EDITOR'S LETTER
Material Matters
By Tina Rivers Ryan
PASSAGES
Robert Wilson (1941–2025)
By
Laurie Anderson
BOOKS
Recursive Narratives
On Geeta Kapur's Speech Acts
By Rattanamol Singh Johal
ON SITE
Spinning Yarns
On the 2025 Bukhara Biennial and soft power in Uzbekistan
By Rachel Wetzler
TECHNOLOGY
Flipping Coins
On Mitchell F. Chan's "Zantar" games
By Kevin Buist
TOP TEN
Iké Udé
By Iké Udé
THE CHECKLIST
X Zhu-Nowell
By The Editors
STUDIO VISIT
Rosemarie Trockel
By Rosemarie Trockel
Features
Electronic Refractions
On Tom Lloyd and the Studio Museum in Harlem
By Thelma Golden, Connie H. Choi, Tina Rivers Ryan
Features
Fugitive Processes: The Materiality of Photography
By The Editors
Features
The Future of Photography: A Roundtable
By Ketuta Alexi-Meskhishvili, Thomas Demand, Florian Ebner, Roxana Marcoci, Christian Scheidemann,
Jeff Wall, Pablo Larios
PORTFOLIO
Thomas Demand
By Thomas Demand
PORTFOLIO
Dionne Lee
By Dionne Lee
PORTFOLIO
Mame-Diarra Niang
By Mame-Diarra Niang
PORTFOLIO
Kunié Sugiura
By Kunié Sugiura
PORTFOLIO
Akosua Viktoria Adu-Sanyah
By Akosua Viktoria Adu-Sanyah
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PORTFOLIO
Casey Reas
By Casey Reas
Features
Changing Focus
On the history and future of photography and time-based media conservation at The Met
By Nora W. Kennedy, Jonathan Farbowitz, Katherine Sanderson
Close-up
Franz Wilhelm Seiwert's Wandbild Für Einen Fotografen (Mural For A Photographer), 1925
By Noam M. Elcott
Features
Use Your Illusion
On the collective possibilities of immersive media
By Caroline A. Jones
Features
Social Stratigraphy
On the art of
Amie Siegel
By Tom McDonough
Ayoung Kim
By Andy St. Louis
Spotlight
Karimah Ashadu
By Gazelle Mba
Costa Mesa, CA
2025 California Biennial
Orange County Museum of Art
By Andrea Gyorody
Toledo
"Infinite Images: The Art of Algorithms"
Toledo Museum of Art
By Paula Burleigh
New York
Sam Moyer
Hill Art Foundation
By Jonathan Odden
Alix Cléo Roubaud
Galerie Buchholz | New York
By Jenny Wu
Liz Magor
Andrew Kreps | 394 Broadway
By Mika Lee
Erin Wright
Anat Ebgi
By David Colman
Jeffrey Wasserman
Rosenberg & Co.
By Donald Kuspit
Preslav Kostov
Tara Downs
By Max Lakin
Laura Lamiel
OSMOS
By Harmon Siegel
Manoela Medeiros
Palo Gallery
By
Barry Schwabsky
"Oculus"
LOMEX
By Theo Belci
Chicago
Iman Issa
Art Institute of Chicago
By Robyn Schiff
"City in a Garden: Queer Art and Activism in Chicago"
Museum of Contemporary Art Chicago (MCA Chicago)
By Jeremy Lybarger
Yvette Mayorga
Monique Meloche
By Julian Stern
Aspen, CO
"
Sherrie Levine: 1977–1988"
Aspen Art Museum
By Sarah Lehrer-Graiwer
Berkeley, CA
Lee ShinJa
Berkeley Art Museum and Pacific Film Archive (BAMPFA)
By Jessica Simmons-Reid
Los Angeles
Kevin Beasley
Regen Projects
By Nahui Garcia
Fidencio Fifield-Perez
Commonwealth and Council
By Tara Anne Dalbow
Benjamin Echeverria
Michael Benevento
By Marie Heilich
Toronto
Alison Yip
Franz Kaka
By Dan Adler
São Paulo
Akiko Kinugawa
Mendes Wood DM | São Paulo
By Juan José Santos
Nairobi, Kenya
Jonathan Sölanke Gathaara Fraser
Circle Art Gallery
By E. N. Mirembe
Cape Town
Oupa Sibeko
Lemkus Gallery
By Nkgopoleng Moloi
London
Yan Pei-Ming
Massimo de Carlo
By Elisa Schaar
Bristol, England
Donald Locke
Spike Island
By Sabo Kpade
Dublin
Mohammed Sami
The Douglas Hyde Gallery of Contemporary Art
By Declan Long
Paris
Norbert Prangenberg
Galerie Karsten Greve | Paris
By
Barry Schwabsky
Rome
James Brown
Galleria Alessandra Bonomo
Galleria Valentina Bonomo
By Ida Panicelli
Venice
Tolia Astakhishvili
Nicoletta Fiorucci Foundation
By Alberto Villa
Athens
Marlene Dumas
Museum of Cycladic Art
By Jurriaan Benschop
Zurich
Franz West
Galerie Eva Presenhuber
By Paul Laster
Krems an der Donau, Austria
Susan Rothenberg
Kunsthalle Krems
By Yuki Higashino
Hamburg
Gordon Baldwin
Kunstverein in Hamburg
By Jens Asthoff
Krefeld, Germany
Gregor Schneider
Haus Esters
By Georg Imdahl
Lennik, Belgium
David Claerbout
Kasteel van Gaasbeek
By Tal Sterngast
Bangkok
Wantanee Siripattananuntakul
The Art Centre, Silpakorn University
By Hung Duong
Manila
"Gongs. Smoke. Blood. Earth."
Ateneo Art Gallery
By Hung Duong
Melbourne
Gian Manik
Sutton Gallery
By Anthony Byrt
