A journey through the years 1960-1980, following Pierre Tilman's friendships with the artists, poets, jazz musicians and creators who marked the artistic and literary landscape of the time.

A fascinating exploration of the utopian origins and tumultuous 130-year history of the largest and longest-lived artists' community in the world.

An anthropologist's view of contemporary African creation.

A book to approach differently what is taught and learned in art and design college.

Vegetal life at the forefront of philosophical thought.

The history of the contemporary art center of Metz.

The very first major monograph of Paul-Armand Gette.

Special issue: a retrospective of L'Humidité, the most important art and experimental poetry magazine of the 1970s, created and directed by Jean-François Bory from 1970 to 1978.

A text declined in the form of axioms, corollaries or proposals, like an accumulation of pictures built over the course of social movements, and with the words of others (Marcel Proust, Jonathan Crary, Nathalie Quintane, Chrysippe, Karl Marx, Marie José Mondzain, Mario Tronti, Anne Parian, etc.), in order to question the gestures that make up the narrative.

Through a message of love, the writer evokes the memories and places of his own childhood and expresses a pessimistic and painful thought of a Tunisia adrift, which currently offers to its youth a dark future—while hoping that the light returns.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if this word came from the origins.

A history of the museum of modern art, exhibitions and discourses on art and its public in the 20th century, from the trajectory of Jean Cassou (1897-1986), writer, resistance fighter, art critic, poet and chief curator of thenational museum for modern art of France from 1945 to 1965.

An investigation into how the discovery of "India" disrupted Western mimesis between 1800 and 1850, thereby contributing to artistic modernity.

The first book to examine the life and work of the fascinating figure of Saul Bass, exploring the designer's revolutionary career and his lasting impact on the entertainment and advertising industries.

The catalog of the exhibition at the first Biennale of Architecture and Landscape.

New perspectives for a history of Italian silent cinema.

An essay on the Italian period (1962-1976) of the American artist, never studied before although it has deeply influenced the imagination and the work of Paul Thek.

The Nietzschean notion of superman and the very real effects of the virtual, the networks, the digital image and the video game in human interrelationships: a striking essay resulting from the posthumously defended thesis of Benjamin Lavigne (1981-2020), which draws up a singular, committed and rigorous critic of the technological foundations of contemporary society.

First monograph.

Julien Blaine's new collection of poetic, visual and typographic experiments.

The film by Charles de Meaux, with Fan Bingbing, Melvil Poupaud, Jin Shi-Jye, Wu Yue, Thibault de Montalembert, Féodor Atkin, in book (texts by Philippe Azoury, Anne Dary, Donatien Grau, Élisabeth Lebovici, Brice Pedroletti, Thomas Schlesser), on Blu-Ray and DVD.

Bringing together previously unpublished essays by internationally renowned philosophers, cultural theorists, activists, and art historians, this volume provides a toolkit for addressing contemporary theories and practices of resistance.

Bringing together previously unpublished essays by internationally renowned philosophers, cultural theorists, activists, and art historians, this volume provides a toolkit for addressing contemporary theories and practices of resistance.

A critical approach to visual communication and contemporary globalist aesthetics.

20 proposals for the intersection of artistic practice and research in academic milieu.

New monograph.

A new approach to psychological suffering, integrating non-Western knowledge with that of psychiatry and psychoanalysis, in order to rethink the cultural and linguistic heritages and crossings that constitute a plural universal.

American conflict photographers at the turn of the 21th century.

Dreamtime X is a diary kept between March 2020 and March 2021, capturing the conditions of lockdown as experienced by the author. Articulated in the form of 100 short poetic entries, the publication veers across a set of ambivalent perspectives.

An alphabet book of the commonplaces of journalistic writing bringing forward its propagandist impact.

An journal of critical and political poetry: Leslie Kaplan, Rothenberg, arts and critical positions, an anthology of contemporary Central American poetry, a catalog of visual poetry, a dossier on the Brazilian concrete poetry group Noigandres, new translations of William Blake by Jean-Jacques Viton...

A gallery of portraits of people listening to a work by Frédéric Acquaviva in progress, laid out like a flip book.

Reevaluating the scholarly knowledge about Dada and its legacy, this publication reconstructs how Dada was (re)invented in the 1950s and the 1960s, especially by the Dada protagonists themselves, and asks to what extent Dada's impulses are still relevant regarding current aesthetic, literary and cultural analyses.

The Nietzschean notion of superman and the very real effects of the virtual, the networks, the digital image and the video game in human interrelationships: a striking essay resulting from the posthumously defended thesis of Benjamin Lavigne (1981-2020), which draws up a singular, committed and rigorous critic of the technological foundations of contemporary society.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

An essay to account for the architectonics of Aby Warburg (1866-1929) by resituating his work within his project of general anthropology of expression: Lara Bonneau shows, from a text as little known as it is important, that the invention of iconology, which made the art historian famous, was underpinned by an ontology drawing on various sources, philosophical, psychological and biological as well as historical.

The little-known history of a major cultural encounter: a study of the reception of Chinese painting in the West and its artistic resonances, which underwent profound changes between the 19th century and the 1930s.

The Art history reconsidered as a scientific discipline and form of discourse in the twentieth century, through a critical analysis of the work of Charles Sterling.

The architectural proposals of Gordon Matta-Clark.

The non-human images, challenging our own relationship to the world.

This collective publication is a singular invitation to discover or deepen the universe of Tabita Rezaire, at the intersection of new technologies, decolonial healing, spirituality and the political history of science. Through numerous contributions from poets, theorists, artists and her friends and relatives, she invokes the wisdom of the womb: the mother womb, the earth womb, the cosmic womb, for us to receive its grace.

A collection of texts (visual or conceptual poems, ideas to be realized or mostly not, inventories, compilations, interludes, etc., constituting sorts of scores) composed between 2017 and 2021.

An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.

The redefinition of the medium through the interrelation between contemporary art and cinema.

A long history of Fourierism in France, Great Britain and the United States, based on the theme of cooperation.

A retrospective in images of the activities of the Compagnie Pitoiset in ten theatrical creations, with a long analysis by Daniel Loayza.

First translation into French of a work by the Japanese sociologist and feminist Chizuko Ueno, who questions the relationship of women to historical tragedies, violence, war and terrorism, rejecting all forms of violence, both state and domestic, as well as domination.

The first translation into French of a work by the Japanese philosopher, this book, based on photography and cinema, in dialogue with Cassirer, Heidegger, Marx and the authors of the Frankfurt School, proposes an aesthetic of resistance and rebound that is inseparable from the body and the struggles it involves.