Artist's book.
This publication pictures Shirana Shahbazi's recent work, taken to a compelling new level of abstraction, culminating in the free disposition of colors and geometric forms. Shahbazi stages these geometrical forms, not on a computer screen, but by arranging and staging real geometric bodies of color in her studio—as though for a still life—and by then photographing them from different perspectives. Her production style is pivotal not only for the brilliance of color; it is shining through in delicate details such as double exposures or intriguing effects of depth. Each composition allows for nuanced readings, oscillating between the two and three-dimensional, between the representational and nonrepresentational.
Born in Tehran in 1974, Shirana Shahbazi moved to Germany at the age of 11. She studied photography in Dortmund and Zurich, where she lives and works today. Her practice has been dedicated to generating a hybrid visual language that defies simple categorization and can be experienced on multiple levels. It challenges the translation and the transcultural construction of meaning. The physical presence of her work is just as important as its semantic underpinnings.
Shirana Shahbazi took part in the 50th Venice Biennale (2003) and has had exhibitions in notable museums including Kunstmuseum, Lucerne (2026); Istituto Svizzero, Rome (2018); Museum Fotogalleriet, Oslo (2017), Camera Austria, Graz (2016), Kunsthalle Bern (2014); and The Museum of Modern Art, New York (2012/2013). She received the 2019 Meret Oppenheim Prize for Visual Arts in Switzerland and the 2022 Mutina Art Prize in Modena, Italy.
She is a member of the artists collective
Shahrzad.
