Originally released by Multhipla Records, The Entire Musical Work of Marcel Duchamp is a collection of experimental pieces composed in 1913 by the legendary artist, and executed by Petr Kotik and the S.E.M. Ensemble in 1976. Employing chance operations and non-musical sounds, Marcel Duchamp's musical oeuvre predated some radical concepts developed forty years later by John Cage.

Edited by Marc Dachy, this first CD devoted exclusively to Marcel Duchamp brings forth some very rare documents of the '50s.

This special boxed set, numbered 1 to 50, contains Franck Scurti's DVD Ulf Linde – Marcel Duchamp: Certifié pour copie conforme, Pascal Goblot's DVD Richard Hamilton dans le reflet de Marcel Duchamp and Pascal Goblot's book To be Broken / À refaire le Grand Verre, plus a silkscreen print on transparent film.

A film by artist Franck Scurti on Marcel Duchamp's masterpiece replica by Ulf Linde.

Marcel Duchamp, Henri-Pierre Roché, and the Neuf Moules Mâlic (Nine Malic Moulds): the genesis, the history and the destiny of an artwork as exceptional as the relation between an artist and his collector, of which it was the vector.

In her brilliant essay, Helen Molesworth pinpoints the significance of the return of the handmade in Duchamp's artistic oeuvre of his later years and, at the same time, and for the very first time, makes this fundamental paradigmatic change the focal point of academic debate.

The influence of cartoon on Duchamp's work.

A facsimile edition of the first ever monograph dedicated to Marcel Duchamp and originally published in 1959. A complete introduction to his works and personality as well as a reflection on the artist's role in modern society. Graphic design by Marcel Duchamp. With texts by Duchamp, André Breton & Henri-Pierre Roché. Featuring a bibliography and a catalogue raisonné.

Seven essays about Marcel Duchamp's work.

A film by Pascal Goblot that explores an exceptional relationship between two influential figures of contemporary art.

First publication ever to focus exclusively on Marcel Duchamp's Pharmacie, the first rectified readymade in art history.

Transcript of Jeff Wall's extraordinary lecture on Marcel Duchamp's great legacy Étant donnés, presented at the First Annual Anne d'Harnoncourt Memorial Symposium, September 11, 2009, at the Philadelphia Museum of Art.

Ulf Linde summarizes his decades of investigation into the geometry of Duchamp's works.

A Duchampian discovery.

Deciphering Duchamp.

Curiously enough, although Duchamp considered eroticism as the main topic of his work, no essay had really focused on that matter yet. This book collects the lectures of about twenty international art historians and critics during a symposium organized by Marc Décimo.

Two studies on the link between language, art and reality in Marcel Duchamp's work.

A new approach of Duchamp's keywords.

Marcel Duchamp “laid bare” by Marc Décimo who talks about the creative process in this essay on the father of conceptual art.

An essay on Duchamp's readings, and a systematic chart of his personnal library.

First publication dedicated to Jamaican-born American photographer Percy Rainford, a longtime collaborator of both Marcel Duchamp and architect Frederick Kiesler. Drawing from extensive archival research and interviews, author Michael R. Taylor showcases the work of this remarkable avant-garde photographer, while also shedding new light on his collaborations with Duchamp and Kiesler.

This illustrated essay creates a dialogue between the works of Fluxus artist Jean Dupuy and dadaist Marcel Duchamp around their shared interest with eroticism.

Six essays dealing with still rarely discussed aspects of the work of Joseph Beuys, Max Bill, Fischli | Weiss and Ai Weiwei, but also Jules Verne, in their relationship with the various artistic concepts of Marcel Duchamp.

An analysis of the work of an unheralded artist both profound and captivating written by his friend, artist and curator Stefan Banz.

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage.

Marcel Duchamp> met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage, presents us with “her” Marcel, and relates her encounters with Jacques Doucet, Constantin Brancusi, Henri-Pierre Roché, Man Ray and Kiki de Montparnasse, Jean Cocteau, the Ballets Russes, the Duchamp family, Jean Crotti, Mary Rumsey, Katherine Dreier and Robert Desnos, and describes the atmosphere at the Villons' (in Puteaux, just outside Paris), the Picabias' (at Mougins, in the South of France) and the Sarazin-Levassors' (in Étretat, on the Normandy coast).

Jean Sabrier's catalogue raisonné.

Comprehensive monograph.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

An overview and historical, critical, and theoretical perspective on the French artist's work.

This posthumously published essay presents Hans De Wolf's sharp analysis of one of the greatest rivalries in art history, a rivalry between two centuries, embodied by two of their most prominent figures: Courbet for the 19th and Duchamp for the 20th century.

Cross remixes by two emblematic figures of the contemporary electronic and experimental scene.

A total environment-cum-woodland utopia created by an all-star team of "mad sculptors" led by Jean Tinguely.

An issue under the sign of vital breath and breathability.

How practices that enact the art of constructing open secrets in markets can be mobilized to unfold magic making.

An archeological inventory of the bizarre beauty of art brut, popular gardens and improbable architecture, palaces and tree castles, chapels and converted caves, concrete and matchstick models, rustic furniture and animal sculptures, caravans and flying bicycles, calvaries... and the last homes of creators of all kinds (mental patients, abbots, bistro owners or self-proclaimed artists), most of which now only exist on postcards from the period, around 1900.

The very personal New Year's greetings published by the Swiss artist in the form of zines over the last twenty years.

She Lea gCheang, Martin Herbert, Adelita Husni-Bey, Karimah Ashadu, Byung-Chul Han, Anthony Huberman, Sohrab Mohebbi...

A journey through the artist's work and life.

Accattone #8 addresses matters of construction in relation to time, use, change and technical knowledge against the backdrop of the "negative commons" inherited from the productivist society of the past century—"zombie" habits, desires, products and processes that our contemporary condition can no longer sustain, yet cannot help but reproduce.

The third volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

Caroline Bachmann's dawn paintings.

The first book to draw a comprehensive cartography of the relationship between visual arts and digital culture since the early 2000s, tracing the history of memes "from Duchamp to TikTok."

Over a period of more than ten years, Pascal Goblot undertook a performance based on Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even, the first stage of which involved making as exact a reproduction of The Large Glass as possible. This book is the pictorial account of that reconstitution.

Thierry de Duve, Made in L.A. by Travis Jeppesen, Judy Chicago, Margaret Raspé, "Seeing in Art and Medicine" by Michael Corris...

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

The third volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

This book documents six years of reflections and productions, that is to say the 47 exhibitions—dedicated to young emerging artists as well as to major actors of the French and international art scene—organized at the Galerie Art & Essai of the University Rennes 2 between 2014 and 2020 under the direction of John Cornu.

A collection of three new aesthetic essays, between the visual arts and literature, by Belgian philosopher and semiotician Herman Parret: a reflection on the "delicacy" in the various fields of sensoriality (the visible, the sound, the taste and the tactile)—a most suggestive reading for the construction or the development of a sensitive semiotics.

This luxurious publication in large format presents 365 collages made by the artist between 2021 and 2022.