, from which Rudy Ricciotti—an internationally renowned architect—built his work.

This book explores the secret territories that formed the City of Thelema, from which Rudy Ricciotti—an internationally renowned architect—built his work.

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

How plants shape space, knowledge, and hierarchies across historical, ecological, and epistemic terrains.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

A portrait gallery of creators on the margins of art brut gardens, houses and environments, of which Francis David has compiled a monumental photographic inventory over a period of fifteen years.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

A transdisciplinary reevaluation of the dialogical character of humanism.

A study of the affects and effects of Russian narratives and their global dissemination.

The possibility and conditions of a "de-Berlinized" world order that overcomes a 140-year history of colonial violence.

The last writings of Antonin Artaud published in English and brought together in one edition for the first time.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

A personal reflection on fragmentation, language, and place.

Pieter Henket presents portraits of young Mexicans challenging strict traditions around expression of gender, sex, sexuality, and religion.

Pivot is an experimental, book-length poem exploring the profound act of "turning", with the Haitian Revolution as its cornerstone.

An artistic inquiry into "future nostalgia".

Fierce Unworking highlights Ko Murobushi's role as an unparalleled pioneer of contemporary paradigms such as body language, the third space or embodied knowledge. Ten years after his death, this volume brings together writings, poems and diary fragments in collaboration with the Ko Murobushi archive in Tokyo, making many of which are available in English for the first time.