Le calendrier des révoltes (Calendar of revolts) is a calendar where the usual information relating to each day (saints, historical events, etc.) leaves room for the only mention of a revolt that took place that same day in history or the near past.

This unique, small format companion to the exhibition “Revolution Every Day” is inspired by the tradition of Soviet tear-off calendars. The book has 365 calendar pages with daily entries featuring a range of images and texts drawn from primary and archival source materials that explore the historical and experiential dimensions of revolution. It presents short essays and original contributions from curators, artists, and scholars, and illustrations of all of the works in the exhibition.

One drawing by Mrzyk & Moriceau a day (2009 calendar).

Haaning's project consists in a wall calendar similar in format and lay-out to the colorful ones you can buy in bookstores an shops. Instead of using popular images, it presents photographs of refugees, either alone or in small groups.

The ToiletWalter PaperChandoha Calendar 2026 presents 13 photographs of sweet, polyamorous and sleepy cats by the American photographer Walter Chandoha and the artistic duo and animal lovers of Toiletpaper.

The 2025 Toilet Paper wall calendar.

The 2024 Toilet Paper wall calendar.

The 2023 Toilet Paper wall calendar.

The 2022 Toilet Paper wall calendar features food-themed photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their cult and obsessive image-only magazine.

The ToiletMartin PaperParr wall calendar 2020 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

The ToiletMartin PaperParr wall calendar 2019 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

The 2018 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

The 2017 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

Manuel Raeder's 2016 Wall Calendar (with Armando Andrade Tudela, Mariana Castillo Deball, Heinz Peter Knes, Dominique Gonzalez-Foerster, Tris Vonna-Michell...).

The 2015 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

Manuel Raeder's 2013 Wall Calendar.

The 2026 wall calendar designed by Studio Manuel Raeder featuring contributions by Martha Hellion, Andreas Sell, Álvaro Urbano & Petrit Halilaj, Heinz Peter Knes, Anna M. Szaflarski, Pablo Schlumberger, Nick Mauss, Cosima zu Knyphausen, Ieva Epnere, Shirin Sabahi, Yoshie Sugito, and Mariana Castillo Deball.

Atelier E.B (Edinburgh Bruxelles) is the company name under which designer Beca Lipscombe and artist Lucy McKenzie develop their joint projects. Atelier E.B's 2026 calendar is dedicated to the duo's spectacular window displays (2019-2025). These exhibitions feature garments from their fashion label arranged by professional window dressers—integrating the shopping experience into the exhibition context.

The indispensable equine calendar by Nils Bertho, illustrator allergic to horses.

Studio Manuel Raeder's 2025 sticker calendar.

A collection of more than 700 photos shot by Giovanna Silva during the last three years of walks through NYC.

Beni Bischof's 2024 calendar.

Ukrainian American visual artist Yelena Yemchuk's sixth photobook: a series dedicated the Malanka Ukrainian folk holiday celebrated on Old Year's Day.

Bom Dia's new Agenda offers a different font designed by Studio Manuel Raeder for each month. It provides you with a fun way for new beginnings and to take notes and make sketches. This years Agenda can function on a daily basis as a notebook, or be used for hanging as a wall calendar.

A visual record of a research undertaking, an exhibition, workshops, and a series of performances that invite artists, activists, scholars, and people from other walks of life to imagine new forms of cultural and political resistance through diverse emancipation projects, past and present, taking as point of departure the philosophy of quilombismo as developed by Brazilian artist, author, and politician Abdias Nascimento.

First comprehensive monograph, surveying three key series spanning Mungo Thomson's investigations into mass culture and everyday perceptual experience.

From Concrete to Liquid to Spoken Worlds to the Word explores the emancipation of language through historical and contemporary positions, from the earliest typographic and sound works of concrete poets to poetic experiments in the digital era, revealing the porosity between art and poetry.

A series of drawings made on a digital tablet offering a detailed entry into the expanded universe of Hugo Pernet's painting.

The large-format book celebrating the collaboration between Toilet Paper and Martin Parr.

Limited edition, including an exclusive satin scarf, of the book celebrating the collaboration between Toilet Paper and Martin Parr.

A comprehensive documentation on Ruth Ewan's installation at CAPC, a tangible plastic version of the revolutionary calendar.

In its third edition, Diaphanes probes the (im)possibilities of coming to visual and conceptual grips with the present, and brings together artistic, literary, and critical positions and perspectives on imperative contemporaneity and absolute nowness (with Manuel Franquelo, Dietmar Dath, Nicole Bachmann, Maël Renouard, Esther Shalev-Gerz, Gilles Rotzetter, Alexander Kluge, Lucy McKenzie, Markus Proschek, Philip Topolovac, Ko Murobushi, Stephen Barber, Elena Vogman, Marcus Quent, Wolfgang Plöger, Jso Maeder, Luc Meresma, Dieter Mersch, Penelope Umbrico, Christine Tauber).

A collaboration between Toilet Paper and Martin Parr.

Catalogue of the namesake exhibition dedicated to artists' calendars, featuring a text by the project's curator Marie Boivent, interviews with Matthieu Saladin and Claude Closky, plus a selection of works with explanatory notes.

Weekly tear-off calendar featuring 52 drawings of a cartoon dog in a wide range of situations expressing the feelings and conceptions that our modern society associates with Sundays.

Ramiro E has been taking photographs of teenagers for the last twenty years, mostly in personal private sessions in his study or home, but also as editorial jobs and random street shoots. This thick volume compiles images of almost every girl he's photographed, combining many different years, formats and approaches.

An interdisciplinary approach to contemporary design (available in English edition).

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

A study on Atom Egoyan's early works.