Museums of Tears extends Francesco Vezzoli's 2024 exhibition at Museo Correr, Venice, combining historical works and new commissions to explore antiquity, emotion and illusion. Conceived as an artist's book rather than a catalogue, it transforms the museum guide into a hybrid archive and portable museum of memory, beauty and mourning.

In the staccato, nervous, vivid and even resonant language of the flea markets that Oriol Vilanova frequents, Le prix des choses discusses economics as a flow—that is, the exchange of goods for monetary value.

A meeting of Hervé Zénouda's musical world and Anne Van Der Linden's visual one (set includes a vinyl record, a CD, 10 risograph prints, an 8-page booklet, and a postcard).

A comprehensive study of the impact of the life sciences—primarily botany—and their expansion in the 19th century on the thought and work of Gustave Moreau.

Globalized popular culture as a starting point for a new way of thinking about art and visual culture.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

Through an analysis of the social and cultural history of the imperative of "creativity" that now shapes our lives, Andreas Reckwitz examines the paradoxical promises of aesthetic capitalism.

An encounter between dance and visual arts.

A study of the affects and effects of Russian narratives and their global dissemination.

What is the relationship between mathematics and philosophy? How does the project of "mathematical ontology" redefine the link between multiplicities and being? M=O? brings together leading scholars exploring and questioning Alain Badiou's thesis that "mathematics is ontology" and its evolution.

An ethnographic wander in the streets of Paris.

A novel about the coming-of-age of a gaze.

An overview of the unique work produced by the studio for artists with disabilities that has been active in Fribourg since the late 1990s.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

Reference monograph.

Fierce Unworking highlights Ko Murobushi's role as an unparalleled pioneer of contemporary paradigms such as body language, the third space or embodied knowledge. Ten years after his death, this volume brings together writings, poems and diary fragments in collaboration with the Ko Murobushi archive in Tokyo, making many of which are available in English for the first time.

A collection of sketches and research notes, texts, transcriptions of sound works, and visuals that document Dominique Petitgand's sound work.

Sylvia Sasse explores and analyzes subversive affirmation as a critical practice in different political systems.

Departing from a series of concrete projects and international exhibitions, this book considers the conditions of artistic research and related discourse via twenty significant concepts.

A series of reflections on research and fieldwork that situate the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

A broad overview of the evolution of the Saudi art scene from the 1950s to the present day.

Launching a series of children's books published by Kaph in Beirut, Saud's Adventure in the Art World recounts the initiatory wanderings of a child lost in a museum.

A survey of contemporary design from the Arab World.

A survey of Latinx and Latin American women artists that used mail art, postal networks, messages, and distribution in their work.

A wide-ranging investigation into the architectural legacy of the rural utopian communities that settled in California in the 1970s.

On the specificity and generality, materiality and immateriality, production and reproduction of artistic labour.

This first comprehensive monograph on Mitchell Anderson spans his broad multi-media practice since the early 2010s.

Though published during his lifetime, Walter Benjamin's dream notes and theoretical reflections on dreams are collected here for the first time in a single volume.

Two Thousand Years of Non-Urban History revisits the founding principles of architectural and landscape discourse in the Arabian Peninsula. The publication explores instances of pre-oil planning, ranging from desert kites to fish traps and water channels, upending the toolset for thinking through architecture's relationship to its context.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

The first volume of a new series of art history publications dedicated to the artistic scenes of former Yugoslavia, this publication offers the first comprehensive overview on the life and work of Ivo Gattin (Split, 1926–Zagreb, 1978).

First reference monograph.

Karenna Gore posits a future for the design practices that works within the living and intelligent design of Earth.

The Swiss artist and writer studies a place at beetle height.

A selection of critical writings that blend sociological procedure, technological metaphor, visual and theoretical apparition, indexing the material and linguistic problems of making art.

An artistic inquiry into "future nostalgia".

A comprehensive overview of the artistic and conceptual work of Henrike Naumann, one of the most influential voices of her generation, who died at the age of 41 shortly before the opening of her project for the German Pavilion at the 61st Venice Biennale.

The English translation of Matthieu Peck's third novel, in which he confirms his talent as a stylist.

The Photograph Looked Back at Me is a series of prose miniatures, each born from an image the author cannot turn away from: a ghostly plant printed in a book about Chernobyl; a miner's face obscured by smoke, hanging in a Kyiv gallery; a picture of Katja Petrowskaja's parents, from an old family album.

Bianka Rolando's first book published in English, Inselbergs is a volume of poetry accompanied by the author's own lithographs, combining word and image to reflect her interdisciplinary practice.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

The first comprehensive and personal look behind the scenes at the architect couple Trix and Robert Haussmann's planning, design and working processes.

The first comprehensive monograph on Nina von Albertini's sculptural jewelry which she began making in the late 1970s after becoming a silversmith and moving from Switzerland to Florence and New York.