A critical anthology on the spatial mediation of art consumption through digital technology.

For Artforum's historic 60th-anniversary issue, dozens of contributors come together to express the discerning eclecticism that excites the magazine's heart.

A perspective on the challenges related to training, professionalization, social rights and aesthetic and theoretical concerns of young artists, through the assessment of the activities of GENERATOR, a unique program of experimentation, professional training and international residency for curators.

This volume gives a voice to artists, writers, witnesses and experts, all invited to reflect upon the question of the Portuguese fishermen's culture and the rapid transformation it experienced.

The hypothesis of a renewal of the world's habitability, questioning the links between ecofeminism and artistic practices, but also another relationship, more collaborative than separative, to the living world.

The 11th issue of the annual magazine of the ECAL (Lausanne University of Art and Design), inaugurating its new formula, with NORM, Feng Li, Marco De Mutiis, Zachary Lieberman, Maïwenn, Lionel Baier, Abel Ferrara...

Jay Chung, Claire Fontaine, Josef Strau, Alain Guiraudie, Bernadette Van-Huy, Helmut Draxler, Henrik Olesen by Thomas Duncan, Heji Shin by Benoît Lamy de la Chapelle, Marcel Proust by Yves-Noël Genod, Merlin Carpenter by Annie Ochmanek, Josephine Graf, Helmut Draxler, Megan Francis Sullivan and Nick Mauss, Dylan Byron and Isabelle Graw, Benjamin Lignel and Anne Dressen, Clément Rodzielski.

X Museum 2020–2021 is the first chapter in a series of annual publications dedicated to the activity of the newly opened museum in Beijing.

An account of an album about Albania by British experimental musicians made in the eighties. Also involving stories about the Albanian Society, William Bland, A. L. lloyd, RCPB ML, and Cornelius Cardew.

Catalogue of a group exhibition mounted from the FRAC Réunion collection around identity issues such as racial, social or sexual constructions.

The second issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to weaving.

This monograph dedicated to Ivan Argote presents the richness of the Colombian artist's work. Using photography, film, sculpture, as well as painting, he invites us to rethink the links between the intimate and the political and to question the proponents of dominant ideologies.

Catalogue gathering the series of works realized around the furniture by two artists of different generations but having in common a same refusal of the authority, the paintings of Enrico Baj produced at the beginning of the years 1960 meeting the new sculptures of Martin Kersels.

An expanded edition of Ballen’s debut photobook—a charming homage to the spirit of boyhood around the world.

A project of Angélique Buisson after a poem of Jean-Baptiste Gresset, published in 1734, composed and interpreted by PEREZ.

The score for Romeo Castellucci and Scott Gibbons' stage work.

Combining art and activism, semiotics and capitalism, art and finance, control and subversion, Monitoring Control by Paolo Cirio represents a critique of the social manipulation imposed by new technologies, while examining the counter-control that individuals can implement to dismantle these forces, sabotage them, and protect themselves.

Collecting previously unissued works recorded between 2018-2021 and a side-long epic dating back to the early 80s, as the title suggests, "Drumming Up Trouble" focuses on a hitherto almost unknown aspect of Alvin Curran:'s encyclopaedic and omnivorous musical world: his experiments with sampled and synthesised percussion.

A collective work resulting from an exhibition of Dominique De Beir at the ADAC Amiens which explores the notion of piercing, digging the matter.

A bilingual text by Alessandro De Francesco that blurs the boundaries between art and poetry.

The second album of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner, originally released in 1983 on their own imprint, Papier Maché, full of meandering guitar, technically tighter and more refined, and with a more ominous tone, than the debut Silence & Wisdom.

A series of drawings by Valérie du Chéné inspired by press articles, to which Arlette Farge's texts respond.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

The Italian artist's research around the issues of normativity and the institutional stigmatization of mental illness.

A dialogue between the saxophone and the viola.

