Unreleased recordings composed for the cinema and the television.

First retrospective monograph dedicated to the “agency” created in 1984 by Jean-François Brun, Dominique Pasqualini and Philippe Thomas: an immersion into the collective's history through numerous press archives and exhibition views. The publication also includes an unpublished interview with Brun and Pasqualini, and a glossary.

Third publication in the framework of the “Transphère” Exhibition cycle, this catalogue documents a work by Rei Naito, a Japanese artist who has built an international reputation with her minimalist and conceptual creations. The installation Émotions de croire (The emotion of belief) is a moving reflection on the atomic bomb, and a place of mourning and hope.

Artist's book focusing on Victor Man's series of paintings first exhibited as part of the 56th Venice Biennale in 2015, and later developed for a solo exhibition at Galeria Plan B, Berlin. The publication includes essays by poet and translator Bogdan Ghiu, curator Mihnea Mircan, and literary critic Laura Pavel.

Among Portugal's most interesting young filmmakers, Salomé Lamas explores the boundaries and circumstances of documentary filmmaking, working at the intersection of ethnography, history, storytelling, memory, and fiction. This publication documents her work since 2010, through contributions, video stills, and interviews.

First monographic catalogue dedicated to the works of multidisciplinary artist Darja Bajagić who culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums, and hidden chat rooms tucked away in the darker reaches of the Web.

A reference monograph resulting of a 10-year research on Italian sculptor and conceptual artist Paolo Icaro.

Most comprehensive monograph on the work of Nina Beier to date, Cash for Gold brings together eight essays drawing on the Danish's artistic practice and her investigation on the status of images in our contemporary reality.

Featuring new and previous works by Sophie Dubosc, this catalogue gives a complete overview of her aesthetic reflection. Working primarily with three-dimensional forms, sculpture, raw materials, and reflecting on historical issues, the French artist's complex practice is covered by two essays, and a full-color photographic documentation section.

Penghu Experimental Sound Studio Vol.2 uses interviews, field recordings, found objects and subtle electronic manipulation to transpose Yannick Dauby's impressions of Penghu island's natural beauty.

A multidisciplinary investigation dedicated to the cultural representations of coal mining, gathering contemporary artworks, poetry, essays, literature, folk songs, and archival images.

Catalogue of works by Chinese painter Yan Pei-Ming, gathering a series of landscapes, portraits, and historical scenes exposing the tragedy of our contemporary world. Featuring exhibition views, a text by Xavier Douroux, and an interview with the artist by Pascal Pique (catalogue of the eponymous exhibition at Centre Régional d'Art Contemporain in Sète, France).

Special dance & contemporary art issue: interviews with Anne Imhof, Ligia Lewis, Alex Baczynski-Jenkins; Francesca Gavin on dance in pop culture; FKA Twigs; Merce Cunningham; a round table with Maria Hassabi, Will Rawls and Cally Spooner; Peter Halley; Loretta Fahrenholz's Two A.M.; 1970s magazine Avalanche; Spyros Staveris; a conversation with Nobuyoshi Araki and Abraham Cruzvillegas; Bjarne Melgaard; an interview with George Condo by Maurizio Cattelan; an introduction to Lou Dallas; and much more (included a fanzine by visionary designer Rick Owens).

This is the first monograph detailing the practice of the German artist Jan Peter Hammer. The two essays and the conversation between the artist and Adam Kleinmann address the economic, social and historical tones that characterize Hammer's video installations, as well as his sculptures and neon pieces, which are chronicled from 1993 to 2015.

A large collection of drawings (nearly 500 pages) documenting the artist's trip from Zurich to Japan through Siberia—with a special focus on books and trees.

This book offers a first report on the activities of the Congolese Plantation Workers Art League (CATPC), an association for the development of an independent thought on postcolonial power relations within the global art world.

