The complete work (unreleased for the most part of it) by a key composer of Belgian electronic music.

The extraordinary recordings from 1978 by David Toop of Yanomami ritual songs, shamanistic ceremonies and rainforest sounds. The 40 pages booklet recounts the full story of his fascinating journey in 1978 through the Amazon jungle to meet and record the last Yanomami shamen.

The extraordinary recordings from 1978 by David Toop of Yanomami ritual songs, shamanistic ceremonies and rainforest sounds. The 40 pages booklet recounts the full story of his fascinating journey in 1978 through the Amazon jungle to meet and record the last Yanomami shamen (LP version mixed by Lawrence English).

An anthology of texts by the artist.

A multidisciplinary examination of the Gwion Gwion cave paintings' “living pigments” which are generating new articulations between “art” and “life.”

The European colonial heritage revisited: Meessen invited ten international artists to think the colonial modernity and connect it with the history of avant-garde, political and independence movements (catalogue of the Belgian Pavilion at the 56th Venice Biennale).

Twenty-one collage works by Swedish artist Malin Gabriella Nordin, between painting and sculpture (artist's book).

A concrete / post-digital oratorio in 5 parts.

A text by André Salmon on French anarchist Léon Léhautier, accompanied by a mini-CD containing a piece by Nurse With Wound, Close to You.

A new drug on the market: an illustrated kaleidoscopic trip by Arnaud Loumeau.

The first major survey of Barbara Kasten's work, this publication includes a biography of the artist, a conversation between Kasten and artist Liz Deschenes, and new scholarly essays by curator Alex Klein, and art historians Alex Kitnick and Jenni Sorkin.

Artist's book.

New monograph.

This box gathers the three volumes of the publication the Serralves Museum of Contemporary Art began in 2008, in the framework of the major exhibition dedicated to the director, on the occasion of his 100th birthday.

The first detailed study of the artist's book within the Fluxus movement.

First monograph.

Using Jérôme Bel's Disabled Theater as the basis for a broad, interdisciplinary discussion of performance and disability, this series of essays explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment. Including interviews with Jérôme Bel and with the actors of Zurich's Theater HORA.

First monograph / artist's book.

Showcasing 60 artists and more than 100 works from major Italian private collections, the exhibition “Too Early, Too Late: Middle East and Modernity” examines the relationship between the East and Western modernity.

This catalogue investigates the multi-faceted work of one of Italy's greatest artists of the interwar and postwar periods. The book is illustrated by a large selection of archival documents, some of which never seen before.

During a period of three years, Taiyo Onorato & Nico Krebs traveled several months through the United States, working “on the road” on The Great Unreal, a photographic work dealing with reality and the fabrication of reality.

A pioneering study in which professor of media theory Dieter Mersch paves the way for a methodology of aesthetics that would move beyond the “linguistic turn” to create a new scientific discourse that would create a better conceptual understanding of art-based research.

Headless, an exhilarating murder-mystery by the elusive K. D., probes the sordid secrets and sinister deeds of powerful financiers who use Caribbean firms to conceal their fortunes.

Artist's book (drawings).

A manifesto-as-culinary-innovation.

An unpublished manuscript, La Ferme radieuse et le centre coopératif (“The Radiant Farm and cooperative center”) describes the country planning project conceived by Le Corbusier and Norbert Bézard in the 1930's.

The first recorded collaboration between Charlemagne Palestine (piano Bösendorfer, orgue Yamaha and voice) and Rhys Chatham (trumpet, loop pedal, electric guitar).

For this artist's book, Izet Sheshivari used three different photographic technologies to produce this selection of landscape images which play with the codes of classic road movies.

A corpus of contemporary Roman inscriptions, which testifies the importance of language—institutional as well as popular—in the collective space of the streets (artist's book).

With Grotesque female creatures, atomic lightbeams, skulls, Pop monsters and ukiyo-e decoration... These polychromic hallucinations of a Master of Psychedelic art were inspired by a near-death experience.

This vinyl edition collects several field-recordings of Matteo Nasini's aeolian instruments, executed by the artist in different places and conditions. Together with the vinyl, the edition presents eight large-format artist's prints related to the same practice.

First vinyl release of a classic from Sub Rosa's catalogue.

During the 1950s and 1960s, Roberto Gerhard gathered a significant magnetic tape collection in his home studio, creating a major repository of early electronic sound recordings of his own works. The pieces on this record present a complex set of challenges for audio restoration, giving at the end a complete understanding of his compositional process and allowing the spirit and vitality of his electronicwork to speak clearly to the listener.

Red Bird was composed between 1973 and 1977, using the studio of the University of York Music in UK. Wishart's compositional interests deal mainly with the interpolation by technological means between the human voice and natural sounds.

First monograph.

The first monograph and visual survey to explore the singular odyssey of John Severson, who revolutionized pop culture's vision of surfing and surf culture through his prolific artistic output that transverses decades and disciplines, through ephemera, painting, photography, film, and publishing.

This publication results from Braegger's “The Grateful Dead” paintings series, ink jet prints of colorful psychedelic marching bears on canvas. These bears were used as a logo by San Francisco Sixties rock band The Grateful Dead.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

The long awaited documentation of the score of Paris based choreographer Gisèle Vienne's eponymous artistic ice skating choreographic piece.

A photographic documentation, with some critical essays, of the artist's exhibition at Galleria Borghese where three multimedia works are displayed on freestanding structures inspired by the paintings of Caravaggio: a meditation on our fondness for contemplating images of mortality or death, and the different ways of manipulating viewer experience.

An anthology surveying the relationship between artistic practices and documents.