Argentina

"UFO Forest +" is the third and most alchemically satisfying archival anthology of unreleased material from the Argentinian composer, building on a growing recognition of her poetic, psychosonic investigations ongoing since her studies in the early 60's with Nadia Boulanger and Edgardo Canton, and at the renowned Parisian institute INA-GRM.

Four purely electroacoustic pieces recorded between 1994 and 2002 by the Argentine composer and theorist.

An in-depth exploration of the artistic issues at stake in the work of Ad Minoliti, with the aim of deconstructing the binary categories that history and the history of art have tried to retain as "universal".

An electroacoustic piece composed between 1984 and 1989, inspired by the ancient theory of the four elements and exploring the notions of matter and its transformation.

A 16-channel piece composed between 2016 and 2020, inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary, in memoriam Bernard Baschet, Bernard Parmegiani and Carlos Pellegrino.

Discographisme maison / Homemade record sleeves is a project collecting and assembling a series of record sleeves. They were all reworked and customized by unknown artists who used the original cover as a support or a source of inspiration... This collection echoes an intimate, marginal and overlooked experience, which can be replaced in the history of iconography and pop music.

An essay on the Argentine director Hugo Santiago that questions the very definition of cinema.

Olaf Holzapfel's textile works made from cactus fibre together with a family of traditional weavers from Argentina.

A split LP from two leading voices in electroacoustic music.

Olaf Holzapfel's and Guido Yannitto's textile works.

A collective publication implementing the itinerant project of the School of non-work developed by the Geneva-based Argentinian artist Patricio Gil Flood, developed in always different forms, depending on the context where it settles and acts.

This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).

Large-sized monograph based on Adrián Villar Rojas' “Brick Farm” series.

Julio Le Parc and the practices generated by digital creation.

This catalogue accompanies three solo exhibitions in which two threads in Amelia Pica's practice are brought together: communication between humans and exchange between species. It includes a series of essays on animal rights and the artistic practice of the Argentine artist, as well as documents and an iconographic ensemble.

This catalogue stems from the artist's eponymous video project dedicated to Argentine pianist Margarita Fernández. The publication reproduces two texts from seminars given by Fernández, in which she gives an analysis of the filmic and musical writing taking the example of Robert Bresson's use of Franz Schubert's Sonata in A major.

Sebastián Diáz Morales films and videos show that reality is nothing more than a figment of the imagination. Every figure and every narrative in them is a metaphor for the boundary between reality and fiction. This catalogue documents three recents video works by the Argentinian artist.

This extensive volume spans the drawings of Argentinian artist Guillermo Kuitca from 1971 to 2017. Gathering together for the first time more than 650 works on paper selected from a body of more than 3,000 produced over the course of 40 years, the book lies somewhere between a catalogue raisonné and an artist's book.

Conceived by Sigismond de Vajay, this artist's book combines 70 of his drawings with commissioned essays by Mexican novelist Mario Bellatín, French biologist and glaciology researcher Bruno Jourdain, and geography and biotechnology expert Elizabeth R. Johnson. Together, thanks to their intertwined dialogue around reality, fiction, science, knowledge, and the power of artistic approaches, they express a subjective vision of our changing times.

Vitesse Photon Target is a long-running poem combining typographic and syntactic experiments with the theme of space research.

Published in conjunction with the eponymous exhibition at the Galerie Perrotin in Paris, this monograph features historical works by Julio Le Parc, as well as his most recent paintings, showing an undeniable interest in the study of light and movement. The publication also contains a text by Hans Ulrich Obrist, an interview by Jerôme Sans and a chronology written by the artist.

This publication provides a wide-ranging survey of the Argentinian artist's literary collages—produced from 1965 to 2013—which use appropriated texts, representing a kind of experimental writing at the intersection of visual arts, performance, theater, literature, and activism.

The first full English translation of the Argentine artist León Ferrari's uncompromising literary masterpiece from 1967. A critique of the Vietnam War and American imperial politics, the book weaves together hundreds of excerpts from newspapers, periodicals, works of history, the Bible, and other sources.

The first extensive survey catalogue of Zaccagnini & Lagomarsino, a selection of works from 2001 to 2015 especially displayed by artist Luca Frei and which reflects the two artists' transnational ideals.

Including images and texts around Christian Boltanski's simultaneous site specific projects in Buenos Aires in 2012, this book is conceived as an archive, a memory and a theoretical and critical discussion of the experience.

Julio Le Parc scratches the various actors of the art world.

Julio Le Parc scratches the various actors of the art world (book accompanied with an original artwork signed by the artist).

First monograph.

An image of collective thought concerning the place in which we live.

Designed in close collaboration with the artist, this monograph provides an overview of Carlos Kusnir's canvases, wall paintings, installations and photographs, with a text by writer Frederic Valabrègue.

Artist's book.

Initiated by artist Rirkrit Tiravanija, An innovative publishing format for artists, photographers, architects, musicians, poets, and other groups and individuals that can join in and collaborate any time, from anywhere.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

On the occasion of his carte blanche at the Palais de Tokyo (from 17 October 2018 to 6 January 2019), the artist Tomás Saraceno is the guest editor-in-chief of issue 28 of the magazine Palais.

This catalogue is conceived as a continuation and circulation of Saraceno's eponymous sound project: The artist uses spider webs as musical instruments embodying the incredible structural properties of the spider's silk, but also the spider's sophisticated mode of communication through vibrations. Saraceno recorded jam sessions between arachnids and musicians, included in this publication, as well as documentation, essays, and a manifesto.

First retrospective monograph, conceived by the artist, with 1000 color reproductions and numerous texts.

This DVD features for the first time 9 films by David Lamelas, a pioneer of 70's conceptual cinema.

The first collection of texts published in French by the Argentinian artist and poet.