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Works 1958-1979 (CD)

Nam June Paik - Works 1958-1979 (CD)
The essential compiled by Stephen Vitiello.
This is a wide panorama of Nam June Paik work as musician - Hommage à John Cage (1958-1959), Étude for Pianoforte (1959-1960) and Simple (1961) are good exemple of neodada music and de-structuration in the late 50', this is basically irreverent audio-collages. Prepared Piano for Merce Cunningham (1977) captures an improvised performance by Paik on a de-tuned piano. while Prepared Piano for Merce Cunningham was later mixed and edited for use by Cunningham, this raw, straight-to-tape version is favored by Paik. Duett: Paik/Takis (1979) this is the only piece already released (20 years ago on a limited vinyl edition). Paik improvises on piano and voice, while Takis performs on his metal sculptures.
Nam June Paik, was born in Seoul, Korea in 1932. After a move to Japan, where he studied the work of composer Arnold Schönberg, Paik came to Germany in 1956 to continue his studies in the history of music. His interests soon turned away from the university setting, to less traditional forms of music leading him the Westdeutsche Rundfunk's Studio for Electronic Music, where Karlheinz Stockhausen was working.
To date, there have been only a handful of limited edition LP and cassette releases of Paik's music, primarily documenting collaborative performances with colleagues and friends such as Joseph Beuys and Charlotte Moorman.
This is the first CD release of Paik's music and the first ever release of the early tape collage pieces that were to inform the video and performance works that he has continued to produce over the last forty years.
Nam June Paik (1932-2006) was a Korean artist and composer. After writing a thesis on Arnold Schönberg and attending the Summer Courses in Darmstadt, he moved to Cologne and worked at the WDR Studio for Electronic Music. In 1961, he met George Maciunas and took part in many Fluxus concerts. Known for his video experiments, he moved to New York in the mid-1960s and began a long collaboration with Charlotte Moorman. In 1970 he began teaching at California Institute of the Arts in Los Angeles and in 1979 at Kunstakademie, Düsseldorf.
Edited by Stephen Vitiello and Guy Marc Hinant.
Digitally mastered at Equus, Brussels, April 2001.
published in 2001
CD jewel case
sold out

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