The 2025 Toilet Paper wall calendar.

A personal and intimate look behind the scenes of Meg Stuart's creative process over more than a decade.

The catalogue of Darja Bajagić's exhibition for the Pavilion of Montenegro at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

Art, empathy and political solidarity.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

The Place of the Symbolic brings together Reiner Schürmann's essays on the nexus between art and politics.

The Significance and Relevance of Early Modern Indian Painters to the Contemporary Indian Art, written in 1971, reevaluates the legacies of painting inherited by the artist Nilima Sheikh.

Le calendrier des révoltes (Calendar of revolts) is a calendar where the usual information relating to each day (saints, historical events, etc.) leaves room for the only mention of a revolt that took place that same day in history or the near past.

A tricontinental exhibition and publication project that takes the form of a multiauthor monograph to showease an artist whose work creates space to connect with the self; to be in the here and now.

Reissue of a primordial work in the history of the art of the countries of North Africa and West Asia, a major reflection on the artistic currents of the Arab world in the twentieth century which responds more than ever, twenty-five years after its first publication, to the need to decolonize the knowledge.

Itinéraires Fantômes is an oracle deck created by Alexandra Grant with Hélène Cixous in celebration of H. Cixous' work.

Images of religious ceremonies in Sicily, captured on location by the master of Italian photography.

Published on the occasion of Mudun Short Story Prize, an international competition that pays tribute to cities around the Arab world which was launched by the Barjeel Art Foundation, Sharjah (UAE), Mudun: Stories from Arab Cities brings together the 19 stories—10 in Arabic and nine in English—that were shortlisted for the prize, including the winning submissions.

Publication based on an exhibition of work by Nigerian-British photographer Akinbode Akinbiyi and South African artist Abrie Fourie both based in Berlin, and curatorial collaboration between Musée de la Musique Georges OUEDRAOGO de Ouagadougou and Der Projektraum SCHARAUN, Berlin. The curatorial emphasis turns the focus to the idea of sound in photography.

This artist's book, a catalogue of a museum without walls, reads like an account of a work under construction in response to a commission in a former coalfield.

First comprehensive monograph: in-depth survey of İpek Duben's oeuvre spanning more than four decades.

New monograph.

Catalogue of the first edition of a project that turns Palazzo Esposizioni on an annual basis into a primary observatory for exploring the visions and the research go those foreign scholars and artists who spend a period of residency in Rome every year, a guests of the Academies and Cultural Institutes that have been part of a city's life since the seventeenth century.

The Uncanny House investigates the sense of unheimlich within the rooms of the Rome apartment where Goethe lived between 1786 and 1788, through the work of eighteen international artists.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

Centering on a notion of nomadic space, this publication offers the first in-depth overview of the projects, photo archives, and architectural investigations of Sámi architect and artist Joar Nango, and includes a series of essays and conversations with long-time collaborators and discussion partners.

Ludovic Nkoth's exhibition at Fondation Le Corbusier – Maison La Roche, a masterpiece of twentieth-century modern architecture.

This volume collects six fables Lin May Saeed (1973–2023) wrote in the early 2000s—the only ones the artist ever shared—which explore fundamental issues of interspecies coexistence, combining scientific, ethical, and philosophical motivations.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Informal Inclusion poetically unveils the violence of a world, our own, that is the offspring of our forgotten colonial world, and is crossed each day by migratory processes that transform the social and geographic fabric thanks to the paradoxically "inclusive" power of the dynamics that are generated in the marginal spaces.

A compelling narrative by Omar Kholeif through the life and work of one of the pioneering artists of our time.

A comprehensive overview of the work produced by British musicians Graham Lambkin, Darren Harris, and later Tim Goss over the course of a decade.

The history of nonprofit and alternative exhibition spaces in Bologna from 1977 up to the present.

A journey through the artist's work and life.

The catalogue of the Malta Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

10 years of stolen iPhone photos of dogs. We follow the author's life and peregrinations, the constancy of a singular passion and the evolution of phones, all with images that are still modest, but constitute a substantial sum—1000 images in 384 flip book pages, with the Instragram scroll effect.

The catalogue of the Serbian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The catalogue of the Turkish Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The catalogue of the Japanese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The catalogue of the Lithuanian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A series of preparatory drawings for exhibitions by Michael E. Smith, collected over fifteen years.

Multivocal and anonymous, A Strange Adventure is oral-history-as-theater—the theater of memory, trauma, and torture.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

Survey: John Giorno, Erica Hunt, Riar Rizaldi, Ian Waelder, Crystal Z Campbell, Helena Uambembe, Valentin Noujaïm, Alexis Pauline Gumbs, Richard Birkett, TJ Shin, Ulises Carrión, Raven Chacon, Maryam Tafakory, Alice Bucknell, Aura & Quinn Latimer.

A series of “Bad Paintings” by the Geneva-based artist.

A glimpse into the garden—where worry, a lonely bird and others live—of EF+MRA, a collaborative drawing project that Norwegian artists Espen Friberg and Marianne Røthe Arnesen started together in 2014.

In this deeply personal volume, Simone Fattal's close friend and confidante Hans Ulrich Obrist delves into the artist's past to explore the remarkable breadth of her body of work.

Lee "Scratch" Perry's photographic works and writings, inventoried in the Black Ark studio in Kingston, one of the cradles of reggae and dub.

Artist's book.

Talisa Lallai's artist book Post Tropical follows the concept of a travel magazine: it offers unique photo spreads of tropical objects, interspersed with critical essays and reprints of travel advertisements, to point to the presence of colonialism in the contemporary Global North.

An exchange (half-real, half-fictional) with Action Directe member Jann-Marc Rouillan, portrayed as an art lover who, for the French state, represents the absolute political enemy.

A book bringing together about 160 portraits of artists when they were "about" five years old.

The catalog for 2024 Diriyah Contemporary Art Biennale, under the artistic direction of Ute Meta Bauer, featuring some one hundred artists of different generations: a testament of a unique moment within a changing Saudi Arabian cultural ecosystem.