The contributors of this book invite readers into a cultural journey at the crossroad of multiple disciplines, allowing them to rediscover the history of this administration from a sensible, intimate point of view.

A novel by Liam Gillick.

The series of photomontages on canvas made by Eulàlia Grau in the early 1970s, a transgressive response of a young Spanish feminist artist to the authoritarian Franco society that conditions thoughts and bodies.

By defining a concept of architecture based on the tactile experience and not on construction, this book allows us to explore both discursive practice as the study of architectural art and the integration of architectural art as a discourse of spatial practice.

The third album by Marsen Jules, both introspective and visionary, modest and ground-breaking, remastered by Stephan Mathieu and with a new artwork by Umor Rex's Daniel Castrejón.

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.

This artist's book by the American artist, musician (Destroy All Monsters), writer and bookseller intertwines Polaroids of 1970s Detroit with photographs of painterly collages made of TV stills and print ephemera combining Christian iconography, Classical Hollywood cinema, pop and b-movie culture.

Publication based on a film by Stephen Loye about the micro-stories that emanate from the territory where the Germanwings A320 crash took place on March 24, 2015.

Retrospective monograph: an exhaustive overview of more than fifteen years of practice of the Belgian artist whose work oscillates between post-industrial sculptures and post-apocalyptic realism.

A body of fragmented images and views that draw their iconography from public spaces or from motifs specific to modernity.

Culled from field recordings, sampled orchestral noises, and voice recorders, the new production by New York artist and composer Nickolas Mohanna explores the spatial impressions of sound within a delicate acousmatic language; producing expressionistic collages that translate into wide-screen cinematic terrain.

At the invitation of Fabienne Dumont, seven artists from both sides of the Atlantic cast an eye on the work of American painter Alice Neel (1900-1984).

Marking an important step in the discography of the Portuguese musician, Oeste A.D. is crossed by a nostalgic impulse, between a nod to the theme of the Expo 98 in Lisbon and a tribute to the best productions of Fennesz and Black Dice in the early 2000s.

The first release to document the variety and playfulness of the concerts that Arnold Dreyblatt and Paul Panhuysen's Duo Geloso performed throughout Europe in 1987-88.

First monograph.

This artist newspaper, edited by Asad Raza and Mathew Hale, accompanies a new work by Raza of the same name, which redirects the river through Portikus and invites the public to interact with and dip in the waters of the Main (contributions by Keren Cytter, Emily Dickinson, Dan Graham, Rufus Hale, Catalina Imizcoz, Wolfram Lotz...).

Two previously unreleased recordings of Peter Rehberg (1968-2021), live performances given at the GRM which, each in their own way, vividly illustrate the extent of his sonic palette.

A complete overview of the vast cinematographic project of the Italian artist and director around the "Arab Spring".

The new album of composer Loren Rush is inspired by poems from "L'allegria", the collection of poetry by Giuseppe Ungaretti written in the trenches of World War I.

Monograph dedicated to the productions made in the early 1970s by major Swiss painter of Pop Art and Narrative Figuration Peter Stämpfli, period from which he devotes himself to the figure of the tire.

Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire Eric Thielemans propose, after Philip Glass, a new score for Koyaanisqatsi, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80-ties cinematographic masterpiece.

This catalogue features an exclusive selection of works created by renowned Belgian painter Koen van den Broek in France, a series on paper based on the architecture of Le Corbusier (Firminy).

Chronicles Vol. 3 combines Kim Gordon's Real Estate Paintings with staged canvases photographed by Josephine Pryde in vacant apartments and offices in and around Kriens and Lucerne. The photos, which were taken using purely analog technology, create a disturbing and enraptured atmosphere.

A conversation between the political geographer Sinthujan Varatharajah and the artist Moshtari Hilal on gentrification, asylum policy and double standards of the German majority society. Both authors have become leading voices of a new generation on topics such as racism, having ceated a strong counterpublic through their social media in the last years.