Two new musical encounters.

Two new musical encounters.

A critical perspective on Guyton's work.

Comparative Studies of Neo-Avant-Gardes in a Bipolar World.

This book, the first major publication in English devoted to the Korean critic and art historian Lee Yil (1932-1997), is a collection of texts on aesthetics, theory and history of art by the main observer of “Dansaekhwa”, or Korean monochrome. It also brings together essays and monographic prefaces that gave wide coverage to artists who had been active from the end of the Korean war up until the mid-1990s.

Crossing perspectives on performance acts within the discursive space of contemporary art.

A reflection on history and the historical document, based on the chronicles of a village written in the 19th century by a Walloon worker.

A thriller novel set in a dystopian Europe where a medicine against depression radically changes people's behavior…

Collection of poems.

Conférences sur l'affinité de la peinture avec le reste des beaux-arts (“Conferences on the affinity of painting with other fine arts”) shed a new light on the career of the inventor of the famous Morse code, best known at his time as one of America's most promising painters of his generation.

This January Artforum looks at The Uses of Power: to picture our current life and imagine possible lives otherwise, Artforum invited seven artists and two writers—Nan Goldin, Adrian Piper, Sable Elyse Smith, Kia LaBeija, Donald Moffett, House of Ladosha, K8 Hardy, Johanna Fateman, and Paul B. Preciado—to consider how we can and should use power. Plus new Editor David Velasco on the Power of Good-bye, Azikiwe Mohammed talks with Claudia Rankine about Jimmy's Thrift of New Davonhaime, a preview of more than 40 spring shows worldwide, and more.

Eight essays on the German avant-gardes (Hugo Ball, Max Beckmann, Marcel Breuer, Franz Marc, Merzbau, Expressionnism, Dada…).

First comprehensive monograph dedicated to minimalist pioneer and postcolonial artist Rasheed Araeen. The publication gives an overview of 60 years of career, encompassing Araeen's visual art, writing, editing, and curatorial work. It includes scholarly essays, surveys, and documentation spanning every aspects of the artist's oeuvre, from his early works to his political engagement to today's ongoing Homecoming series.

A collection of new writing and curatorial projects stemming from the activities of the Kunsthal Aarhus, Denmark, from 2013 to 2014. These projects reflected on the conditions for making curatorial “events” that are extended over longer durations to connect their constituent elements—exhibitions, texts, projects—across space and time.

The first comprehensive survey of video artist and filmmaker Theo Eshetu's extensive body of work. It provides documentation and critical analysis of Eshetu's practice, in which he examines the imagery of the collective unconscious, exploring cultural identity and challenging official media narratives through a complex interplay of signs and symbols.

This publication is charting the Allan Sekula's research into and investigation of the oceans. It intersperses essays from scholars, historians, and thinkers with a selection of the artist's seminal texts and excerpts from his private notebooks.

Sam Anderson's body of work examines the existential conditions of human life on the basis of her own biography and stories from her social milieu. This catalogue documents her first solo shows at SculptureCenter in New York and the Kölnischer Kunstverein in Cologne. It features both new and older works, including sculptures, installations and video works.

The third volume of a five-chapter publication series, this catalogue celebrates a new iteration of the artist's color spectrum series that congregates his art, the architecture of the Cincinnati Contemporary Arts Center, and the public as collaborators in an all-encompassing experience.

The fourth of a five-chapter publication series by Ugo Rondinone, this catalogue documents the iteration of Ugo Rondinone's Vocabulary of solitude at the Berkeley Art Museum and Pacific Film Archive in the summer of 2017.

The third issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, featuring Frédéric Acquaviva, Lieutenant Caramel, Jean-Baptiste Favory, Joël Hubaut, Andy Ingamells, Eduardo Kac, Maurice Lemaître, Loré Lixenberg, and Christoph Ogiermann.

The proxy—an intermediary for requests from clients—has become an emblematic word in our networked age. Edited by the Research Center for Proxy Politics, this publication uses the term as a dialectical figure to examine today's post-democracies politics.

As a child in the 70's Daniela Comani travelled with her parents in their car where they used to past time jotting down the cars that drove by. 40 years later she found one of these old notebooks and researched photographs of the cars. The project now takes the form of this artist's book, which can be seen as an interesting social and historical study on style in the pre-globalized world and, above all, a kind of self-portrait.

New technologies today make it possible to translate raw data into graphic representations. This action of translation has become essential in the era of big data. It forms the core of this publication, which presents the outcomes of an experiment conducted by conceptual artist Tyyne Claudia Pollmann at the Charite CrossOver Institute Berlin Mitte since 2013.

