Bob Nickas' writings (English edition).

Eight and a half women is a laconic black comedy, an examination of the age-old phenomenon of male sexual fantasy, its roots and its consequences, as well as a homage to Fellini (film script).

Eight and a half women is a laconic black comedy, an examination of the age-old phenomenon of male sexual fantasy, its roots and its consequences, as well as a homage to Fellini (film script).

Monograph dedicated to the forerunner of French industrial design. Including a critical essay on Tallon's impact on contemporary international design.

Monograph dedicated to the forerunner of French industrial design. Including a critical essay on Tallon's impact on contemporary international design.

How to think reality through the experimental and interpretative aspects of arts (essays by Paul Ardenne, Pascal Beausse, and Laurent Goumarre).

How to think reality through the experimental and interpretative aspects of arts (essays by Paul Ardenne, Pascal Beausse, and Laurent Goumarre).

A first in-depth study of filmmaker Tsai Ming-liang's universe, both sensual and solitary.

A first in-depth study of filmmaker Tsai Ming-liang's universe, both sensual and solitary.

Philippe Starck's legacy through the portraits of his former apprentices.

Philippe Starck's legacy through the portraits of his former apprentices.

A monologue and a catalogue / a story and a description.

Exhaustive first presentation of Christian Robert-Tissot's work.

Catalogue of the eponymous exhibition at Le Consortium, Dijon, and Kunstverein Hamburg in 1999.

Daniel Buren writes on his friend Robert Ryman to highlight some questions raised by his oeuvre and by his own work.

Unpublished text accompanied by a leaflet with 8.7 cm stripes.

Unpublished text accompanied by an original monotype on a lead sheet, signed and unique for each copy.

Unpublished text with an original and unique collage with airbrush, signed by the artist.

Georges Noël tortures writing, plays with movement and shape to express feelings and invisible symbols. “Grafting of living on the intuitive”, his palimpsests indicate a new communication path. As Ambroise Ferrocarill, Georges Noël reveals himself in this unpublished text (with an original silkscreen print signed by the artist).

Unpublished text. Each copy includes a fragment of a set executed by stencil with the number of the plot taken by hand written by the artist.

Korean artist Soun-Gui Kim's first essay relates memories, anecdotes, and small timeless tales.

Jean-Luc Nancy reflects on the concept of value, around Soun-Gui Kim's “Stock exchange” project.

First publication in French on Fluxus artist, including the transcription of an intervention by Higgins at the International Conference on Action Art in October 1998. With texts by Charles Dreyfus and Jacques Donguy.

A piece for string quartet, narrator and fixed sounds, guided by the texts of Edmond Jabès and Franz Kafka, in dialogue with those of Marc Feld and Michel Butel.

The meeting, on the Niger River, between contemporary improvised music and African musical traditions.

Compilation of unreleased tracks in tribute to Albert Ayler, with Daunik Lazro & Claude Tchamitchian, Akosh S. & Didier Levallet, Guillaume Orti & Eric Chalan, Maurice Merle & Jean Bolcato.

Compilation of unreleased tracks in tribute to Albert Ayler, with Daunik Lazro & Claude Tchamitchian, Akosh S. & Didier Levallet, Guillaume Orti & Eric Chalan, Maurice Merle & Jean Bolcato.

A drone duo between David Grubbs on harmonium and Noël Akchoté on electric guitar.

A surprising trio, initiated by Derek Bailey: Pat Thomas is here on electronics and Steve Noble, an outstanding drummer, plays only turntables. One of Derek Bailey's most abstract records.

The Rectange label "recycled" by eRikm.

The Rectange label once again "recycled" by Xavier Garcia.

A long americana-like piece reminiscent of John Fahey, inspired by a short story by Stephen Crane (with Steven Prina, Sacha Andrès, Yves Robert, Thierry Madiot, Didier Petit and Quentin Rollet), followed by a drone duo between David Grubbs on harmonium and Noël Akchoté on electric guitar.

Picture Disc version. A long americana-like piece reminiscent of John Fahey, inspired by a short story by Stephen Crane (with Steven Prina, Sacha Andrès, Yves Robert, Thierry Madiot, Didier Petit and Quentin Rollet), followed by a drone duo between David Grubbs on harmonium and Noël Akchoté on electric guitar.

A sax/Hammond organ duet recorded at XtraLab, Paris, then edited at Can Studio, Weilerswist, by René Tinner. Strangely, digital noises were added during the transfer of the sound files and are now part of the abstract music of the duo.

A 45rpm to be played in 33rpm, gathering three very different high-flying pieces, recorded by Jean-Marc Foussat.

Collection of texts (Alexis Vaillant, Daniel Soutif, Jean-Marc Avrilla, Marc Blondeau, Daniel Bosser, Carine Campo, Laura Carpenter, Simone de Cosi, Sylvie Couderc, Lidewij Edelkoort, Bernard Edelman, Jean-Louis Froment, Michel Gransard, Stéphane Mallarmé, Christoph Sattler, Estelle Schwartz, Philippe Thomas, Michel Tournereau, Georges Verney-Carron).

Projects drawings.

What canvases reveal to us is often beyond what we believe we understand. Like true false semblances, they subtley encourage us to turn away from them in order to engage ourselves in their hidden intrigues (where they often meet our own).

The film and video biennale catalogue.

Exhibition catalogue.

Retrospective catalogue featuring a chronology of the artist's works, an introduction by Yves Aupetitallot and Lionel Bovier, texts by Mike Kelley, John Miller, and Nancy Spector, and an interview with the artist by Robert Nickas

An intimate and unsettling diary featuring 56 self-portraits drawn in black and coloured pencils, extensively annotated by the artist.

Monograph.

Monograph dedicated to an iconic couple of the design scene from the 1990's. Their use of uncommon materials with Baroque influence contributed to the development of the “Barbare” style which had a strong impact on contemporary French design aesthetics.

In the early 1980's, Jasper Morrison anticipated what was to be the ethical position of the designer in a period of crisis, emerging as one of the instigators of the neo-minimalist movement of the 1990s. This monograph elicits the personality of a designer both concerned by questions of plasticity & efficacy and whose work's development obeys an implacable logic of eliminating decorative effects in favor of functionalism.