The first collection by award-winning performance artist/poet Justin Chin.

A collection of critical, polemic, and personal essays composed in the past decade.

This first comprehensive survey of Joseph Kosuth's work with public media centers on his pioneering project The Second Investigation (1968–74).

Renewing our understanding of Ruscha's art.

Renewing our understanding of Ruscha's art.

Magical practices (and design) as tools for experiencing the world in a different way.

An exploration of how design has evolved in interaction with popular and material culture, drawing inspiration from technology as well as magic and the occult.

Departing from a series of concrete projects and international exhibitions, this book considers the conditions of artistic research and related discourse via twenty significant concepts.

This edition by Walter and Jan Verwoert pairs an 7" record featuring 6 pieces of sound poetry with facsimiles of the 6 collages used as scores for the recordings.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

A series of reflections on research and fieldwork that situate the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society.

Fierce Unworking highlights Ko Murobushi's role as an unparalleled pioneer of contemporary paradigms such as body language, the third space or embodied knowledge. Ten years after his death, this volume brings together writings, poems and diary fragments in collaboration with the Ko Murobushi archive in Tokyo, making many of which are available in English for the first time.

The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.

An encounter between dance and visual arts.

What is the relationship between mathematics and philosophy? How does the project of "mathematical ontology" redefine the link between multiplicities and being? M=O? brings together leading scholars exploring and questioning Alain Badiou's thesis that "mathematics is ontology" and its evolution.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

Reference monograph.

A collection of sketches and research notes, texts, transcriptions of sound works, and visuals that document Dominique Petitgand's sound work.

Globalized popular culture as a starting point for a new way of thinking about art and visual culture.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

Soft Photography examines the role of human emotions in the creation and reception of images produced using generative Artificial Intelligence (AI) or computer-generated imagery (CGI).

The third volume in the "EKES (EarthKeeping EarthShaking)" series, this collective work—a forum for dialogue among artists, curators, and experts in the humanities and environmental sciences—sets out to explore "ecological vitality."

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

An interview conducted on December 18, 1974, with photographer Peter Hujar about an ordinary day in his life, released to the public half a century after it was recorded.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.

Moondog's poetic autobiography.

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

The first book to document the evolution of bio art and the aesthetic development of Eduardo Kac, the creator of the "artist's gene" as well as the controversial glow-in-the-dark, genetically engineered rabbit Alba.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

A look back at the career and work of Vasıf Kortun, an exhibition curator, author, and educator.

A fascinating journey through the long history of media before the age of mass media.

A collective reflection on the tensions and shifts taking place in design, in light of contemporary and future challenges, combining forward-looking visions with concrete experiments, and bringing together theoretical approaches, manifestos, and analyses of design practices, from a critical perspective that responds to the environmental, social, cultural, technological, and political transformations of our time.

A project that considers the role of the Tirailleurs in liberating France from Nazi Germany, how their efforts contributed to the liberation of Germany itself, and their impact on securing peace in Europe post-1945.

The anthology black monument explores how artists and communities across Europe, North America, the Caribbean, and Southern Africa disrupt colonial monumentality.

A collaborative research and artistic project about restitution, reparation and transformation taking place in multiple locations over several years.

Forest Encounters invites you into the forest and its many meanings. It brings together voices from different disciplines, geographies, and cultures. Artists, foresters, art historians, philosophers, anthropologists, wildlife researchers, landscape architects, and writers all participate in this collective reflection on the diverse meanings, challenges, and perspectives related to the forest.

A comprehensive overview of the legal framework governing artistic practice, intended for creators, authors, and artists.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

The first book devoted to the late African American writer and actress, Dorothy Dean (1932-1987), one of the few prominent African American women of New York City's bohemian heyday, close to Andy Warhol and Robert Mapplethorpe (new expanded edition).

An art book by Adama Delphine Fawundu that celebrates life through the female figures—grandmothers, mothers, daughters, artists, caregivers, storytellers, and cooks—who have shaped the artist's cultural and personal history.

At the intersection of art, technology, and humanitarian inquiry, this book provides insight into Ghost Agency's desire for agency across artistic reasearch, institutions, and civic life in the digital age.

First monograph.