Shelter Press

A split album as part of the GRM Portraits series bringing together two pieces by French sound artist Eve Aboulkheir, and by Lasse Marhaug, a figure from the Norwegian experimental scene.

A split album as part of the GRM Portraits series bringing together two pieces by the French bassoonist and the Norwegian composer.

Ákos Rózmann's Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer's studio and at EMS in Stockholm. Like most of Rózmann's compositions, Mass is a long-form work with a duration of around seven hours. 

The complete version of electro-acoustic composer Ákos Rózmann's epic masterpiece 12 Stations presented for the first time in its entirety as a deluxe 7CD set.

An electroacoustic piece composed between 1984 and 1989, inspired by the ancient theory of the four elements and exploring the notions of matter and its transformation.

Where Ben Vida's music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

A 16-channel piece composed between 2016 and 2020, inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary, in memoriam Bernard Baschet, Bernard Parmegiani and Carlos Pellegrino.

François Bonnet's new album, more vaporous, immersive and evocative than ever, explores a wide range of sound sources and techniques to blur musical codes and leave room for memory imprints.

An exploration of the shifting acoustic ecology of the Western Isles.

Two previously unreleased recordings of Peter Rehberg (1968-2021), live performances given at the GRM which, each in their own way, vividly illustrate the extent of his sonic palette.

A masterstroke of contemporary musique concrète and auditory conceptualism, dense with metaphor, allegory and meaning.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

The first collaboration between the GRM and new label-partner Shelter Press, continuing the Portraits GRM record series which Peter Rehberg of Editions MEGO set the foundation for in 2012, Living Torch is a major piece by Kali Malone adds a significant milestone to an already fascinating repertoire.

Thomas Bonvalet deploys all the instrumentarium of his project L'ocelle mare (guitars, banjo, tambourines, piano, flutes, but also body percussion, metronomes, switches, painter's tape, mobile phone, microphones, mixing board, amps, etc.) to create a true poetics of the object, focusing on the materiality of instruments as objects as well as on the musicality of objects as instruments.

Thomas Bonvalet deploys all the instrumentarium of his project L'ocelle mare (guitars, banjo, tambourines, piano, flutes, but also body percussion, metronomes, switches, painter's tape, mobile phone, microphones, mixing board, amps, etc.) to create a true poetics of the object, focusing on the materiality of instruments as objects as well as on the musicality of objects as instruments.

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

An album created as a loosely structured piece for live performance in 2018-2019, commissioned by CTM in Berlin and Sonic Acts in Amsterdam, and premiered there on the GRM Acousmonium. The music is inspired by—and dedicated to—the pioneering research of American composer and installation artist Maryanne Amacher (1938-2009), and created entirely on the Serge Modular analog synthesizer.

The new solo work for concrete sounds, electronics and instruments from Australian composer-performer James Rushford: a shimmering and skittering piece inspired by the play of light and shadow on water.

Copies, appropriations, quotations in the collections of the Centre national des arts plastiques

The album from Marina Rosenfeld's complex audiovisual installation around the microphone, amplification, notation and listening.

A manifesto for possible future music.

An essay on the singular universe of the director, scenographer, choreographer, puppeteer and visual artist Gisèle Vienne.

Kassel Jaeger's first solo LP with Shelter Press—a remarkably intimate and forward-thinking aural balm, bristling with complex beauty.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

The new book from French photographer Estelle Hanania gathers over ten years of collaboration and archives revolving around the artistic universe of Gisèle Vienne.

The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

A book conceived by the artists Yann Sérandour, Félicia Atkinson, Julien Bismuth, and the curator Sophie Kaplan, revolving around questions of narrative, listening and improvisation, centered around a long unpublished transcript of a talk poem by David Antin.

A book conceived by the artists Yann Sérandour, Félicia Atkinson, Julien Bismuth, and the curator Sophie Kaplan, revolving around questions of narrative, listening and improvisation.

Black Zone Magick Chant is the newest moniker from French psych-drone artist Maxime Primault, who debuts on Shelter Press. Consisting of three longform compositions borne from what Primault describes as “a couple of very intense periods, in altered states of consciousness”, Voyage Sacrifice incorporates slowly unfurling drone, murky ambient passages and the reverb-heavy sounds of bells and pitch-shifted vocals.

John Also Bennett's first solo album.

Matali Crasset's wild houses.

The two books by Matali Crasset published by Shelter Press (special offer).

Polaroid works.

Félicia Atkinson and Jefre Cantu-Ledesma have thought of this new collaboration as a series of soundscapes filled with literary and cinematographic references, from Sylvia Plath's poetry to the films of Hal Hartley and Wong Kar Wai. The album carries a strange echo of the 1990s, materialized in Julien Carreyn's cover photograph.

The ninth solo album of the American composer and percussionist reflects his move to Manhattan, where he produced Stadium. Starting with urban field recordings, he then builds on these environments to create subliminal spaces for his percussion, keyboards and acoustic instruments. Central to his work, his drumset and acoustic percussion performances are pushed to new levels with mesmerizing string and brass arrangements.

The score composed and recorded by KTL (Stephen O'Malley & Peter Rehberg) for the dance piece ‘The Pyre', written and directed by Gisèle Vienne. A tensed composition haunted by the voice of Dennis Cooper.

For his first record in 6 years, Thomas Ankersmit pays homage to the late legendary Dutch composer, electronic and tape music pioneer, and multimedia artist Dick Raaijmakers. Inspired by Raaijmakers's composition and recording techniques, Ankersmit exclusively used analogue devices, creating three-dimensional and holophonic sound fields.

The production of alternative and solidarity-based knowledge through the linguistic, sexual, biological and geographical margins.

Struggle Artist by Justin Meyers, the Minneapolis-based composer, artist, and head of the Sympathy Ltd. label, expresses the incompatibility of neoliberalism and non-commercial artistic practice through melancholic sonorities and the meticulous narrativity of the synth-based compositions.