The various dimensions of the landscape—mental, cultural and ideological, real and pictorial—in the emblematic works of Poussin, Le Lorrain, Bourdon and their contemporaries of the 17th century.

Historical exchanges and common ground (of agreement or dissension) between literature and anthropology.

The images of exile in art history, from classical painting to the most contemporary production.

The unexplored relations between hypnosis, music and medicine in the 19th century, between the world of science and the world of art.

An experience of introspection, an epistemological reflection and an act of resistance in the face of depersonalization, around the question of the name.

For the first time, this study places Marta Minujín's performance on debt at the heart of a varied and long-term iconography. This pioneering work shows how works of art can become a powerful means to refute the idea of economic neutrality and the supposed equality of its participants, thus denouncing the hierarchies and balances of power, whether military, cultural or financial, necessary for the functioning of the current economic system.

The little-known history of a major cultural encounter: a study of the reception of Chinese painting in the West and its artistic resonances, which underwent profound changes between the 19th century and the 1930s.

The Art history reconsidered as a scientific discipline and form of discourse in the twentieth century, through a critical analysis of the work of Charles Sterling.

A reflection on our present, through a series of portraits of contemporary artists.

Four decades of incisive writing about contemporary art, fired by enthusiasm and scepticism alike, by the eminent German cultural critic and commentator Walter Grasskamp (essays on Joseph Beuys, Hans Haacke, Duane Hanson, Jörg Immendorff, Axel Kasseböhmer, Alex Katz, Anselm Kiefer, Per Kirkeby, Karin Kneffel, Eduardo Paolozzi, Sigmar Polke, Markus Raetz, Gerhard Richter, Sarkis, Aldo Walker, Ben Willikens).

An exhaustive documentation to celebrate 40 years of creative activities at Garage 103—an historical place for post-Fluxus artistic, performative, poetic, and sonic experimentations in the heart of Nice.

The first book to examine the life and work of the fascinating figure of Saul Bass, exploring the designer's revolutionary career and his lasting impact on the entertainment and advertising industries.

A study and translation of a fundamental text on the “art of the insane” in Russia, re-establishing a whole section of Western history of the interest of psychiatrists in the relationship between creation and madness.

A collective exploration of the relationship between contemporary art and archeology.

The first comprehensive and thorough scientific study of typographic typefaces created in Germany, Italy and France between 1459 and 1482, which are neither fully gothic nor roman.

First French translation of a seminal text of media theory, which this edition contextualizes, notably through the debate it provoked with Baudrillard.

A project by Paul-Armand Gette around the censorship of the Diane Chasseresse by the artist Jean-Antoine Houdon (1741-1828), whose sex considered too naturalistic was plugged up and filled with bronze rods and then hammered in 1829 when it entered the national collections.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us.