First survey of the Canadian artist's writings, including a series of new and recent poems, scripts from his videos, and four fictocriticism texts published in IMPULSE magazine between 1980 and 1989.

2-volume set bringing together a visual catalogue of the 2016 Dhaka Art Summit and a conjunct reader addressing the themes that informed the Critical Writing Ensembles—an international platform dedicated to art writing—which gathered during the South Asian art festival.

This catalogue gives an overview of the works by German painter Matthias Dornfeld, who depicts traditional subjects of classical paintings—landscapes, portraits, still lifes—with a style inherited from naïve expressive painting.

A collective survey on the current conditions of art and culture in Central and Eastern Europe.

Following the artists' previous series of life-size puppets in Die Schmutzigen Puppen von Pommern, this new publication presents a collection of one hundred sixty-four small puppets, each having a unique look.

This collective publication questions the literary strategies at stake in the work of visual artist Yoan Mudry.

This book is the first compilation of the history of the Mamco; it offers a diachronic path through the institution's first 22 years of existence, from its foundation in 1994 up to 2016, and presents some one hundred exhibitions via illustrations, as well as a brief introductory text describing the characteristics and formats of the shows, and some of traces they have left in the collection.

Quoting excerpts from Keller Easterling's 2014 essay Extrastatecraft: The Power of Infrastructure Space, this coloring book tells the story of two characters, a fox (the artist) and a cat, and their special relationship, made of exotic travels, dreams and nightmares, struggles and desires.

African American women and literature; artistic activism in Cuba; Ouagadougou Dance triennial; interviews with Oiseaux-Tempête, Milo Rau, Luc Boltanski & Arnaud Esquerre; portraits of Morehshin Allahyari and (La) Horde; postpunk legend This Heat; theater without comedians; Clarisse Hahn & Mohamed Bourouissa; portfolio by Théo Renaut & Alicia Tréminio…

Hallucinogenetic experiments and Persan lycanthropy.

A series of four geometrical and minimalist patterns drawn in red, blue, and black, inspired by a cognitive ability test, a quote from Guy Debord and the publications of Fluxus artist Emmett Williams. This artist's book is printed on light paper sheets so the patterns can be traced and used as a decoration for elbow pads and knee pads.

Eight slogans from the May 68 events in France, in duplex printing (artist's book).

Sur #03 takes as its starting point the connections between architectural critic Esther McCoy and the city of Mexico. This edition features issues 56 and 57 of BLESS collective lookbooks.

Series of collages based on guitar patterns found in album covers.

This monograph offers a sweeping vision of the work of Lebanese artist Gebran Tarazi, whose paintings combine geometrical abstraction with oriental identity. The publication gathers reproductions of paintings, multidisciplinary projects, a selection of writings by the artist—log books, novel excerpts, correspondences—interviews, and critical texts.

Hopf's multidisciplinary practice addresses the paradoxes and ridicule that spill form high-minded attitudes toward art making and the faith in technology, professionalism, and efficiency. This catalogue gathers a significant sampling of her works, as well as two essays and an interview.

The Seventh Issue of Zamâm magazine gathers innovative artists, curators, and art historians to investigate the relationships between the Pacific Region and the Mediterranean Basin, from Morocco to India (with Toni Maraini, Eric Baudelaire, Geeta Kapur, Touda Bouanani, Faouzi Laatiris…).

The transcription of a lecture by Marjorie Micucci on the connections between two installations by Italian artist Rosa Barba.

Following the experimental format of the Maljković's eponymous exhibition, A Retrospective by Appointment deconstructs the traditional format of a retrospective catalogue. Adopting a nonhierarchical presentation, the publication introduces the artist's key concerns, methods, and works, and proves to be a relevant critic of Zagreb's institutional landscape.

Published to celebrates the 30-year anniversary of transmediale, this reader aims to use the critical and artistic knowledge gained at the festival over the years to reframe the question of the role of media today. In a world where technology increasingly operates independently of humans, where does the power to act and mediate lie?

