The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.

A photographic journey through the city of Genoa, exploring the past of historic buildings, the contemporaneity of the first modern museums, and Franco Albini's interiors.

Through a concise set of spatially-connected field recordings, Philip Samartzis' Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures.

This 4 CD box edition collects all concert musics by French composer of electroacoustic music Michèle Bokanowski, eleven visionary and avant-garde works composed in 1974 and 2020.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

A gestural abstract painter reflects on his near-death experience with Covid

An overview of the Pakistani artist's practice over the past 15 years.

A collection of works reflecting the influence of Italy on Paul Thek's artistic trajectory, with several contributions highlighting his Italian period.

A unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad.

A digital library of a contemporary world, shot by French fashion photographer and director, Axel Morin: an archive of "urban poetry," as seen through the lens of several generations of iPhones.

On the aesthetic and intellectual affinities between recent art and conspiracy.

First monograph.

The subject of this and the following books in the Spekulationen series is Peter Piller's approach to Stone Age art and its presence in his daily life. This volume presents four hundred and nine photographs found in publications on prehistoric art.

The second volume of the artist's book series dedicated to Peter Piller's field of research of prehistoric cave painting features Piller's own drawings.

Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other electronic (performed by Ryoko Akama).

A dive into the world and studio of French artist Adrien Vescovi, whose textile compositions are thought and composed like paintings, both monumental and vulnerable, subject to the natural elements and impregnated with the places where they are exposed.

What comes after end-of-world narratives: visions of just futurity and multispecies flourishing.

A collection of Dan Graham's interviews and conversations with a wide array of individuals from various backgrounds and disciplines.

Vernascacadabra is a series of compositions for ocarina as a part of an artistic journey through the history of music routes that Invernomuto has been carrying out for years, starting from the sound and the imagery it generates.

The first publication dedicated to the French artist known for her avant-garde practice, pushing back the codes of the textile industry, questioning the dichotomy between made-to-measure and ready-to-wear, and the place of women and the female body in society.

An essential anthology gathering more than 30 works composed and recorded over four decades by one of the most iconic concrète composers.

A survey of forty years of publications, highlighting the importance of the French publishing house P.O.L. and its authors in the emergence and definition of what can be called the contemporary in literature.

The first issue of the Dongola Architecture Series, dedicated to the most iconic contemporary architects of Arab culture, dives into the transdisciplinary perspective of Jordanian architect, artist and anthropologist Ammar Khammash.

Eric Hart Jr.'s black-and-white photo series presents more than 60 portraits focusing on the notion of power as it relates to the Black queer experience.

Bill Noir; contemporary Arabic poetry: Mouna Ouafik; Bani Khoshnoudi by Carole Rieussec & Elena Biserna; Sister Iodine by Michel Henritzi; interview with Emmanuel Lalande; Stefan Fraunberger by Delphine Dora; Willem Breuker by Gérard Rouy; book and record reviews...

In the 17th issue of the critical review on contemporary drawing: interviews with Mira Schor, Katrin Ströbel, Paul Maheke, Éric Watier, Kamil Bouzoubaa-Grivel; the Ramo Collection; unpublished drawings by Ulla von Brandenburg; shared drawing by Laurence Schmidlin; Ghérasim Luca by Alexandre Leger; articles on Ketty la Rocca, Rokni Haerizadeh, Ramin Haerizadeh and Hesam Rahmanian, Natalia Jaime-Cortez; artistic contributions by Sylvie Sauvageon, Olivier Garraud, Nicolas Aiello and Sally Bonn...

Michael Snow, Hrair Sarkissian, Klára Hosnedlová, Unvanquished: Iraq's art under two decades of occupation, Dark Matter: Pierre Soulages and Pierrette Bloch...

An artistic and reflexive project around the notion of the "future perfect", the passage of time, individual and collective responsibility in the current cultural and political ecosystem, and future perspectives and goals.

Archives on Show brings the potential of reformulating the social and political relevance of archives by curatorial means into focus.

The reference book in French on the Global Tools design movement linked to the Italian radical architects of the 1970s.

An exploration of the form of conversation as a method of aesthetic solidarity and empowerment.

An incisive examination of the intersection of global art and political resistance.

The return issue of Luvah journal, after a long absence, on the theme of power relations.

Zone to Defend in Germany, the opera in Odessa, investigation on the lost trilogy of Abdellatif Kechiche, the end of dancers' careers, the artists in the ready-to-wear, interviews with Mariana Enríquez, Tiphaine Raffier, Bertrand Bonello, Fatima Ouassak, Núria Güell...

The Colour Journal is a lavish publication that explores colour in art and photography. It has been conceived as a collection of six volumes, each devoted to a single colour: blue, red, yellow, green, white and black. The Blue Issue contains, over more than 400 pages, about twenty contributions by international art historians, writers, anthropologists, philosophers, critics, artists and photographers that start from the colour blue.

First monograph of the Kenyan artist.

The most complete publication ever dedicated to the Tuscan artist.

The indispensable equine bible by Nils Bertho, illustrator allergic to horses, is back for a third (and final?) edition.

Recordings from two installations/performances by the Berlin-based sound artist that explore the physical presence of sound phenomena, by producing the impact of electronic music but with purely acoustic means.

Both a conference proceedings and an exhibition catalogue, this publication looks back at the career of Denis Briand, artist and university professor, who died on 23 April 2018.

Curva Cieca Oblio was born out of the collaboration between two artists whose paths have intertwined many times over the course of twenty years. The work of Muna Mussie, who investigates the languages of the visual and performing arts, for this creation on record extends and enters into a fusional dialogue with the rigorous and prismatic sound vision of Massimo Carozzi, also an explorer of the relationships between different languages.

The third solo release by a prominent pillar of Japanese ambient music, after 11 years of collaborations.

Carmelo Bene. Là dove muore, canta is the work of the artist Rä di Martino and she comes to terms with the memory of Carmelo Bene (1937–2002), through his archive materials.

The book "Movements of Air" reprints the breathtaking pictures of Étienne-Jules Marey, that he took between 1899 and 1901 during his scientific experiments with moving air and smoke, and complements them with two essays of Georges Didi-Huberman and Laurent Mannoni. 

A 16-channel piece composed between 2016 and 2020, inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary, in memoriam Bernard Baschet, Bernard Parmegiani and Carlos Pellegrino.

A look at 40 years of artistic practice by Belgian artist Michel François.

Part visual essay, oral history and artist book, DNCB – A History of Irritation is a companion to the multi-channel installation DNCB by Oliver Husain and Kerstin Schroedinger, around the history of the chemical substance DNCB, used both in film and photo labs to process color, and as a treatment in alternative AIDS clinics.

François Bonnet's new album, more vaporous, immersive and evocative than ever, explores a wide range of sound sources and techniques to blur musical codes and leave room for memory imprints.

An artist's book on photography, cemeteries and museum archives.

The concrete, electronic sounds of the Langham Research Centre (here Iain Chambers and Robert Worby) combine with the acoustic qualities of John Butcher's saxophone in an extended improvisation session.