The architecture of disaster: Eyal and Ines Weizman trace the history of the before-and-after image from 19th-century photography to contemporary satellite images.
Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds and controls the circulation or censorship of images?
Eyal and Ines Weizman trace the history of the before-and-after image from 19th-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Do humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure?
In the context of their current research, Eyal and Ines Weizman discuss the history, present and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.
Eyal Weizman (born 1970 in Haifa) is an Israeli intellectual and architect. He is Professor of Spatial and Visual Cultures at Goldsmiths, University of London and Director of the Centre for Research Architecture—a “laboratory for critical spatial practices”—which he created, within the Department of Visual Cultures, in 2005. He is the founding director of
Forensic Architecture.
Ines Weizman is the founding director of the Centre for Documentary Architecture (CDA), an interdisciplinary research collective comprised of architectural historians, filmmakers and digital technologists. Since 2022 she is also Professor of Architectural Theory and Design at the Academy of Fine Arts, Institute for Art and Architecture in Vienna.
