Institutional Critique

This publication brings together two early works by Heimo Zobernig, Farben and Alphabet.

Why has there been so much interest in “surplus value” in recent years? In “The Outside Can't Go Outside”, artist Merlin Carpenter considers how this term has been inserted into contemporary art theory following the financial crisis of 2007/8.

Wheels gives a special overview of Olivier Mosset's career through the prism of his fascination for motorcycle and motor vehicles and their influence on his artistic practice.

Catalogue dedicated to one of the pioneers of European conceptual art, whose work adopts a critical approach of the art world and the avant-garde. The publication offers an overview of the Belgian artist's career, and gathers texts by Jean-Michel Botquin from 1960 to 1980, and recent contributions by Nicolas Bourriaud, Denys Riout, Denis Gielen, and Serge Bonati.

Merlin Carpenter investigates the status of the midcareer artist with a conceptual project involving the exhibition of transit blankets. The publication documents these works and related gallery shows, in addition with texts by Kunsthalle Bern director Valérie Knoll and artist Sam Lewitt.

Second DVD in the “Works & Process” series to be dedicated to Daniel Buren's work, this new collection of films offers various documentary approaches of this major artist's work in a 3-hour program.

Facsimile edition of an artist book by Marcel Broodthaers based on a verse from Baudelaire's poem La Beauté.

The journal/catalogue conceived by Daniel Buren for his retrospective at BOZAR.

A documentation on the development and reception of Daniel Buren's monumental in situ work in the gardens of the Sacred Heart Church of Casablanca.

First French translation of the two famous essays in which Jack Burnham draws the profile of an “aesthetic systems.”

A retrospective retracing in pictures fifty years of creation.

An essential publication that allows to reevaluate the importance and impact of the work of the pioneering English group Art & Language, and the emergence of Conceptual art in the early 1970s.

In 2011, Damien Beguet and P. Nicolas Ledoux purchase the name of artist Ludovic Chemarin after he decided to end his career in 2005. Since then, they have been exploiting his name through exhibitions, conferences, and interviews. This monograph gives an overview of the project, gathering exhaustive documentation and essays from critics, historians, and lawyers.

5th issue of the art and research magazine is dedicated to Andrea Fraser.

Third volume of the anthology (1975-2000), focusing on photography, film, video, and new media.

The design, construction and reception of all interventions by Daniel Buren in the public space of the city of Istres in 2013.

Luis Camnitzer plays the Drawing Room Confessions.

Second volume of the anthology (1975-2000), focusing on performance and performativity.

An anthology: selected criticism, essays, interviews, and curatorial projects, since 1986-2012.

The first comprehensive survey on the work of Slovenian artist/architect Apolonija Šušteršič, between Conceptual art, Contextualism, institutional critique, and relational aesthetics.

Marianne Heier's investigative process (a reader).

An exhibition in book-form.

Focused on a series of exhibitions entitled The Opening—marked by the fact that all the paintings presented were produced at the galleries during the exhibition openings—the book documents all six events via text and snapshot-like images.

New expanded and subtitled edition: nearly four-hour program consisting of twelve films, five documentaries, unpublished documents as well as original video works by the artist.

Catalogue.

An “experimental monograph” (conceived by Heimo Zobernig) which offers a sidelong journey through the multi-facetted body of workmade by the Austrian artist since more than 30 years, which also offers a novel line of thinking about the layout of an artwork, and gathers a selection of “historical” texts and new commissioned essays.

A facsimile of the sketchbook made by the two artists for their first duo exhibition.

Artist's book.

A conversation between the artist and the architect.

The film of a trial for crime against art.

Can your monkey do the dog is the title for this book conceived jointly by Josh Smith and Christopher Wool. Thanks to digital imaging, they created together a series of pieces; one of them proposed an image from his corpus, which the other one reworked, by adding or removing elements. A new "layer" was each time superimposed on the previous one, without any constraint or mutual censorship regulating the alternating interventions.

Art and public spaces in the city.

Art as theory of the practice and practice of the theory.

Poetry and space for Marcel Broodthaers—a critical essay.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

Catalogue.

Artist's book (photographs taken on the road).

Daniel Buren writes on his friend Robert Ryman to highlight some questions raised by his oeuvre and by his own work.

Unpublished text accompanied by a leaflet with 8.7 cm stripes.

A conversation between the sociologist and the artist: a sociology of art at the service of a political project.

The book presents an exhibition at The Consortium, Dijon, and reproduces 16 postcards.

Catalogue.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

A comprehensive look at the public artworks that Daniel Buren has made using ephemeral materials.

A collection of texts in which a number of art historians and other professionals reflect on the artists' practice.

Facsimile edition of an unpublished artist's book by Marcel Broodthaers from 1968 referring to Stéphane Mallarmé's poem “Un coup de dés jamais n'abolira le hasard.”

Monograph / catalogue documenting recent, actual and future exhibitions dedicated to Mosset's latest works or to a whole radical and minimalist œuvre.