Contemporary art

This monumental first retrospective monograph dedicated to Louis Michel Eilshemius brings together works from over 70 institutions and private collections, providing the reader with a profound insight into the oeuvre of this unusual artist. In an expansive essay, Stefan Banz examines for the first time the questions of whether and to what extent Eilshemius influenced Duchamp's artistic thinking.

A series of short visual stories designed with refinement by Japanese artist Koyama, whose subtle's pencil stroke, narrative use of geometric forms and application to render textures contributed to build a most fascinating artist's book.

This broadsheet publication documents and extends the investigations initiated during the first edition of Screamscape, an informal international institute of creation and research on screaming.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.

First monograph devoted to French artist Anne Brégeaut's intimate, phantasmic and colorful universe, a world deceptively happy, sentimental and almost childlike, but contaminated with incongruous or absurd connections that make it successively disturbing, ambiguous or fragile.

Luxury edition of Anne Brégeaut's monograph, accompanied by a screenprinting limited to 50 copies.

The digital catalogue of the 13th edition of the international exhibition, curated by American curator Ralph Rugoff, under the title “La vie moderne”: a radical and poetic take on daily life and the modern world.

The book of the 13th edition of the international exhibition, curated by American curator Ralph Rugoff, under the title “La vie moderne”: a catalogue both physical and digital (the paper guide allows access to the complete digital catalogue from a download code).

The second volume of Sculpture Unlimited looks at the influence of new technologies on the practice of sculpture.

Theater of Exhibitions analyzes “art after the end of art,” questioning whether inherited frameworks of making, theorizing, and exhibiting art still apply to contemporary practice.

This substantial monograph gathers reflections on Ane Hjort Guttu's recent film projects and offers insight into the artist's work and methodology, and the potential of art as a critical and political tool.

Through the use of a saturated blue color altered by light and demarcated by architectural forms, Haliti's installation for the Kosovo Pavilion at the 56th Venice Biennale reflects on the salient concepts of the border, freedom and mobility. This extensive documentation is an invitation to encounter a visual field in which territorial boundaries are referenced and mediated by the sensory.

This two-volume publication tells the story of Juhan Ojaste, an Estonian gay icon, and tackles the issue of homophobia in authoritarian political regimes. Not Suitable for Work attempts to create counter-narratives that recognize the inclusion of suppressed histories, communities, and identities (catalogue of the Estonian Pavilion at the 56th Venice Biennale).

This artist's book gathers a collection of interviews by artist Mathilde ter Heijne, exploring the idea of open-ended, collaborative art processes and their transformative potential beyond the confines of art.

This unique publication, filled with annotated images, presents an inventory of design, furniture, and textiles produced for Fogo Island Inn. Each piece is a collaborative effort between artisans and craftspeople living on the island and designers from various parts of the world who were invited to engage with the history and communities of Fogo Island and Change Islands in Newfoundland, Canada.

A new series of oil paintings by Swiss artist which unveils the strange and wonderful aspects of common life.

Five cinematic works examining how the artist approaches the relation of montage editing techniques with the concept of film and memorial and film as memorial.

This richly illustrated publication reviews the additions to the Generali Foundation collection made under Sabine Folie's leadership between 2008 and 2014.

Artist's magazine.

A collaboration between Toilet Paper and Kenzo (limited edition of 2000 hand numbered copies).

6th issue of the art and research magazine is dedicated to Jean-Christophe Averty.

A reference book, the first in French dedicated to the work of Pino Pascali, a central figure of Arte Povera and art of the 1960s.

Featuring: interview and portfolio by Michel Houellebecq, Bouchra Ouizguen in Marrakech, which cultural life in New Orleans, 10 years after Katrina? (reportage), a portrait of Tiago Rodrigues, director of the National Theatre of Lisbon, Titus Andronicus's punk opera...

Art and the City 2.0.

The first book entirely dedicated to the sculptures of multimedia artist Doug Aitken, this volume offers an overview of his 3D works and includes a specially commissioned text by acclaimed novelist Steve Erickson.

