First monograph.

Looking at the white gaze on Black life, art, and being, Chipo Chipaziwa's first book explores five years of her past performances without any photographic depictions of her body. Instead, she relies on the written word—with texts penned by herself, as well as by Denise Ferreira da Silva and Olumoroti Soji-George—and on art: paintings, drawings, and prints by Margaret Joba-Woodruff, Sophia Lapres, and David Ezra Wang.

First monograph, featuring the artist's long-term research on the colonial and neo-colonial relations between Italy and Libya through a critical engagement with the Italian "archive of coloniality" and its structural violence.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.

A book inspired by the artist's research in intersectional environmentalism, deep listening, and decoloniality.

Studies on Squats is an evocative exploration of embodied resistance and political movement that uses the multifaceted posture of the "Asian Squat" as a lens through which broader concepts of migration, illness, and resilience are examined.

The first monographic publication dedicated to the collected works of artist Margherita Moscardini.

This publication is part of Farid Rahimi's eponymous multimedia project, the fruit of long-term research into the memory of Afghanistan, the country of origin of the artist's father.

A transdisciplinary reevaluation of the dialogical character of humanism.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

A collection of texts and interviews, some previously unpublished, covering a period of 40 years, with rare illustrations.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

A live recording on giant acoustic horns installed on a cliffside in the French Alps, playing with the echoes inherent to the site.

Jean Sabrier's catalogue raisonné.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

Renewing our understanding of Ruscha's art.

This edition by Walter and Jan Verwoert pairs an 7" record featuring 6 pieces of sound poetry with facsimiles of the 6 collages used as scores for the recordings.

The choreographic in cinema.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

An overview of the multifaceted work of designer and set designer David Dubois, with a text by critic Jeanne Quéheillard.

In a collection of interviews given over a period of almost twenty years, a poet seeks to find out a little more about what he makes by confronting his practice with other arts (plastic, sound, scenic).

Catalogue of the 2025 Islamic Arts Biennale, combining ancient heritage and contemporary art.

A reflection on our present, through a series of portraits of contemporary artists.

This book celebrates Radicale1924, a contemporary art residency founded in 2020 by Belgian choreographer Chantal Yzermans.

The classic question of “proof by image” rethought in the light of contemporary practices and technological developments, notably the transformation of the way images are captured and circulated in the digital age.

Fierce Unworking highlights Ko Murobushi's role as an unparalleled pioneer of contemporary paradigms such as body language, the third space or embodied knowledge. Ten years after his death, this volume brings together writings, poems and diary fragments in collaboration with the Ko Murobushi archive in Tokyo, making many of which are available in English for the first time.

Nature Never Loses surveys six decades of Carl Cheng's prescient, genre-defying work and accompanies the eponymous traveling exhibition organized by the Contemporary Austin. It is the definitive guide to Cheng's career, including a detailed overview of his most impressive works and an abundance of never-before-seen archival material.

A groundbreaking curatorial proposal by Jean-Hubert Martin, bringing together five galleries with very different specialties (primitive arts, art of the Middle Ages and Renaissance, antiquarian books and incunabula, Surrealism and modern art, Nouveau Réalisme and contemporary art).

An intersectional approach to the radicality of desire.

The possibility and conditions of a "de-Berlinized" world order that overcomes a 140-year history of colonial violence.

Conceived by American artist Laura Owens, this publication looks back on the Studio of the South residency, hosted in Arles by LUMA and Owens and undertaken by 23 international artists between September 2020 and July 2023.

Taking its title from the seminal book by the priest, philosopher, and historian Michel de Certeau, this publication, which accompanies the eponymous Capc exhibition, bears witness to unique ways of being in the world through the transformation of materials, tools, and everyday practices, inscribed directly onto the pages of a regional daily newspaper.

Artist photographer Giasco Bertoli walks through New York, looking for iconic locations of American cinema.

Comprehensive monograph.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

Documents artist Liam Gillick's process in building a functioning weather station for Fogo Island, Newfoundland.

Reference monograph.

Reference monograph.

Donald Judd's formative years and recognition in the Low Countries and Europe between 1965 and 1971.

The first in a series of books dedicated to Jean Jullien's paintings, this book uses paper formats to contrast the artist's preparatory notebooks with exhibition views of his paintings of Mediterranean environments.

An artistic inquiry into "future nostalgia".

A queering of psychoanalysis put together by the forerunner of Inactual Magazine.

Off The Record by French collagist Roméo Poirier is an amusing romp through the discarded history of recording studios. It contains fourteen miniatures based on accidental recordings of studio talk, revealing things that were never meant for the public.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Retrospective monograph.

The first comprehensive and personal look behind the scenes at the architect couple Trix and Robert Haussmann's planning, design and working processes.