Documentation on sculptor Edoardo Tresoldi's permanent monumental installation in Venice's Procuratie Vecchie.

The fifth issue of Dixit, the journal of architecture criticism features the words of architects Charlotte Truwant + Dries Rodet, Mio Tsuneyama + Fuminori Nousaku who confront each other around the theme of conditions.

The 49th issue of the critical graphic design journal, about Lawrence Weiner and his relationship with typography.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.

The new and definitive edition of Vilém Flusser's fabulous treatise, based on the original French typescripts.

On the advanced knowledge economy, which perpetuates patterns of discrimination and exclusion, and the threat of climate change devastation for both human and nonhuman entities.

Rirkrit Tiravanija's methods for making less.

IAM/PDR unveils a missing chapter in the cultural history of Argentine modernity. Through the intertwined stories of the Instituto de Arte Moderno and the Premio De Ridder, this two-volume publication reveals how a visionary patronage network connected Buenos Aires with the international avant-garde and shaped generations of artists.

A collective story that recounts the history of the representation of natural landscapes and the imaginations that accompany them.

A compilation of recipes from the Arab world that were presented by artists for Mophradat's online cooking show Lentil Space.

A critical exploration of the values and qualities inherent in independent educational organizations and the hurdles in the way of remaining "alternative" with the passing of time.

This artist's book collects the series "All the ambition in the world" (2024) by Ryan Gander, a series of posters for fictitious group exhibitions that never took place, but were imagined by the artist's mind.

Two lectures from art historian and curator Griselda Pollock address feminist questions and art education in the 1980s and today.

An archaeology of the imagination / a new aesthetic of ruin (a sophisticated artist's edition in a box, inspired by the over-exploitation of Carrara marble quarries).

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

Rooted in Danish folk heritage yet shaped by contemporary experimental sound practices, the second album of Marie Kølbæk Iversen's musical and artistic project, blends spectral vocals, atmospheric instrumentation, and oral tradition into an immersive listening experience.

Reference monograph of the Surrealist painter, one of the most important women artist in Spain in the 20th century.

PhD and postdoc supervisors from Europe and beyond interrogate the existing formal educational pathways for artistic and practice-based research.

A panorama of the “ethnographic” collages created by Spanish feminist artist Eulàlia Grau in the early 1970s, providing a visual dissection that criticizes capitalist lifestyles and all forms of oppression.

Jagna Ciuchta's first monograph reflects the collective, reflexive and evolving logic of the artist's work.

Clara Levy perofms Giacinto Scelsi, Kaija Saariaho, Erika Vega and Eva-Maria Houben.

Architect Patrick Bouchain's reading of the work and his friendship with Pierre Guyotat, as well as an analysis by Bouchain and numerous members of Guyotat's creative community of the power of the alliance between vision and word, image and poem, in the author's work.

The role of jazz as a catalyst in rock, pop, funk, new wave, hip-hop, and techno.

A publication tracing the itinerary of Fiamma Montezemolo's anthropological and artistic research, across Italy, Mexico, and the United States.

The latest chapter of Eritrea-born artist Dawit L. Petros's long-term investigation of the impact of Italian colonialism and its subsequent imprint on the visual cultures, populations and built environments of Africa, Europe and North America.

First monograph of the Brazilian feminist artist.

A Hypothesis of Resistance contains five essays on Asynchronicity, Rehearsal, Undetectability, The Present Tense, and Duration.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

64 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024, (re)arranged into 9 thematic chapters—ranging from sections on DIY and amateurism, on verbal domination, on contemporary resistance and organising efforts, and on our doomscrolling fatigue with the networked world.

A visual corpus that brings together one hundred and thirty-two artists' books collected and reproduced as part of an artistic residency conducted at the Centre des livres d'artistes (Saint-Yrieix-la-Perche).

A publication about twelve women artists in Tuscany and their alternative ways of making art, departing from dominant, male-centered models to embrace regenerative practices and transformative imaginaries.

The best of 2024: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

The second issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

The 22 exhibitions programmed by Philippe Piguet at La chapelle de la Visitation art center in Thonon-les-Bains since 2018, in 400 pages.

Residencies Reflected looks at international artist residencies with a societal and ecological mind shift.

Catalog of an exhibition that presents the discourse and developments in the arts of Saudi Arabia that took place between 1959 and the 1980s, highlighting a group of Saudi artists who contributed to shaping the identity of the local art movement.

Tom Burr, Lizzie Fitch & Ryan Trecartin, Brett Ginsburg, Coumba Samba, Matthew Barney, Gordon Matta-Clark; Laura Orozco, Jasmine Gregory, Maren Karlson, Elaine Cameron-Weir, B. Ingrid Olson, David L. Johnson, Nina Hartmann...

Assisted suicide activists; Lebanon under the bombs; activism at the museum; Laurène Marx; prison life at Les Baumettes in Marseille; in the poetry of Laura Vazquez...

The cross-generational literary journal Luvah continues its comeback with an eclectic mix of fashion-related offerings.

An overview of the pictorial work of a leading figure on the Saudi art scene.

This publication documents artist Leonor Antunes's installation at Lisbon's CAM – Centro de Arte Moderna Gulbenkian.

The indispensable equine calendar by Nils Bertho, illustrator allergic to horses.

A dialogue between two avant-garde figures, one poetic, the other musical.

Elisa Caldana's The Falcon of Karachi investigates stories of the laggar falcon, a species endemic to Pakistan, India, and Myanmar that is slowly disappearing in the wild.

I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and exhale resonances.

An overview of the vast production of the Romanian artist Radu Comșa.

An artist's book that raises the question of labour and working time.

The outcome of in-depth research into the work of Bruno Richard and Pascal Doury, this anthology of the legendary magazine Elles sont de sortie (ESDS) retraces five decades of a corpus of nearly three hundred publications.