The new album of the French duo Puce Moment—a climatic music, often inhabited by a strong emotional power.

Never released before recordings by the improvising quartet Alterations (active from 1977 to 1986, and reforming in 2015) from Logos Foundation live sessions at Logos Foundation, Gent, Belgium on January 3, 1981.

Laszlo Umbreit's album Pas de regrets combines electronic sounds with recorded memories and various materials to create a unique listening experience.

A collaboration between Otto (10) and Robin (42).

New monograph.

Reference trilingual monograph / a conceptual art's discourse around Hélio Oiticica's parangolés.

This catalogue accompanies the eponymous Turner Prize winner's extensive solo exhibition at the Schirn Kunsthalle Frankfurt, presenting both new works and works shown in Germany for the first time.

A photographic journey through the city of Genoa, exploring the past of historic buildings, the contemporaneity of the first modern museums, and Franco Albini's interiors.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

A glorious design herbarium of marijuana ads from the great underground magazines of the 1960s and '70s.

A body of essays and artworks, edited by Marina Folkidis, about artistic production in the Mediterranean terroir.

An overview of the Canadian designer's creative process.

An artist book by Luca Trevisani, overwriting in the mode of a palimpsest Piero Camporesi's Bread of Dreams, an Italian cult classic of "food" anthropology.

A piece whose structure is "visually inspired by the wall frieze in its various forms from antiquity to art nouveau, musically by the chants of the Middle Ages moving around a central tone".

A selection of recordings made by reductionist composer Ernstalbrecht Stiebler and cellist Tilman Kanitz between 2020 and 2022 and four improvisations with two short pieces by Stiebler.

Two performances from 2020 and a selection of 1980s recordings by Japanese Fluxus artist Takako Saito.

A revisiting of the singular urban planning project of the residential district of Milano San Felice.

First monograph of the Finnish painter: a series of troubling family scenes whose deviance shines through under a veneer of normality, obscure and disturbing images that appear like reminiscences of a childhood marked by drama and war, never far from the living room.

A critical investigation into the material heritage and entangled histories of Western encyclopedic museums.

A collective project around the Vietnamese and Asian artistic diaspora, on the theme of cultural identity in the post-migration society.

Conserving the Future is the book that bears witness to twenty-five years of curating contemporary art in the same place: the Fondazione Querini Stampalia in Venice.

In The Institute for Other Intelligences, Mashinka Firunts Hakopian brings speculative fiction and media studies to bear on an imagined future where machine intelligences convene annually for curriculum on algorithmic equity.

A hybrid collection of five illustrated short stories of speculative fiction from five countries and four continents

A symbolic and political science fiction short story written in four languages.

The Parc la Villette, Paris, as told by a series of mobile barriers.

A retrospective of 50 years of creation of the visual artist Bistra Lechevalier.

Two unpublished texts that demonstrate the extent of the writing work that Marcel Alocco has been producing for over half a century.

A collective and transdisciplinary publication to address the question of the forms of the living in its scientific, philosophical, artistic and aesthetic dimension, engaging a systematic reflection on our relation to the living and to its forms, and on their theoretical and practical significance with regard to the current world.

Jan Jelinek's soundtrack for Seascape – polyptych, an audio-visual software developed in collaboration with Canadian new media artist Clive Holden.

A theater work by Jacques Jouet with "performative" rules for the actors in each play.

Through a concise set of spatially-connected field recordings, Philip Samartzis' Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures.

The first collaboration recorded on CD between the two American artists and musicians, based on a process of reciprocal sending of electronic and acoustic sound sources, reworked successively by each and then together, gives rise to a series of delicately crafted and wonderfully evocative atmospheric pieces.

The Well & The Gentle, two of the major works of Pauline Oliveros, are presented here in a first time reissue on double vinyl in a gatefold sleeve with extensive liner notes.

The new album by Material Object reveals a completely new sound for the artist as he combined acoustic and electronic tools to create stunning album of depth and beauty.

The endlessly prolific and unpredictable Richard Youngs returns to Black Truffle with "Modern Sorrow", with a radical but deeply sensitive reduction of contemporary pop production.

Marc Codsi’s new Arabic infused synth oriented album.

By now a regular and esteemed presence among the Discrepant sprawling household via releases with projects such as Alförjs, Banha da Cobra or Jibóia, Mestre André "resurrects" his O Morto alias (bad pun somewhat intended) after 2016 "The Forest, The People And The Spirits".

Two works from the same series of compositions, drawn from modular synthesizer recordings which have been reworked, treated and composed in the computer.

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

Swedish drone alchemist Mats Erlandsson is sitting in a fictional room on "Gyttjans Topografi", imagining a virtual chamber orchestra using zithers, tapes, double bass, harmonium, organ, and various synthesisers to draft a treatise on alternative tuning and non-normative harmonic structures. Transcendent material.

A brand new body of recent works by the French painter.

First compilation on LP of the sound works of the two Dutch visual artists, demonstrating that sound produced by the Bosch & Simons music machines can also be listened to as autonomous "music".