Unpublished text with an original silkscreen print signed by the artist.

Exhibition catalogue (Hanne Darboven, Gretchen Faust, Isa Genzken, Marthe Wéry, Laurie Parson, Jessica Stockholder, Judith Barry, Annette Messager, Cindy Sherman, Rosemarie Trockel, François Vergier).

A repertory of performance art practices in Canada over twenty years, with contributions by art critics, historians, and artists, a history of performance in Quebec and Canada, teh report of 35 major events, the description of 2000 performances, more than 600 photos, a bibliography...

The report of the first Biennale of contemporary art and performance in Quebec.

A correspondence between a Moor and a Christian in 1666 at the time of false prophets and multiple conversions. Somewhere between official speeches and secret dealings, an allegory of contemporary colonialism...

A correspondence between a Moor and a Christian in 1666 at the time of false prophets and multiple conversions. Somewhere between official speeches and secret dealings, an allegory of contemporary colonialism...

Considering the relationship between technology and imagination , this book undertakes a mediological reflection on the current cross-hybridization of media which exacerbates and enriches the inherent differences between cinema, video and images. Included, a dictionary of international video-makers and their works.

For his first ever conceptual piece from 1990, Frédéric Acquaviva collaborated with Australian pianist Mark Knoop on the recording of all harmonic frequencies using only the damper pedal of a piano.

Catalogue.

Catalogue of the 5th Festival d'In(ter)vention curated in Poland by Quebec art center.

The complete script of the film The Cook, the Thief, His Wife and Her Lover, a tragic tell about revenge and an allegory for Thatcherism. Greenaway reveals himself not only as a great creator of cinematographic splendors but also as an authentic writer who seeks literary imagery and metaphor.

The complete script of the film The Cook, the Thief, His Wife and Her Lover, a tragic tell about revenge and an allegory for Thatcherism. Greenaway reveals himself not only as a great creator of cinematographic splendors but also as an authentic writer who seeks literary imagery and metaphor.

The first monograph dedicated to the choreographer's work.

Inspired by a short story by Alvaro de Carvalhal, a Portuguese writer who died in 1861 at the age of 23, and who was the author of unusual tales which were published posthumously, this libretto, written by Oliveira, is a complete transcription of his filmed opera The Cannibals.

This trio has only one line of instrumentation and remains in total harmony throughout, though the melodies and the rhythms often arise from unexpected places. An incisive and vertiginous climb towards pleasure and dreams, street music and dance music; these fragile and volatile moments were fixed in concert in Vandœuvre in 1989.

Exhibition catalogue.

Catalogue.

Collective exhibition catalogue (Dimitrije Basicevic, Miljenko Horvat, Marjan Jevsovar, Julije Knifer, Josip Vanista).

This book reproduces a series of gouache drawings by Jean-Charles Blais, which uses a hand bandaged as pattern, drawn in very close-up.

Drowning by Numbers tells the story of three women from different age groups named Cissie Colpitts who each have murdered their husbands by drowning them. The narrative structure of the film underlies a numerical order based on the number 100. A fascinating riddle on man's relationship with death and time.

Monograph.

The first monograph to explore the entire work of the master of Portuguese film (interview with and visual lay-out by Manoel de Oliveira).

Nine oils and collages on canvas.

Catalogue.

Reference monograph.

An “editorial performance.”

A retrospect on the abundant work of this poetic artist, explorer of images and builder of labyrinths who expresses himself on film, in the theater and in his writings. Interview with, and visual lay-out by Raul Ruiz.

This monograph points up the many facets of Greenaway's work—pictorial, literary, musical and philosophical—all of which are inherent to his films.

Group exhibition catalogue with Bruce Nauman, Niele Toroni and Giulio Paolini.

Brochure/catalogue (24 pages) of an exhibition that took place in 1987, simultaneously in Milan (Mercato del Sale gallery) and Paris (Donguy gallery), presenting the pictorial version of metaphysical poems.

The use of concrete in visual arts, from 1976 to 1987.

Exhibition catalogue (Jean-Michel Alberola, John Armleder, Ludger Gerdes, IFP, Hubert Kiecol, Bertrand Lavier, Allan McCollum).

Catalogue dedicated to the exhibition held by the pionneer of Arte Povera at Le Magasin in 1986 in France. With a text by Franz Kaiser.

Catalogue documenting the eponymous installation—250 clocks and 250 hammers mounted on a wall—especially commissioned by Le Magasin in 1987. The publication includes texts by Jacques Guillot, Franz Kaizer, Dominique Gonzales-Foerster, and René Denizot.

Reference monograph.

The first edition of Julien Blaine's "metaphysical poems".

Catalogue.

These tracks were recorded during the 1985 Musique Action Internationale festival, organised by CCAM. This vinyl record is a remnant of those days dedicated to new music.

Reference monograph edited by the artist, with introductions by Octavio Paz and John Golding.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

Exhibition catalogue (Daniel Buren, Peter Downsbrough, Sol LeWitt, François Morellet, Claude Rutault, Fred Sandback, Niele Toroni).

The use of concrete in visual arts, until the late 1970s.

Pocketbook.

Pocketbook.

Pocketbook.