Surrealism

A collection of texts by Robert Lebel on surrealism.

The influence of cartoon on Duchamp's work.

A facsimile edition of a surrealist poem by Robert Lebel and originally published in 1943. Illustrated with seven constructions by artist Isabelle Waldberg.

A facsimile edition of the first ever monograph dedicated to Marcel Duchamp and originally published in 1959. A complete introduction to his works and personality as well as a reflection on the artist's role in modern society. Graphic design by Marcel Duchamp. With texts by Duchamp, André Breton & Henri-Pierre Roché. Featuring a bibliography and a catalogue raisonné.

A novel on German artist and writer Unica Zurn, a close friend of the surrealist movement and Hans Bellmer's lover.

Renowned French art historian and philosopher Georges Didi-Huberman conducts a careful analysis of Cube—Giacometti's only abstract sculptural work.

Thierry de Duve's writings on Marcel Duchamp.

Seven essays about Marcel Duchamp's work.

A film by Pascal Goblot that explores an exceptional relationship between two influential figures of contemporary art.

A collective examination of the relationship between surrealism and the “splendid nineteenth century” (André Breton), and changes that have occurred in the field of political ideas, industrial development, psychiatry, philosophy or morality, between appropriation, misappropriation and rejection.

First publication ever to focus exclusively on Marcel Duchamp's Pharmacie, the first rectified readymade in art history.

Anne Van der Linden's drawings and paintings from 2008 to 2014.

The novel by Jean-Louis Costes in a deluxe edition, illustrated by Anne Van der Linden—the crazy epic of Costes' grandfather at the beginning of the 20th century: a Cossack in Russia, a legionnaire in Morocco, a convict in Guyana and a collaborator in 1940...

Transcript of Jeff Wall's extraordinary lecture on Marcel Duchamp's great legacy Étant donnés, presented at the First Annual Anne d'Harnoncourt Memorial Symposium, September 11, 2009, at the Philadelphia Museum of Art.

The enigma of the surrealist object, from its origins to its future, between the demystification of the artwork and the reinvention of reality.

After he transformed the whole nave of the CAPC Museum into a mechanical theatre, Markus Schinwald conceives an elegant and sophisticated artist's book that reflects this physical and mental adventure through preparatory prints, film dialogues, and a series of stickers alternating exhibition views and reproduction of works.

A surrealist, erotic and political assemblage of texts, quotes and images with which Thierry Tillier, heir to the great tradition of artistic collage, exposes his libertarian vision of contemporary art.

A surrealist, erotic and political assemblage of texts, quotes and images with which Thierry Tillier, heir to the great tradition of artistic collage, exposes his libertarian vision of contemporary art (limited edition accompanied by an original and unique collage, signed).

First publication ever to be devoted entirely to Duchamp's Broyeuse de chocolat, this volume also documents the event organized by the Kunsthalle Marcel Duchamp on the occasion of the 100th anniversary of this iconic work.

The theatrical, poetical and musical work of Xavier Forneret, French Romantic writer, precursor of the Surrealist movement.

Stories, novels, correspondence and short texts by Xavier Forneret, French Romantic writer, precursor of the Surrealist movement.

The facsimile of HR Giger's Alien Diaries, with unpublished material, including drawings, Polaroids, and still shots.

A group of recently discovered sculptural works created by the Japanese pop-art pioneer Keiichi Tanaami in the 1980s.

Artist's book based on surrealist artist and dancer Hélène Vanel's manuscript.

A unique testimony to Duchamp's personality, to his relationship to his friends and to his works, and to the slow reception of his works in France and in the U.S.

As in mythological tales, the characters in Anne Van der Linden's paintings and drawings are mortals, animals, angels and demons, all coexisting in a lascivious Pandemonium. Vivid colors and rough strokes render well the grotesque essence of these bestial & erotic scenes whose symbolism could be compared to Frida Kahlo's surrealistic language.

First monograph on Californian artist / musician's surreal-oriented universe (collages, sculptures, costumes, performances, music, films and videos), with essays by Doug Harvey, Stéphanie Moisdon and a conversation between the artist and Mike Kelley.

Catalogue.

A Duchampian discovery.

The story of the surrealists' radical anticolonialism: a political, aesthetic and poetic avant-garde.

From Picabia's unpublished love letters to a philosophical and aesthetic inquiry on art, through Goethe, Schlegel, Hegel, or Baudelaire.

30 copies limited edition accompanied by a signed color photographic print of Molinier's fetish doll by Philippe Bonan.

The method and genesis of Pierre Molinier's oeuvre with more than 800 pictures, mostly unpublished, numerous documents, manuscripts and letters, a complete chronology, a critical biography, and a text by Jean-Luc Mercié.

50 copies limited edition accompanied by a signed color photographic print of Molinier's fetish doll by artist photographer Gilles Berquet.

Two long time out of stock references, remastered at le Laboratoire Central.

An innovative analysis of Dalí's work which focuses on the cultural History during the 1920's, showing that the Surrealist revolution went hand in hand with radical changes in society.

The magazine of Albert Skira, 1933–1939.

Curiously enough, although Duchamp considered eroticism as the main topic of his work, no essay had really focused on that matter yet. This book collects the lectures of about twenty international art historians and critics during a symposium organized by Marc Décimo.

Between critical writing and visual art practice.

An unpublished text by Raymond Roussel, accompanied with an essay by Jacques Sivan.

How, in the course of their American exile, the surrealist artists (Duchamp, Tanguy, Masson, Ernst, Lam, Carrigton ...) were influenced by the literary and artistic context. Also a specific study on the perpetual renewal of Surrealism after war, linked with the importance of esoterism, the Amerindian civilizations, and Charles Fourier.

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage.

Two studies on the link between language, art and reality in Marcel Duchamp's work.

Writings and drawings.

A new approach of Duchamp's keywords.

The films, photos, installations, and graphic artworks of Austrian artist Markus Schinwald create a highly charged aesthetic collection of curios in which the human being stands in the focal point of observation.

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage, presents us with “her” Marcel, and relates her encounters with Jacques Doucet, Constantin Brancusi, Henri-Pierre Roché, Man Ray and Kiki de Montparnasse, Jean Cocteau, the Ballets Russes, the Duchamp family, Jean Crotti, Mary Rumsey, Katherine Dreier and Robert Desnos, and describes the atmosphere at the Villons' (in Puteaux, just outside Paris), the Picabias' (at Mougins, in the South of France) and the Sarazin-Levassors' (in Étretat, on the Normandy coast).