Issy Wood by Estelle Hoy; Rhea Dillon by Zakiya McKenzie; Precious Okoyomon by Jazmina Figueroa; WangShui by Alex M.F. Quicho;
SEMIOFUCK Episode V – Epilogue: ALL by Armature Globale; SoiL Thornton by Alex Bennett; We, the Brand Evangelists of
POSTPOSTPOST by Sarah Chekfa;
Art & Language. Conceptual Art by Mary Anne Staniszewski; Ginny on Frederick, London. Freddie Powell in Conversation with Charlie Robin Jones; The Psychology of Ruins. Nikita Gale by Uzoamaka Maduka; Some Days, Some Days by
Rory Pilgrim and Carol R. Kallend;
Reviews: Mire Lee "Black Sun" New Museum, New York by Colin Edgington;
Rita McBride "Particulates" Hammer Museum, Los Angeles by Gracie Hadland; Yu Ji "A Guest, A Host, A Ghost" Orange County Museum of Art, Cosa Mesa by Oli Misraje; "WORLDBUILDING: Gaming and Art in the Digital Age" Centre Pompidou-Metz by Sarah Moroz; Martin Wong "Malicious Mischief" Camden Art Centre, London by Phoebe Cripps; "OUT OF THE BOX" Schaulager, Basel by Franklin Melendez;
Isa Genzken "75/75" Neue Nationalgalerie, Berlin by Louisa Elderton.
This issue comes with four different covers, randomly distributed.
Flash Art is an international quarterly magazine and
publishing platform dedicated to thinking about contemporary art, exploring the evolving cultural landscape through the work of leading artists, writers, curators and others.
One of Europe's oldest art magazines,
Flash Art was founded in Rome in 1967, before relocating to Milan in 1971, and was originally bilingual, published in both Italian and English. In 1978 two separate editions were launched:
Flash Art International and
Flash Art Italia. Today the magazine remains one of the most recognizable and widely read publications of its kind, and is distributed in 87 countries.
