Two discreet works by Carl Michael von Hausswolff and Erik Pauser that sit somewhere between field recording, chance composition and experimental soundscape.

A book and CD homage to the New Zealand-born American composer Annea Lockwood.

The third issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to folding.

Noviadi Angkasapura frenetically covers paper and bits of cardboard packaging with felt-tip pens, ballpoint pens and pencils, haunting them with the magic of spirits.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

The first vinyl edition of Let the Darkness Fall, a forgotten corner from the vast discography of Suzanne Langille & Loren Connors, joined here by David Daniell and Andrew Burnes (of the Atlanta-based group San Agustin).

One of the deepest drone albums ever recorded: nine trombones, didjeridu and Tibetan bells fill the massive two million gallon cistern with dense sonic reverberations that are both haunting and healing.

From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles.

A long-distance correspondence reflecting on the infravoice of a blue whale and other so-called “silent” subjects.

The third book by Master of the Underworld Daisuke Ichiba published by United Dead Artists focuses on color, blending red demons with the sulfur of strangling gardens.

The recording from Carl Michael Von Hausswolff and Erik Pauser's tumultuous and inspiring tour of the USA in 1991, with a book tracing the adventure and documenting the context of the time.

An overview of Agnès Varda's work, from her films to her visual works: collages, video art, installations and photographs (especially those made in Portugal in the 1950s).

An in-depth exploration of the work and destiny of Ana Mendieta (1948-1985), with numerous illustrations and previously unpublished contributions.

Pardon Façade documents the artistic output of Luca Monterastelli, showcasing almost all of the sculptures and installations that he produced between 2011 and 2022.

An in-depth exploration of the artistic issues at stake in the work of Ad Minoliti, with the aim of deconstructing the binary categories that history and the history of art have tried to retain as "universal".

A monumental monograph tracing ten years of the French sculptor's practice over some 500 pages, with an interview and five essays.

An overview of photo and video works by Farah Al Qasimi between 2017 and 2021, with which the artist investigates how spaces and subjectivities inflect and influence each other.

Artist's book.

New monograph.

A split on 4 sides gathering 10 musicians, poets and poetesses around texts written and read by Gilles Furtwängler.

Félicia Atkinson's new artist's book, bringing together photographs, drawings and poems.

This artist's book explores the diverse reference system of forms and materials, plants, animals and other subjects out of which Claudia Comte develops her biomorphic sculptures.

A split album as part of the GRM Portraits series bringing together two pieces by the French bassoonist and the Norwegian composer.

This artist's book provides a comprehensive insight into the artistic cosmos of Klodin Erb, one of the most renowned contemporary artists in Switzerland.

What forms does withdrawal—meaning either that which withdraws itself or which is being withdrawn—take in artistic and cultural practices? What movement(s) does it create or follow in specific contexts, and with what theoretical, material, and political consequences? The contributors of this book address these questions in a variety of writing practices, each focusing on specific scenes.

Seven tangible prototypes that respond to our current planetary moment, enabling new ways of envisioning and inhabiting the world (a scientific and artistic collaboration turned to a catalyst for experimentation, shaping sustainable, and collective futures that combine science, technology, and the arts in a transdisciplinary and collaborative approach).

Alongside Mousse's surveys, monographs, thematic essays, short profiles, fiction and book reviews, Issue #84 inaugurates four new columns with a reinforced emphasis on textuality and critical thinking: Criticism (by Kerstin Stakemeier), Thinkers (Ana Teixeira PintoAna Teixeira Pinto on Sara Ahmed), Curators (Kabelo Malatsie), and Reprint (selected by Lawrence Abu Hamdan).

This publication invites us on a journey to decipher the hidden predatory logic within the mechanisms of gold mining exploitation and the resulting socio-ecological devastation in the Guayana and Venezuela's Amazon regions.

A series of historical images of buildings and monuments, retouched by the artist who superimposes the flames that ravaged these monuments long after the time of the original image, overlaying the present and the past.

First monograph of the Spanish painter: a collection of paintings and drawings created by Cristina BanBan between 2021 and 2023, accompanied by a text by Grant Klarich Johnson.

An artistic research project led between 2019 and 2022, investigating how 3-D electroacoustic composition and sound-art can evoke and provoke a new awareness of our outdoor sound environment.

New monograph.

New monograph.

A photographic serie about Redeyef, a mining town in the south of Tunisia.

The Order of Things presents about a hundred analog photographs of landscaped gardens around houses and estates in the Swiss Canton of Valais and in Romandy, the western, French-speaking part of Switzerland.

Reference monograph.

Artist's book.

An ecological, urban and architectural anatomy inspired by Tunisia's palms and eucalyptus trees: a conceptual, committed and critical gesture of renovation of Tunis' municipal greenhouse at the Parc du Belvédère, which questions the very same definition of an artwork, the place of the artist and the role of cultural institutions.

Paintings and photocollages by the French artist based in Senegal, Vincent Michéa, which are part of a vast kaleidoscopic iconography, African but also European and American, that reorganizes space and time.

Basse saison combines photographs taken by the artist mainly during the winter of 2020, while staying in her native region, La Grande Motte in southern France.

First monograph.

In this interview, Marie-France Rafael and the artist Raphaela Vogel probe the perennial question of form, asking: What is the relationship between form and time? In their conversation, Rafael and Vogel contemplate the potential of putting artistic mediums in dialogue with one another, proffering a new vision of what form can achieve.

A writing workshop led by the writer François Bon and the artist photographer Bruno Serralongue at HEAD - Geneva from February 20 to 25, 2022.

A journey through the work of Daniel Steegmann Mangrané over 25 years (artist's book).

An electroacoustic piece composed between 1984 and 1989, inspired by the ancient theory of the four elements and exploring the notions of matter and its transformation.

LP debut of the Dutch vocalist Janneke van der Putten. Her voice emerges from deeper grounds, shaping the acoustic aura of architectural and natural spaces, exploring the limits of vocal techniques through site-specific performances.

Copies, appropriations, quotations in the collections of the Centre national des arts plastiques

The first monograph dedicated to American sculptor John DeAndrea, one of the founding members of American Photorealism along with Duane Hanson, Chuck Close, Richard Estes or Robert Cottingham in 1970, with an introduction by Catherine Millet, an autobiography of the artist and over 200 pages of illustrations.

This 5th issue of the anthropology journal created by Mariana Castillo Deball explains and develops the issues at stake in the artist's recent research.

Ákos Rózmann's Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer's studio and at EMS in Stockholm. Like most of Rózmann's compositions, Mass is a long-form work with a duration of around seven hours.