Kein Witz, No Joke combines paintings and objects by Sophie Reinhold with the "Typewritings" of Ruth Wolf-Rehfeldt. As different as the artists may be, their works share a manic perseverance, precision, and subversive humor.

This book traces the last thirty years of Rita Ackermann's career containing both well-known and previously unpublished works, ranging from painting to drawing, created in a range of media and formats.

An overview of the Pakistani artist's practice over the past 15 years.

A fully-fledged artistic project expanded with writings, poems, and aphorisms by the artist alongside various interviews.

A dive into the world and studio of French artist Adrien Vescovi, whose textile compositions are thought and composed like paintings, both monumental and vulnerable, subject to the natural elements and impregnated with the places where they are exposed.

A 16-channel piece composed between 2016 and 2020, inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary, in memoriam Bernard Baschet, Bernard Parmegiani and Carlos Pellegrino.

François Bonnet's new album, more vaporous, immersive and evocative than ever, explores a wide range of sound sources and techniques to blur musical codes and leave room for memory imprints.

François Mangeol appropriates Michel Houellebecq's Sérotonine and reduces it to only the letters representing the chemical symbols composing the neurotransmitter linked to the state of happiness (artist's book).

The most complete publication ever dedicated to the Tuscan artist.

A collection of works reflecting the influence of Italy on Paul Thek's artistic trajectory, with several contributions highlighting his Italian period.

Carmelo Bene. Là dove muore, canta is the work of the artist Rä di Martino and she comes to terms with the memory of Carmelo Bene (1937–2002), through his archive materials.

The photographs made by Cy Twombly and Robert Rauschenberg in Morocco in the 1950s.

Tocqueville's travel notes, enriched by a photo essay by Ramak Fazel.

An artistic and reflexive project around the notion of the "future perfect", the passage of time, individual and collective responsibility in the current cultural and political ecosystem, and future perspectives and goals.

Archives on Show brings the potential of reformulating the social and political relevance of archives by curatorial means into focus.

A manual for academic teaching and learning contexts.

An exploration of the form of conversation as a method of aesthetic solidarity and empowerment.

The catalogue of the 13th edition of the Rencontres de Bamako - African Biennale of Photography, focusing on multiplicity, difference, becoming, and heritage.

Part visual essay, oral history and artist book, DNCB – A History of Irritation is a companion to the multi-channel installation DNCB by Oliver Husain and Kerstin Schroedinger, around the history of the chemical substance DNCB, used both in film and photo labs to process color, and as a treatment in alternative AIDS clinics.

The first monograph of writing by visual artist Emma Wolf-Haugh interconnecting performative works, performance scripts and assemblage texts.

An incisive examination of the intersection of global art and political resistance.

The book "Movements of Air" reprints the breathtaking pictures of Étienne-Jules Marey, that he took between 1899 and 1901 during his scientific experiments with moving air and smoke, and complements them with two essays of Georges Didi-Huberman and Laurent Mannoni. 

A journey through the United Fruit Company's photo archive and its documentation of corporate expansion into the Caribbean.

The indispensable equine bible by Nils Bertho, illustrator allergic to horses, is back for a third (and final?) edition.

Faitiche presents the album Exq I by Berlin underground techno legends Muellie Messiah & Punk not Punk, mainly known under their 100Records moniker. Weighing in at 36 minutes, the track was recorded in 2010, effortlessly intermingling dub, drone and collage, a blend achieved thanks to the duo's jazz-inspired approach to improvisation.

A look at 40 years of artistic practice by Belgian artist Michel François.

A photographic essay on the spiritual and architectural dimensions of the candle.

The concrete, electronic sounds of the Langham Research Centre (here Iain Chambers and Robert Worby) combine with the acoustic qualities of John Butcher's saxophone in an extended improvisation session.

Persistence of Sound celebrates the British composer Richard Orton (1940-2013) with a selection of electroacoustic and computer music from across his career.

The posthumous album of naturalist field recordings from The London Sound Survey: a sound-journey through the dark in East Anglia, roaming across the counties of Norfolk and Suffolk to places whose sounds have a precarious existence outside the crowded realities of modern everyday life.

The most important monograph to date devoted to the work of Anne Van der Linden, a major figure in the underground art scene, with nearly 300 images, paintings and unpublished documents in colour.

Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other electronic (performed by Ryoko Akama).

The reference book in French on the Global Tools design movement linked to the Italian radical architects of the 1970s.

First monograph of the Kenyan artist.

The third solo release by a prominent pillar of Japanese ambient music, after 11 years of collaborations.

The third solo release by a prominent pillar of Japanese ambient music, after 11 years of collaborations.

The first issue of the Dongola Architecture Series, dedicated to the most iconic contemporary architects of Arab culture, dives into the transdisciplinary perspective of Jordanian architect, artist and anthropologist Ammar Khammash.

The first publication dedicated to the French artist known for her avant-garde practice, pushing back the codes of the textile industry, questioning the dichotomy between made-to-measure and ready-to-wear, and the place of women and the female body in society.

Recordings from two installations/performances by the Berlin-based sound artist that explore the physical presence of sound phenomena, by producing the impact of electronic music but with purely acoustic means.

The immersive sound diary of a trip to Bali.

An autobiographical artist-talk as a performance delivered from the artist's bed over Zoom.

Vannina Maestri is an author associated with the 2020-2021 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of three exhibitions, composed freely around the works and ideas she perceived there.