This publication presents the outcomes of Romana Schmalisch's long-term project, the Mobile Cinema, an itinerant apparatus somewhere between urban model, cinema, and plate camera. The artist constructed the Mobile Cinema and used it to present films created during her travels, mobilizing film extracts and archive material.

Publication gathering 49 posters representing photographs and film stills by the Danish artist. It also includes a booklet with comments by Villesen, and an essay by Joerg Franzbecker.

In its third edition, Diaphanes probes the (im)possibilities of coming to visual and conceptual grips with the present, and brings together artistic, literary, and critical positions and perspectives on imperative contemporaneity and absolute nowness (with Manuel Franquelo, Dietmar Dath, Nicole Bachmann, Maël Renouard, Esther Shalev-Gerz, Gilles Rotzetter, Alexander Kluge, Lucy McKenzie, Markus Proschek, Philip Topolovac, Ko Murobushi, Stephen Barber, Elena Vogman, Marcus Quent, Wolfgang Plöger, Jso Maeder, Luc Meresma, Dieter Mersch, Penelope Umbrico, Christine Tauber).

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

The third issue of the erotic journal Féros, featuring Phoebe Clarke, Claire Dantzer, Victor Man, Anthony Pearson, Benoit Platéus, Georges Tony Stoll, Matthew Stone, Phillip Zach...).

Vincent Barras's poems-scores; the music of David Jackman and Organum by Paul Hegarty; Ring-Modulation # 25: "Some Classicism" by Kasper T. Toeplitz; 30 years of Metamkine: interview with Jérôme Noetinger and Franck Laplaine; carte-blanche to Patrick Renaud; chronicles and disc reviews…

Mouvement inaugurates its new formula: a new visual identity, new sections and 16 additional pages dedicated to photography. Contents: interviews with Jacques Rancière, Julien Gosselin & Aurélien Bellanger, Katsuya Tomita; portraits of Neïl Beloufa and Mette Ingvartsen; Pierre Ducrozet; Nik Void & Peter Rehberg; Ana Pi; Pauline Bayle; makers and sculpture in Sheffield; Iraqi cinema; portfolios, January-February agenda…

The publication traces the architectural program carried out by par Pierre Bal-Blanc at CAC Brétigny from 2003 to 2015, a series of site-specific projects with both creative and pedagogic purposes, favoring relations with the outside and the local residents.

An overview of the works of the avant-garde group Warsztat Formy Filmowej (WFF), pioneers of video art in Poland and structural cinema in Central and Eastern Europe between 1970 and 1977. The publication examines all of the aspects of the WFF's activity, as well as their pedagogical heritage.

In February 2016, French astronaut Thomas Pesquet produced aboard the ISS an artwork by Eduardo Kac, entitled Inner Telescope. This film documents the conception and the realization of the very first artistic performance in Space.

In 1918, art historian and cultural theorist Aby Warburg emerged from a severe episode of psychosis. At about the same time he gave a conference on the Hopi nation's ritualistic snake dance. Focusing on his bout with mental illness, the film melds the aftermath of the Great War with his hopes for eventually recovering.

Contemporary perspectives on artists' publications twenty-three interviews with twenty-five artists who make publishing an artistic practice).

Kurt Schwitters' Merz Manifesto; AMM by David Grubbs; Daunik Lazro's discography reviewed by Luc Bouquet and... Daunik Lazro; interviews with Anna Tjan from the label Dancing Wayang and Dave Phillips; on Lonely Woman by Ornette Coleman. Plus: some sixty book and record reviews.

New York–based fashion label Telfar; Eli Diner on the proleptic videos of Melanie Gilligan; Julia Bryan-Wilson on the fleeting-yet-emphatic multimedia art of Cecilia Vicuña; Daniel Horn on Emil Michael Klein's canny abstraction; Ronald Rose-Antoinette on the Wood Land School's yearlong decolonization of SBC Gallery; Cristina Guadalupe Galván talks to home-based artist Alison Knowles; Pierre-Alexandre Mateos & Charles Teyssou bid adieu to the hyperglycemic concept store Colette; exhibitions reviews.

The third volume of a collection of papers on cognitive capitalism in relation with the conditions of mind and brain in the Information Age.

This catalogue celebrates the work of a major artist whose practice is situated in between contemporary art and cinema. It gathers a large selection of still films in high quality, a text by art historian Fabien Danesi, and an alphabet book drawing on Leccia's art through personal memories, anecdotes, and working issues.

Grande poussière is the product of a collaborative poetic writing process carried out over the course of several years. Forms, approaches and sensibilities come face to face, an uneasy meeting of words and matter.

Improvised trio featuring sound engineer and Synthi player Jean-Marc Foussat, and father and son Christian and Quentin Rollet. Free music with a wide dynamic range and wild acoustic and electronic spaces.