Featuring a cover by Wolfgang Tillmans; Art and resistance; General Idea; culture and critique in Beirut; Sky Hopinka and the Whitney Biennial; the rise of 3-D technology; Albert Serra; Kochi-Muziris Biennale; Kelly Akashi; Peter Voulkos; R. H. Quaytman; Richard Kennedy, and more.

Triple vinyl LP featuring a collection of recordings by by renowned visual artists (with Rita Ackermann, Gerard Byrne, Valentin Carron, Claire Fontaine, Jason Dodge, Giulia Essyad, Sylvie Fleury, Gilles Furtwängler, Mathis Gasser, Marcus Geiger & Heimo Zobernig, Vivienne Griffin & Kaspars Groshevs, Thomas Hirschhorn, Tobias Kaspar et Jan Vorisek, Anne Le Troter, Beat Lippert, Tobias Madison, Fabian Marti, Jonathan Monk, Damián Navarro, James Richards, Emanuel Rossetti, Ryan Conrad Sawyer, Ramaya Tegegne, and Ricardo Valentim).

Interviews with Steffani Jemison, Amitav Ghosh & Curt Stager, Ron Athey, Stephin Merritt, Rita Ackermann, Bryan Hunt, David Levine, Hari Kunzru & Sjón, George Saunders, portfolio by Su Hui, novel excerpts by Mathias Énard, João Gilberto Noll, and Andrew E. Colarusso, poetry, comic book artist Austin English, reviews, and more.

This issue discusses the various outlooks of the term “perspective”—from a particular opinion to an axonometric projection.

Yves Scherer, Anthony Huberman's “The Machine” with Robert Snowden and Lutz Bacher, a portrait of Walter Hopps, Renate Bertlmann in conversation with Vincent Honoré, artists' projects by Eva Papamargariti and Zin Taylor, 25 questions for Mitchell Anderson by Liam Gillick, Anna Uddenberg in conversation with David Lê, Pablo Bronstein, Stuart Middleton, a visit to the new Guerrilla Girls' exhibition at Whitechapel Gallery, HOT! Section with Daiga Grantina, Elliot Dodd, Pia Camil, and Daniele Milvio.

Halfway between the catalogue and the artist's book, this publication introduces the work of Cindy Coutant. The French artist focuses on issues involving poetics and semantics, in connection with the new technologies and the Internet imagery.

“Space and utopia” issue.

This issue spotlights the representation of disenfranchised and marginalized communities and gives voice to creatives emerging out of these groups. Featuring: “self-taught” Italian artist Roberto Cuoghi; a survey of the works of Chinese artist Evelyn Taocheng Wang; an interview with Grace Wales Bonner by Hans Ulrich Obrist; art-world outsider turned insider Raymond Pettibon; the sound environments of musical collective Non Worldwide; a conversation with Puppies Puppies and Nancy Lupo…

A three-part fiction relating the daily lives of characters at the beginning of our century: the artist alternates reality and fiction, developing themes at work in his visual practice. As usual, the author involves a series of contributors.

Artist's book divided in two series of works elaborated from Gasser's own archives: an explosive combination of images drawn from art history, pop culture and current events, building up a retrofuturistic universe facing financial, ecological, religious and political distress.

Connectivity and artistic practices.

Since 1991, Robert Milin has created artworks with guests invited to participate because of a practice they adopted in their daily life—as gardeners, cyclists, inhabitants of a village… In 2015, he decided to meet again with these people to give them the floor about this experience. The booklet features an interview with Robert & Delphine Milin and a chronology of the artist's works.

10th anniversary box set gathering the complete collection of Sans niveau ni mètre (43 issues), the newspaper dedicated to the exhibitions showcased at Le Cabinet du livre d'artiste, a French-based space dedicated to artist's books since 2007.

This catalogue brings together a selection of early paintings by the american artist, accompanied by an essay illustrated with archival images.