Morocco

The group exhibition “Fugitive Volumes” at Mohammed VI museum of Modern and Contemporary Art in Rabat presents three generations of artists trained at the Tetouan Institut National des Beaux-Arts, and in particular those who have flourished since the 1980s in the orbit of the artist-teacher Faouzi Laatiris, creator of the Volume and Installation workshop at the INBA in 1993. Beyond the documentation on the exhibition, this publication offers a critical and comprehensive archive on the “Ecole de Tetouan” and the history of a contemporary art in Morocco.

Liaisons urbaines [Urban Connections] chronicles the development and implementation of an eponymous programme for enhancing public spaces in African cities by operations that combine urban planning and development, design, art and heritage.

This “book-object” prompts the reader to piece together a fragmented narrative comprising texts and pictures to color, to copy, to associate…

With Collective Memory, Mustapha Akrim appropriates one of the most pervasive and widely circulated media of official postcolonial visual culture, the Moroccan dirham. At stake here is how visual representation affects political representation and vice versa.

A documentation on the development and reception of Daniel Buren's monumental in situ work in the gardens of the Sacred Heart Church of Casablanca.

Before History catalogues the exhibition for the Abraaj Group Art Prize 2015, which includes a new body of work by Yto Barrada, the winner of the prize, and existing work by shortlisted artists Sarnath Banerjee, Setareh Shahbazi, and Mounira Al Solh.

In Mohammed Laouli's Golf project, residents of a poor neighbourhood nearby Rabat are invited by the artist to play golf in their own streets, thus subverting the signs of power.

Based on the findings of an interdisciplinary research project, Transcultural Modernisms maps out the network of encounters, transnational influences, and local appropriations of an architectural modernity manifested in various ways in housing projects in India, Israel, Morocco, and China.

A protean series of works in which artist Fatima Mazmouz thinks her pregnant body as an artistic process and as a place of performance.

A book / DVD on the artist residency in Tetouan in Morocco, with works by Fouad Bouchoucha, Jordi Colomer, Moussa Sarr, Simohammed Fettaka, Mohssin Harraki, Youssef El Yedidi, and Kader Attia.

Mustapha Akrim's works mixes at once protest, aesthetics, philosophy and politics. The project documented in this catalogue questions labour and education—two notions symbolized by the recurring motif of the fly. As a work in progress, “Iqraa” also refers to the idea that nothing is fixed—neither aesthetically nor politically.

Reference monograph.

This publication presents a retrospective study on the first contemporary art gallery of Morocco, l'Atelier (The Workshop). It highlights the work of the gallery and help to understand the artistic and cultural dynamics of an era: that of the advent of contemporary Moroccan art on the international scene.

Bellamine's poetic painted photographs.

Reference monograph.

New monograph / artist's book with which Latifa Echakhch proposes an immersion into her visual world, around a series of exhibition views and personal notes and comments.

First monograph.

Artist's book: Christoph Keller's weather experiments with a replica of Wilhelm Reich's rainmaking machine in Morocco, in the form of a complex flip-book.

Artist's book / first comprehensive publication dedicated to Franco-Moroccan artist.

The story of the surrealists' radical anticolonialism: a political, aesthetic and poetic avant-garde.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

An augmented reissue of the guide to the Tiskiwin museum in Marrakech, created by collector and anthropologist Bert Flint following his various travels through Transsaharian Africa.

Reference monograph (available in English edition).

First monograph dedicated to Franco-marocan video-artist's films (installations or movies), dealing with the notions of movement, relation and distance, on the borderline between visual arts, documentary, and cinema.