Drawing relations between writers' quotes and the works of Céleste Boursier-Mougenot (with a text by Benoît Viguier).

A collection of texts connecting ancient Chinese culture and contemporary art in search of a better understanding of our relationship with nature.

Lester's second monograph is an alphabetical assortment of the artist's most prominent installations, interventions, sculptures, and films of the past fifteen years.

Taking the historical account of philosopher René Descartes' creation of an animatronic effigy of his deceased young daughter as its foundation, Descartes' Daughter explores the traditional divide between conceptual and expressive works, those dealing with either the mind or the body (catalogue).

A touring exhibition which explores the existing and sometimes hypothetical connections that led four Chinese artists to settle down in Eighties' New York.

A documentation on Claude Closky's artwork commissioned by the Paste association as part of the New Patrons program.

Reference monograph: an overview of Marie Bovo's work, juxtaposing her latest projects with her emblematic photographic series, inspired by Mediterranean cultures (each series being put into perspective with the corresponding exhibition views), with two essays and an interview.

A sequel to Kadath Fatal: drawings inspired by H. P. Lovecraft (artist's book).

Sur vol. II invites a series of encounters between artists, writers, and curators working in the Middle East and in Mexico to explore the rich, relatively uncharted history linking both places, especially around the notions of utopia and exile.

A series of photographs which dismantles stereotypes by documenting the actual realities of everyday life in Africa.

Inspired by Persian tapestry, Kour Pour's paintings are highlighting the artist's interest in the cyclic life of images, shifted back-and-forth between the online realm and the material world. This first monograph includes images of all the paintings on display, some installation views and a photographic documentation of the art work's making process, along with an essay by the curator Nicola Ricciardi.

Comprehensive monograph: this first retrospective publication gathers together Mančuška's work, which combined different media—literature, film, theater, installations, video, and text—was exhibited widely, from the second half of the 1990s to his last unrealized projects from 2011.

First monograph: an overview of the evolution of New York-based artist Michael Williams' work.

This catalogue interrogates the notion of play in contemporary art, bringing together artists who use formats and imagery from popular culture usually addressed to children or teenagers.

Avant-garde meets Cinecittà: in 1964, artists Baruchello and Griffi edit found footage of Hollywood films from the fifties in Italian version. This original assemblage seeks to disclose the formatting process in the Cinema Industry and offer a new meaning to images.

An aesthetic and ethical approaches to the handling of natural resources. By drawing connections between works that derive from artistic practice, journalism, philosophy, activism, and other realms of research, “World of Matter” provides a place of commonality for eco-logical imaginaries.

Amar Kanwar's extensive project on the social struggles and expropriation issues which take place in the land of Odisha in east India (in collaboration with Sudhir Pattnaik / Samadrusti and Sherna Dastur).

Musician Kamran Sadeghi took field recordings from an anthropological research on Tierra del Fuego as a starting point to compose his digital musical score for a video installation by Mario Pfeifer.

First monograph. An overview of French artist Corinne Laroche's work and artistic process since 1995, with two essays and an interview.

This seventh issue gathers six polymorphic texts about the many aspects of drunkenness and intoxication in art and society (with Sébastien S. Th. Biset, Antoine Boute, Emmanuel Giraud, Pierre Hemptinne, Tom Marioni, Véronique Nahoum-Grappe).

This artist's book documents a dialog, exchange, and collaboration between Per-Oskar Leu and Benjamin Tiven, from summer 2013 through the winter of 2015.

Light, skin, titan and body-consciousness to navigate between shelter and space: this artist's book shows collages of objects layered around in life size, then spreads out into the book space and installation works using photography and film.

A drivel is a short story wrote by Keren Cytter in a style reminiscent of Witold Gombrowicz, though its meaning gets lost in the continuous intertwining of characters, their stories and their memories.

Issues results from the invitation made to Sébastien Roux to compose from the six issues' collection of the contemporary art magazine about sound Volume, released between 2010 and 2013, using the textual corpus as a generator of scores to write and eventually have performed.