Taking as its starting point a pilgrimage that takes place in Italy during the day of the dead, this publication is part of a collective and multidisciplinary project which aims to reflect upon death, to more deeply celebrate life.

New monograph.

Jean Dupuy's anagrams, from the 1970's to the present day (artist's book): 160 series of works accompanied by the artist's notes, with texts by Arnaud Labelle-Rojoux and Emmanuelle Lequeux.

Herminie Hanin (a figure of art brut, “fou littéraire” with a tendency to paranoia, inventor of the plane trap) inaugurates the series “Les Hétéroclites” (“Heterogeneous”), created by Marc Décimo to explore the relations between literature, art, insanity and creation.

First publication ever to be devoted entirely to Duchamp's Broyeuse de chocolat, this volume also documents the event organized by the Kunsthalle Marcel Duchamp on the occasion of the 100th anniversary of this iconic work.

Godard and Corman have worked concurrently on the same themes and subjects, using similar stylistic devices and production techniques. The fact that this affinity has so far remained undiscovered has its explanation in hard-set opinions and judgment criteria. Harald Harzheim has now succeeded in breaking this mindset, enabling us see the work of these radical independent filmmakers in a completely new perspective.

Julio Le Parc, “New impressions of Raymond Roussel”, François Curlet, Daniel Dewar & Grégory Gicquel, Joachim Koester, Evariste Richer...

The work of Raymond Roussel as a point of departure for an oblique and transversal reading of 20th century art.

Artist's book: Joël Hubaut's ABC (“a compressed, unprecise mini ABC of the art of living for the young generations in art schools in particular and for everyone else in general”).

In 1984, John Cage gave a concert at the Akademie der Künste in Berlin. Thomas Wulffen seized the opportunity to talk to him about his work, about Berlin, and about Germany. The hitherto unpublished interview shows this major avant-garde artist in a relaxed mood, perfectly at his ease, though not without a light touch of irony. An historical document.

Catalogue documenting a unique installation born from the colllaboration of two major artists of the twentieth century.

New monograph / artist's book.

Five essays.

A unique testimony to Duchamp's personality, to his relationship to his friends and to his works, and to the slow reception of his works in France and in the U.S.

The final opus and the prologue of the Palais de Tokyo's annual publications series.

First issue of the experimental music annual review.

A utopian and subversive take on how to make objects talk.

The extended new edition of the out-of-print publication of the same name, from the year 1996, appears on the occasion of the death of Friedrich Kittler. Along with an introduction, it contains an extensive and unabridged interview with Stefan Banz and Kittler's unusual text Skiagraphia, die Schattenschrift (the shadowed text) from 2005.

1st issue of the art magazine published by M19, gathering works, articles, documents, and lists, featururing 42 artists, curators, art historians, critics, choreographers, musicians, plus one chef.

This collective essay examines the crossroads between creation and business through various analyzes and case studies on Marcel Duchamp, Bertrand Lavier and the Brancusi trial.

An interview with Jean-Christophe Ammann.

Caroline Bachmann and Stefan Banz have designed a photographic and pictorial artist's book which focuses on Berlin cemeteries. In a combination of photography and painting they consider the uniqueness of the park-like cemeteries in Berlin, which are used as leisure and recreational areas. Bachmann and Banz turn these places of melancholy and calm into an aesthetic experience by “making emotions visible”.

This mini, compact catalogue, accompanies the eponymous exhibition at CAPC museum of contemporary art of Bordeaux.

This original radio sound piece unfurls a multiple electroacoustic flux in which audio archives of the voices of the great surrealist heroes of the Twenties (Man Ray, Duchamp, Aragon) are given a new breath of life and become electric.

This original radio sound piece unfurls a multiple electroacoustic flux in which audio archives of the voices of the great surrealist heroes of the Twenties (Man Ray, Duchamp, Aragon) are given a new breath of life and become electric.

Celebrating ten years of artistic career, this catalogue reproduces a series of miniature replicas of mostly huge-format paintings by Norbert Bisky, repainted by the artist himself.

Second issue of the art history magazine published by the Mamco, Geneva.

Criminal news item as current version of the ready-made: relations between the history of avant-gardes and the aesthetics of murder.

Editor in chief, Kendell Geers subverts the code of the magazine and appropriates BC as a subversive hacker, saturating the pages of FUCK, sexes and crucifixions.

An essay on the reception of Jean-Pierre-Brisset's work among his contemporaries and successors, its relationship with futurism, pataphysics, surrealism, dada, etc., its sources and its offspring in the fields of literature, linguistics, psychoanalysis, science, philosophy and art.

Monograph (available in English edition).

New monograph, conceived in close collaboration with Bertrand Lavier, with the most recent works (ceramics, ethnic scultpures) in front of some more ancient pieces (also available in bilingual English / French edition).

New monograph, conceived in close collaboration with Bertrand Lavier, with the most recent works (ceramics, ethnic scultpures) in front of some more ancient pieces.

Conceived by the artist, an exhaustive monograph on Laurent Grasso's body of work, with texts, interview, documents and 300 color illustrations.

“Duchamp, Man Ray, Picabia”, Xavier Veilhan, Candice Breitz, Karen Kilimnik, Sturtevant, Gerhard Richter, 5e Biennale de Berlin, Wade Guyton / Kelley Walker, Jacques Garcia / John Armleder, Simon Starling, Louise Bourgeois, Christopher Williams, Willem de Rooij / Jeoren de Rijke... (5 texts in English).

First issue of the art history magazine published by the Mamco, Geneva.

A sharp summary of contemporary art since Marcel Duchamp.

How, in the course of their American exile, the surrealist artists (Duchamp, Tanguy, Masson, Ernst, Lam, Carrigton ...) were influenced by the literary and artistic context. Also a specific study on the perpetual renewal of Surrealism after war, linked with the importance of esoterism, the Amerindian civilizations, and Charles Fourier.

Kylie Minogue, Jasper Johns, Marcel Duchamp, Mario Merz, Damien Hirst, Jesper Just, Jeff Koons, Dominique Gonzalez-Foerster, Pierre Joseph, Guy de Cointet, François Curlet, Lothar Hempel, Yann Serandour, Philippe Decrauzat, Valentin Carron, Gilbert & George, John Armleder, Thomas Hirschhorn...

Recent works by American artist, with several illustrations and preparatory drawings, as well as an essay by Robert Hobbs and a biography.

First monograph.

An exhaustive documentation on the work of the French artist since 1970, fully illustrated.

Miss Marie le Masson Le Golft (1749-1826) is known as the lady who noted Nature.

An essay on Paul Tisseyre Ananké, the military officer in saharian French colonies and writer, which proposes a linguistic and biographic approach, accompanying the reedition of Ananké's book, denouncing the horrors of the French colonisation in Africa.

Jean Dupuy's anagrams in three volumes, with a selection of artworks.

This small book accompanies the video Belles Rives (2001), with a selection of screen shots.

A selection of public discussions by Bertrand Lavier. Limited edition accompanied by a unique work for each copy (acrylic painting on paper).

A selection of public discussions by Bertrand Lavier.

A complete panorama of the astonishing personality of the unknown writer, grammarian, cosmologist and inventor.

27 interviews with Bertrand Lavier.