A collective work resulting from an exhibition of Dominique De Beir at the ADAC Amiens which explores the notion of piercing, digging the matter.
French artist Dominique De Beir (born 1964) uses unusual tools to cover paper supports with perforations. She pursues the vital energy of her creative process and impulsive acts without constraints until the surface itself disappears for the benefit of its own depth. By the repetitive and relentless character of her actions, the artist gives to her work a ritual and choreographic dimension. Her work has been exhibited in France, the Netherlands, Italy, Great Britain, and Germany, and her works are included in a number of public and private European collections.