Stereophonic versions based on the recordings and mixes used for the 4 sound installations, made in-situ between 2005 and 2016 (with Jean-Luc Guionnet, Arnau Horta, Seijiro Murayama and Michaële-Andréa Schatt).

C.C. Hennix realizes Karlheinz Stockhausen's famous “intuitive music” masterwork from the late Sixties.

All flag designs proposals rejected by the Council of Europe until 1955, published for the first time, with a text by German-French artist and writer Marie Rotkopf, who tackles the EU's neoliberal political cynicism and Germany's expansion of power with biting irony.

A selection of around 60 rarely shown photographs by French artist Jean Chauvin (1889-1976), one of the pioneers of abstract sculpture of the early 20th century.

Klima #3 focuses on the occult, the spiritual dimension that emanates from the different encounters and cohabitations of the living and the non-living, the deviant and erudite aspects of witchcraft, magic, rituals, spiritism and their societal implications.

A dozen of exhibition reviews (Sylvie Fleury, Martin Kippenberger, Christian Boltanski & Bernard Frize...), 8 interviews (Giusto Van Campenhout, Andrew Power, Virgil Abloh, Sean Landers, Richard Kennedy, Saadane Afif, conversation between Jordan Wolfson & Bjarne Melgaard...), 8 exhibitions, places and collections in pictures (Shara Hughes, Bruno Serralongue photographed by himself, Thomas Bernhard's house, the Gaby and Wilhelm Schürmann Collection...), some artists special projects, and the chronicles.

Rafael Pérez' sketchbook presented in this publication was created in his studio in December 1992 in Dielsdorf, Zurich, as a Christmas present for his wife Ursula. Only minor alterations to the pagination, size and dedication have been made.

Ça m'est égal: The Involution of Desire by Estelle Hoy; Hervé Guibert by Pierre-Alexandre Mateos and Charles Teyssou; Julien Nguyen by Mónica Belevan; Andrew Berardini on artist, writer, and Semiotext(e) coeditor Hedi El Kholti; Tsai Ming-liang by Dora Budor; Wendy Vogel on artist and writer Rosemary Mayer (1943–2014), one of the founding members of A.I.R., New York's first all-women cooperative gallery; Carolyn Lazard by Richard Birkett; Tuan Andrew Nguyen converses with Rahel Aima...

A photographic journey in contemporary Turkey, looking for traces of the protean presence of Mustafa Kemal Atatürk, the founder of the Republic, in more than 600 pages.

Female identity through the images of five Italian women photographers, 1965-1985: a reflection on identity and its representation in recent history.

Catalogue dedicated to contemporary artists whose production concentrate on the reuse of existing images (new expanded edition). This publication investigates the various practices of these iconographer artists through documentation, illustrations, essays, and interviews (with Haris Epaminonda, Wade Guyton, Camille Henrot, Thomas Hirschhorn, Jonathan Monk, Linder Sterling…).

Thulani Davis' collection of poetry about music.

New monograph / artists' book.

A phenomenology of voice and hearing.

Karbe Dinel creates a complex work of sound that shifts through diverse moods and seamlessly dovetailed sections, using synthesizer and effects to create deep resonating tones and high pitched complements, mysterious grainy ambience, haunting chambers of drifting electronics; a mysterious and compelling journey in the electronic realm.

Denis Lavant reads/says the poem Vents by Saint-John Perse (1946), accompanied by Quentin Rollet (saxophones) and Patrick Müller (electrosonic). With the participation of Romain Perrot (guitar).

The question of the voice and its prominent role in our postindustrial society.

Release of conceptual and perfomative pieces by Christina Kubisch composed & realised between 1974 and 1984, during Kubisch's years in Italy.

Unlike previous Gerhard Rühm editions on Tochnit Aleph which portrayed his phonetic poetry and longform radio-plays, the pieces on this edition are more conceptual, actionistic and (mostly) sound-based works recorded between 1962 and 1987.

Six films around six exhibitions by Cécile Bart, closer to the aesthetics of an artist's film than a documentary, introducing the viewer to the proximity of the works.

Artist's book.

This volume outlines the multiple trajectories that led to one of Mario Merz's most significant bodies of work: the igloos. Essays by Germano Celant, Lisa Le Feuvre, Pietro Rigolo, and Mariano Boggia complement a lavish array of illustrations and hitherto unpublished documents, including a 1974 interview with Merz conducted by Harald Szeemann, and a photographic reconstruction of the Igloos exhibition at the Pirelli HangarBicocca.

Giovanna Silva explores the architectural heritage of the Philippines, illustrating the relationship between architecture and history, through the architectural exuberance of a power long marked by corruption and nepotism.

A collector's declaration of love for his collection (the transcription of a performance by Oriol Vilanova).

A study of clouds through photographs, drawings, essays, and interviews.

An essential anthology of studies on music as it is played and lived throughout the world, from France to the United States via South Africa, which underlines Denis-Constant Martin's crucial role in the sociology of popular music. His works, which since the 1970s have questioned recorded and mediatized music by going beyond established musical categories, are striking in their contemporaneity.

This luxurious monograph presents a wide selection of works by Izumi Kato, Japanese painter and sculptor known for his mysterious representations of human figures with primitive aesthetics, alongside exhibition views. It is accompanied by four original critical texts and a poem by the artist.

David Graeber's interviews (with Mehdi Belhaj Kacem, Nika Dubrovsky, and Assia Turquier-Zauberman) redefine the contours of what an anarchist morality could be today.

Issues 23 to 26 of the critical review dedicated to graphic design.

Architectural shape is the interface where form and meaning meet and communicate. In this perspective the research addresses the decoding of the shape of buildings, cities and landscapes.

The current state and future of painting in the digital age.

Jim O'Rourke's masterful abstract contribution to the MMXX series.

A collection of drawings by Daisuke Ichiba published in Pool Of Tears, a series of small format artist's books.

A collection of drawings by Sandra Martagex published in Pool Of Tears, a series of small format artist's books.

Quentin Rollet lays his mini tape synthesizer and saxophones on drum tracks recorded by Kim Giani in 2015, that is to say in the world before confinement. A humorous and energetic project, realized in a period of global boredom.

A slice of 1970s Americana in the suburbs of Long Island, from one of the era's most iconic documentarians.

An historical perspective of the representation of non-western art in western museums and imagination / an essay on the relations between African arts and avant-garde.

Based on the author's artistic research on migration, contemporary urban experience, and sonic alienation, The Nomadic Listener is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai, and New York, among others.

A transformational issue offering multiple trajectories.

Émilie Notéris focuses her analysis on artworks created by women in the twentieth and twenty-first centuries, in a book that is at once literary, aesthetic and political.

An essay on the singular universe of the director, scenographer, choreographer, puppeteer and visual artist Gisèle Vienne.

Kassel Jaeger's first solo LP with Shelter Press—a remarkably intimate and forward-thinking aural balm, bristling with complex beauty.

First monograph dedicated to Pierre Leguillon's Museum of Mistakes: a traveling exhibition gathering a collection of mass culture artifacts and craft objects, questioning with humor and subversivity the mechanisms of today's visual culture.

A retrospective.

The expanded anastatic reprint of the Italian designer's sulphurous catalog of 1973.